Arnold Schwarzenegger is back
With a new Netflix documentary and series, the actor is ubiquitous once again
Alexander Larman is an author and the US books editor of The Spectator.
With a new Netflix documentary and series, the actor is ubiquitous once again
We may be seeing the death throes of cinema as we know it
The recreations of the battles of Austerlitz and Waterloo, among others, look peerless
It shares with Taken a belief that vulnerable, impressionable children should not be allowed out of their parents’ sight, for fear of the worst happening
Remember when Big Business was the bad guy?
The writer is an easy man to admire and sympathize with, but a hard one to like
This is not an isolated example of hype over achievement
It is unclear who the target audience of these desperately unnecessary films is
The LA County DA’s office said he will not be charged with any crimes
The Roys bow out in style
It seems that the ‘revised’ titles are likely to become the norm
The novelist leaves a distinctive and distinguished legacy
This most quixotic of performers doesn’t seem at all bothered by his fall from grace
The Craig films appear ‘made by people who are embarrassed to make a Bond film’
So much more than America’s Radiohead
It went badly, as might be imagined
He is the most eccentric and in-demand leading man of his time
A challenge fit for a king
In order to take over the globe, he had to succeed in the largest English-language market
For unpretentious fun and much-needed escapism, the new movie is just the ticket