The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
In January 1958, the British government began working on the significantly titled Operation Hope Not: its plans for what to do when Winston Churchill died. The plans, it turned out, wouldn’t be needed until January 1965 — but the intervening seven years were obviously well spent, because, as Churchill: A Nation’s Farewell (BBC1, Wednesday) made
Probably the two greatest advances in western culture in my lifetime have been the Sopranos-style epic serial drama and the advent of TV on demand and/or the DVD box set. I don’t think I’m saying anything weird or contentious — or indeed original — here. For example, I’m writing these words at the end of
Channel 4’s Cyberbully (Thursday), written by Ben Chanan and David Lobatto, turned out to be a brilliantly gripping drama, even if the average middle-aged viewer might have found the early scenes as baffling as Finnegans Wake. Teenage Casey Jacobs (Maisie Williams) was alone in her bedroom, although not in the way we used to be:
God, it must be awful to have been at school with James Corden. As he sat fatly at the back of the class farting and flicking bogies and distracting the teacher with his relentless smartarsery, you’ll have consoled yourself with the happy thought that at least this repellent, maddeningly irritating waster was never going to
As a New Year’s Day treat for all the family, Esio Trot (BBC1) seemed to be taking no chances. It was based on a book by Roald Dahl, had a script by Richard Curtis and his Vicar of Dibley co-writer Paul Mayhew-Archer, and starred Judi Dench and Dustin Hoffman. So. The appeal of the original
If ever my near-neighbour William Sitwell is killed in a bizarre shooting accident and I end up taking his place as one of the guest critics on MasterChef: the Professionals (not likely, I admit, but you never know), here are some tips for competitors who wish to avoid a stinking review. 1. Don’t serve me
BBC1’s authentically spooky three-part ghost story Remember Me hasn’t yet revealed what’s really going on in that gloomy Yorkshire town. Nonetheless, the second episode did clear up one mystery. We now know how Michael Palin managed to find room in his schedule for what the advance publicity described as his first leading dramatic TV role
One of the great benefits of having teenage children is that they force you out of your fuddy-duddy comfort zone. There was no way, for example, that the Fawn and I were ever going voluntarily to watch I’m a Celebrity… Get Me Out of Here! because we’re snobby old farts who only like history documentaries
There can’t have been many people who watched Confessions of a Copper (Channel 4, Wednesday) with a growing sense of pride. Among those who did, though, will presumably have been the creators of Life on Mars and Ashes to Ashes — because, in its frequently hair-raising way, the programme confirmed how well they did their
There’s a plausible theory — recently rehearsed in the BBC’s excellent two-part documentary The Lion’s Last Roar? — that our war in Afghanistan was largely the creation of the Army, which sorely needed a renewed sense of military purpose after the debacle in Iraq. As a taxpayer, this appals me. As the parent of a
Twenty minutes into BBC4’s The Heart of Country (Friday), there was a clip of Chet Atkins, country music’s star producer of the 1960s, being asked to define ‘the Nashville sound’. Atkins reached into his pocket, pulled out some coins and rattled them in his hands. ‘That’s the Nashville sound,’ he said with a slightly rueful
I love Grayson Perry. You might almost call him the anti-Russell Brand: a genuinely talented artist who also has some very interesting stuff to say — as he’s demonstrating yet again in his highly entertaining new series Who Are You? (C4, Wednesdays). It ought to be ghastly and it ought to be pretentious: a trendy
One of the more welcome and surprising things about television at the moment is that Homeland (Channel 4, Sunday) is good again. As I’m not the only person to have pointed out, the first series was great. After that, though, the show suffered badly from the diminishing returns which so often afflict a deserved American
Detectorists (BBC4) is a sad git’s niche comedy that would never have been commissioned if it hadn’t been written and directed by Mackenzie Crook (who sort of counts as a Hollywood star, now, because after making his name in The Office he went on to appear in the Pirates of the Caribbean series). But I’m
Anybody feeling a bit depressed about the shortcomings of humanity could do worse than watch Brian Cox’s new series Human Universe (BBC2, Tuesday) — which, judging from the first episode, is all about how great we are. Early on, Cox was shown hanging out, Attenborough-like, with some gelada baboons in the highlands of Ethiopia. They
So you’ve just popped down to the supermarket for the weekly shop, toddlers in tow, when the grenades start to fly, the air lights up with tracer bullets and you realise to your horror that unless you find a suitable hiding place in a matter of seconds these are the last moments you’ll spend with
Needless to say, it’s not uncommon to hear single British women in their thirties and forties saying that all the good men are married. But in The Men with Many Wives (Channel 4, Wednesday) this came with a twist: it turned out to be precisely the reason why you should marry them too. Polygamy may
At a birthday dinner over the weekend I was introduced to this delightful party girl of a certain age whose diet for the evening consisted of chips and Grey Goose vodka on the rocks with lime. She launched straight into the praises of this marvellous gay couple she knew in the area who were mad
For some of us, the biggest TV question of recent weeks hasn’t been how Newsnight is doing without Jeremy Paxman, British drama’s fightback against American competition or even the treatment of Diana Beard by the editors of The Great British Bake Off. Far more important is whether a small BBC4 quiz show can survive a
Is it just me or are almost all TV documentaries completely unwatchable these days? I remember when I first started this job I’d review one almost every fortnight. Always there’d be something worth watching: on the horrors of the Pacific or the Eastern Front, say; or castles; or Churchill; or medieval sword techniques. But now
Viewers who like their TV journalism hard-hitting should probably avoid Hotel India, a new BBC2 series about the Taj Mahal Palace in Mumbai. The tone of Wednesday’s episode was set immediately when the narrator introduced us to ‘one of the oldest and grandest hotels in the world’, where ‘no detail is too small or demand
Where is Jessica Hyde? If those words mean nothing to you then I have some excellent news. If not, then you’ll already be aware that I have failed you totally. And not for the first time, either. I was about a series (sorry, ‘season’) late to Game of Thrones; not much quicker into Breaking Bad;
War can reshape the medium of television. The First Gulf War was a landmark moment in broadcasting: CNN had reporters in Baghdad when the first bombs fell, no one else did, America was riveted and the concept of 24-hour news (accompanied by thousands of graphics) suddenly took off. And now, just as a third conflict
Gomorrah (Sky Atlantic, Monday), the new, must-see Mafioso series, started promisingly. We met two hoods — one young, shaven-headed, good-looking; one weary, brow-beaten, middle-aged — filling up at a petrol station in Naples, an unfamiliar (to me anyway) setting that looks promisingly like a cross between Vegas and downtown Gaza. Clearly they were up to
Channel 4’s Kids and Guns (Thursday) began with an American TV advert in which a young boy’s eyes shone with gratitude when his parents gave him a large gun, proudly marketed as ‘My First Rifle’. And just in case that seemed a bit macho, the ad also pointed out that My First Rifle is available
If there’s one thing everyone knows about BBC comedy it’s that it’s going downhill. According to Danny Cohen, now Director of BBC Television, it’s too white and middle class; according to producer John ‘Blackadder’ Lloyd, it’s run by idiots like the bureaucrats in the BBC satire W1A who don’t understand what comedy is; according to
A few weeks ago, my eight-year-old son, who’s taken up the guitar, announced that he’d learned something new. He then played a sequence of chords — approximately, Duh-duh-duuh, Duh-duh-da-duuh — that I’ve been hearing from all guitarists since I was about eight myself. ‘It’s called “Smoke on the Water”,’ he informed me, unnecessarily. Of course,
‘Fingers on buzzers!’ says Jeremy Paxman on University Challenge. But technically this is inaccurate. Only one of the teams actually has buzzers. The other side has push-button bells, instead. I’ve been watching the programme religiously for God knows how many years without ever consciously noticing this. But, once you’ve been told, it’s obvious — in
BBC2’s The Honourable Woman (Thursday) began with a rather portentous voice-over bringing us the unsurprising news that ‘We all have secrets. We all tell lies just to keep them from each other and …pause to indicate psychological profundity …from ourselves.’ Luckily for the viewer, this was accompanied by the sight of man in a restaurant
