The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
Five women, five very different stories of arriving in the UK, often unwillingly and always alone. How did they cope with the loneliness, the poverty, the loss of everything they once knew? What do they now think of the country that has become their adopted home? Jeremy Vine talks to them next week in a
‘He was a natural broadcaster,’ said Nick Higham, after the death last week of the rugby player and sports broadcaster Cliff Morgan. I wondered what he meant. ‘Natural’ as in born to the task? Or ‘natural’ as in his ability to communicate as if chatting directly to you, and only you, with no pretension or
How many listeners, I wonder, actually tuned in to Darkside as it went out on air on Radio 2, after dark, curtains closed against the pale moon waning? One listener for sure at 10 o’clock on Monday night was David Gilmour, Pink Floyd’s guitar man and co-creator of the band’s mega-successful ‘concept album’ The Dark
Just in time for the Paralympics the veteran broadcaster and campaigner for disability rights, Peter White, has launched a special Paralympian series of his No Triumph, No Tragedy programme (Radio 4), the title of which should probably be reversed. On Sunday he talked to Margaret Maughan, the first Briton to win a gold medal at
It must have sounded like such a great idea. To gather a group of thinkers, agitators, experts, intellectuals and media people round a large table, mike them up, ply them with drink, choose a presenter from the radio hall of fame to act as monitor and shut the studio door. Then switch on the red
Of course there’s a future for digital radio, it’s just that we’ll probably be listening to it online, or on the phone. The wireless set, tucked on the kitchen shelf, beside the bed, among the vases in the lounge, permanently tuned in to Aggers or Humphrys, Livesey or Lamacq, will become a museum piece, an
Will digital radio ever really take off? We were supposed to be switching over to digital-only reception in 2015 (three years after the TV switchover) but with only 36.8 per cent of listeners as yet tuning in to a digital station the future of DAB is beginning to look very uncertain (and most of those
Every so often a programme comes along that completely alters the way you think about something you thought you understood. It’s 60 years since the end of the Korean war on 27 July 1953 and last Friday the World Service marked the occasion by rebroadcasting an interview from the Witness series. These short programmes, often
The licence fee is both a blessing and a curse for the BBC. The clue is in that nickname — Aunty — both affectionate and slightly patronising. Aunty implies that the corporation is a friendly family affair, middle-of-the-road and just a teeny bit desperate to stay in favour, like grown-ups attempting the dance moves of
It had begun to look as if Radio 4’s Book at Bedtime had been taken over by the zealous publicity-hungry PRs of publishing. For the past few months we’ve had nothing but the latest John le Carré, Neil Gaiman, Mohsin Hamid and Jami Attenberg. Books that would sit better in the morning Radio 4 slot
Out and about in Surrey on Sunday I happened upon a scene that could have been played out 77 years ago. It was mid-afternoon on that glorious sunshiny day. Lunch just about over. The pub had a large garden with tables neatly shaded by leafy pergolas. A family group had finished their meal but were
One morning in 1995 Tara Bariana walked out of his house in Walsall and didn’t stop walking until he had reached the village in the Punjab where he was born and grew up. Ten thousand miles in 19 months is a lot of footwork. What made him do it? ‘I came here in 1960 with
We’ve heard it all before — the misery that war wreaks on everyday lives — but Lina Sinjab’s audio diary of her experiences in Syria took us right into the heart of what it feels like to be hounded out of your home, your memories, your sense of who you are and where you belong.
At 17.05 on the afternoon of 18 September 2010, Sebastiane Hegarty made what was to be the last recording of his mother’s voice (she died in April 2011). As he says, the digital tape ‘invented our last moment’; a moment of no great significance, nothing meaningful was said, except that it now marks an ending.
He’s gone. Not that anyone apart from Lilian will miss him. But Paul’s been despatched (at long last) to the Land of Discarded Soap Actors, despised, rejected and scorned by most of those who knew him in Borsetshire — and also, I hope, by any self-respecting Archers Addict. I felt nothing, absolutely nothing, at the
Coronation Day 1953 could have marked the end of radio as we know it. No one wanted to listen to the commentary from Westminster Abbey. Everyone wanted to see what was going on. Hearing could not, it was thought, be as effective an act of witness as viewing the glittering diamonds, the gleaming satin, the
‘Grief is work,’ said one of the parents of the teenagers killed by Anders Breivik on the island of Utoya in Norway. ‘To deal with grief — that’s work from the moment you wake up till the moment you fall asleep. And even then many people struggle with their grief when they sleep.’ His frank,
‘I don’t understand him and never will,’ says Pearl, the pivotal character in Anne Tyler’s 1982 novel Dinner at the Homesick Restaurant. She’s talking about her husband, but could be saying something much bigger, larger, more meaningful. That’s the charm (and effortless skill) of Tyler’s writing. She appears to be drawing very mundane portraits of
What was shocking about Damien Hirst’s appearance on Desert Island Discs on Sunday was not his admission on air that he lost his £20,000 Turner Prize cheque, and then discovered he had spent it all in the Groucho Club bar. Or his account of his early teens drinking cider beneath the pylons, shoplifting, burgling, always
What will you miss most if your hearing begins to diminish? Those secretly overheard snippets of conversation on the bus? The throwaway comments of partner or child? A great Shakespearean in full flow on the stage of the National? High on my list would be the Dawn Chorus. Once it starts up again in full
Forty years ago, the idea of having an hour of BBC Radio devoted to men talking about themselves would have been so cutting-edge. Back in that dark age, you could still see City gents striding to work in pin-striped suits and bowler hats, whose buttoned-up appearance reflected (or so we have always been led to
Front Row is one of those Radio 4 programmes that it’s too easy to take for granted. It’s on every weekday, all year round, at the same peak listening time (after The Archers), with a team of presenters, John Wilson, Mark Lawson and Kirsty Lang, who have become such a reliable fixture they’re almost like
You could say that Sue MacGregor has done as much for women on radio as Margaret Thatcher did for women at Westminster. You might, though, want to add that MacGregor survived for 18 years as the only woman presenter on Today, Radio 4’s chief news and current affairs programme, without finding it necessary to deepen
No one writes for radio for the money. Or for the notoriety. You’ll never make mega-bucks or see your name in lights. Yet still they write — because it’s challenging and yet also so much fun. There are no restrictions on the air, no boundaries of time or space, no limits on what a character
You could say that Neil MacGregor revolutionised radio with his mega-series A History of the World in 100 Objects. In each of those 100 programmes he took us on an extraordinary journey of the mind, to show us what we’ve been up to since the first ‘primitive’ reindeer carvings of the Ice Age. He did
‘That’s the power of ritual,’ said the Chief Rabbi, Jonathan Sacks, on Thought for the Day last week. He was thinking particularly of the Jewish festival of Passover with its ritual gathering of the family to eat unleavened bread and bitter herbs as a re-enactment of the experience of exile and slavery. ‘It’s an expression
Does anyone ever listen to Radio 4’s Moral Maze on Saturday nights? It is only the repeat edition (the live discussion happens on Wednesday nights), but even so why broadcast such a deliberately discomfiting programme at almost bedtime on the most mellow night of the week? It’s such an odd mismatch. There you are, winding
The drums roll, hollow and ominously persistent. Then come the trumpets, in a minor key, sepulchral, eerie, penetrating. ‘Just imagine,’ interrupts Donald Macleod, ‘the sense of shock mingled with a kind of disbelieving horror of those who performed that music in November 1695.’ Macleod was introducing his Composer of the Week, which as part of
‘The problem is why,’ said the health project officer of a British charity working in the marshlands of southern Iraq close to Basra. ‘No one answers why?’ He was talking to the BBC journalist Hugh Sykes about the state of Iraq, ten years after the fall of Saddam Hussein. He agreed that the Americans and