Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

Television review: Channel 4’s mating season

Television

Channel 4 is deep into its summer of love. It’s having a Mating Season and — unusually for the network — it’s not all about sex. Instead, it’s about those fluttery butterflies that occur before the birds and the bees come in, when two people meet for the first time and get to know each

Sex! Soap! Starkey! The Tudor invasion of British television

Television

The Tudors have invaded television. Everywhere you look, it’s Henry VIII this, Henry VII that, Anne Boleyn this, Anne of Cleves that. On BBC2 is the continuing drama series The Tudors, whose Henry VIII looks like the lead singer in a boy band who’s stumbled on to the wrong film set. At any moment, you

‘Bankers’ was not a documentary. It was a BBC hit job

Television

I like bankers. They’re an honest lot. All of us like money, but only they are upfront about it. I once witnessed a conversation between three financiers that started with them comparing their cars, then their houses, then their helicopters. None of the shilly-shallying you find at a society cocktail party, where people slyly suss

James Delingpole

The Fall, Culture Show Special — Not Like Any Other Love: The Smiths

Television

The serial killer on The Fall (BBC1, Monday) is no ordinary serial killer. He has a unique and terrifying modus operandi — or ‘signature’, as we serial-killer experts call it. What this serial killer does is to predate ruthlessly and single-mindedly on those young, attractive women unfortunate enough to be in the precise target-audience demographic

Will the internet save television?

Television

Forget The Apprentice. A ‘reality TV’ show where you have no say, and where you can only watch as Sir Alan Sugar does all the hiring and firing? That is so last decade. Forget, too, quaint programmes such as The X Factor, where you pick the contestants you like and the ones you don’t —

James Delingpole

Television: Margaret: Death of a Revolutionary

Television

In Margaret: Death of a Revolutionary (Channel 4, Saturday) — Martin Durkin’s superb tribute to our greatest prime minister — there was some footage of Harold Macmillan giving his ‘selling the family silver’ speech that made me quite sick. What nauseated me first was the sycophantic laughter from his black-tie Tory Reform Group audience oozing

TV review: The Secrets of Britain’s Sharia Courts; The Sex Clinic

Television

Sometimes a television programme raises far bigger questions than it actually gives a platform for, which is the case with Panorama’s The Secrets of Britain’s Sharia Courts (BBC1, Monday). Wedged in this half-hour slot are explosive issues such as the sovereignty of British law, the role of religion in arbitrating on marital disputes, and the

James Delingpole

The Village

Television

Everyone’s loving BBC1’s new, Sunday-night period mega-drama The Village (32 episodes long if writer Peter Moffat has his way). It’s taut, spare, grown-up, accomplished, dark, strange and poetic, according to the critics, which I think are all euphemisms for ‘not like Downton Abbey’. And it definitely isn’t like Downton Abbey. There’s a lot more brooding,

Bankers: I like them — somebody has to

Television

I like bankers. They’re an honest lot. All of us like money, but only they are upfront about it. I once witnessed a conversation between three financiers that started with them comparing their cars, then their houses, then their helicopters. None of the shilly-shallying you find at a society cocktail party, where people slyly suss

James Delingpole

Lost in space | 21 March 2013

Television

On 28 January 1986 the Challenger space shuttle exploded shortly after launch, killing all seven crew. What made it worse was that one of the victims, Christa McAuliffe, was a teacher, so of course all the children in her class were watching it live on TV. I remember it well. For the first few seconds

The future of arts broadcasting

Television

Under the stewardship of John Reith, the BBC was godlier than it is today. In fact, when Broadcasting House was first opened in central London, Director General Reith made sure to dedicate the whole thing to Him up there. An inscription was chiselled into the wall of the building’s foyer, which began: ‘To Almighty God,

Mimics, pagans and pilgrims on TV

Television

What would you do if you had a quite extraordinary talent in impersonating everyone, from Al Pacino to Barack Obama to just any random Irish bloke? In TV land, you are probably rather baffled by it all, and unsure what to do about it as you languish in an unfulfilling half-life, until a Series of

James Delingpole

Bluestone 42: Dad’s Army it isn’t

Television

The thing that always used to bother me about M*A*S*H as a child was the lack of combat. You’d see the realistic film of choppers at the beginning and, obviously, the plotline would quite often include casualties coming in from recent scenes of action. But the exciting stuff always seemed to happen offstage, a bit

ITV’s Food Glorious Food is under the curse of Simon Cowell

Television

I sometimes worry that ITV — the middle child — doesn’t get enough of my attention and so this week I have decided to redress the balance: I devoted myself to episode one of Food Glorious Food (Wednesday, ITV). It’s a nine-part quest, hosted by Carol Vorderman, which aims to discover ‘Britain’s best-loved recipe’. O

James Delingpole

New word order | 21 February 2013

Television

‘Don’t be evil.’ Google’s unofficial motto. ‘Evil men don’t get up in the morning saying, “I’m going to do evil.” They say, “I’m going to make the world a better place.”’ Christopher Booker. Meanwhile — while you were distracted by other things like tax bills and school fees and somehow scraping by — Google and

Schoenberg in shorts

Television

For anyone who missed The Sound and the Fury (Tuesday, BBC4) here is a reason — one of many — to catch it on your iPlayer: footage of a fierce, frowning and elderly Stravinsky, sitting in the empty stalls of the Théâtre des Champs Elysées and recalling the ‘near-riot’ which greeted the first performance of

James Delingpole

Old school joy

Television

Let’s not beat about the bush: Howard Goodall’s Story of Music (BBC2, Saturday) is landmark television, a documentary series that deserves to rank with such unimpeachable classics as Kenneth Clark’s Civilisation and which, if you haven’t seen it yet, you absolutely must for it will answer so many of the questions that have been bugging

Ordinary people | 31 January 2013

Television

There was little reason to be curious about David or Jackie Siegel at the beginning of Queen of Versailles (Monday, BBC4): he is the King of Timeshare and she is his Beauty Queen; they are building a palace in Florida, and modelling it on Versailles; it will be the biggest private home in America, when

James Delingpole

The hard sell

Television

`The older I get, the less tolerant I become of being treated by television like a child with Attention Deficit Hyperactivity Disorder. No offence meant to Dr Jago Cooper but, if I’m going to consider spending a valuable hour of my fast-diminishing lifespan watching a documentary about Lost Kingdoms of South America, the very last

Wodehouse to the rescue

Television

I knew this would happen: I’ve been watching season five of Mad Men on DVD and it’s spoiled me for normal telly. If you notice increased levels of toxicity — dissatisfaction and disgruntlement — in the following grumblings, then Mad Men is the reason.  Nothing pleases me so much, you see, and I am likely

James Delingpole

Death watch | 10 January 2013

Television

Some people say TV is a bad thing for families but I say don’t knock it. It was thanks to TV this school holidays that I almost got vaguely, slightly, accepted by Boy. Fathers of young teenage males will know exactly what I’m on about here. There comes a point — quite often bang on

What the doctor ordered

Television

I don’t know whose idea it was to put New Year at the beginning of January, but it seems like an odd one. Why not begin each new year on, let’s say, the first of April or May? It might bring at least a dash of new dawn-ishness — a flicker of sunlight, scampering clouds,

James Delingpole

On the bias

Television

It must be ten years now since I risked life and limb to brave the Cresta Run, go fox hunting and be driven round a racetrack by Lord Brocket in a Ferrari for a Channel 4 documentary on the British Upper Class. In the heady few minutes following its first transmission I thought it would