The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
It’s such a simple idea. Take a tape recorder. Hang around at the entrance to a railway station or in the departure lounge of an airport. Look for an intriguing face, an unusual couple, a dashing outfit. Rush up to them (having remembered to switch on the recorder) and ask, ‘Where are you going?’ As
When the BBC proposed to do away with 6 Music a few years ago, the media-savvy fans of the station created such a fuss on Twitter and Facebook that the Corporation caved in. Threat of closure was exactly what the station needed to grow its listener-base, now almost as big as Radio 3, and growing
It doesn’t take long for an international event of historic importance to fall off the news agenda. Ukraine is still there, making headlines, but soon it will be forgotten as the political drama in Kiev, Sebastopol, the Crimea is overtaken by an unfolding crisis elsewhere. We who live beyond and outwith the situation are encouraged
‘Phwhoof!’ exclaimed Evan at 8.27, before reluctantly turning us over to the sport report on Saturday morning’s Today (Radio 4). His intense connection with what he had just listened to in the studio (and we had heard at home while slowly waking up to the day) as Gavin Hewitt and Duncan Crawford reported from the
What does freedom mean to you? That’s the question the BBC World Service has been asking of us through its season of programmes Freedom 2014. The Canadian astronaut Chris Hadfield (whose daily blog from space went viral) gave us a vivid and unusual image of what freedom, or rather the lack of freedom, looks like
‘Brown is very good — no Cameron. David Cameron no good,’ he said. Just in case we weren’t sure what he meant, he repeated, ‘Brown I like. Labour government I like. I like the Brown. I like the Tony Blairs. David Cameron no good.’ It was such an odd thing, to hear praise for Gordon
A double dose of BBC1 drama at the weekend (Silent Witness, Casualty) left me wondering whether there’s a link between the falling crime figures announced last week and the levels of blood and bestiality now showing nightly on TV. With so much violence available at the switch of a button, who needs to create their
When my colleague Charles Moore first began accusing Radio 3 of becoming ‘babyish’, and talking down to us as if we’re too ignorant to understand anything complicated, I had to agree. The constant twittering between items, the gimmicky brainteasers and Classical Top Ten are irritating. Those emails and texts from clever-clogs listeners determined to show
You might think the main storyline in The Archers is all about Helen’s affair with dastardly Rob. (What does she see in him? It’s so obvious he’s a mean-spirited control freak.) Or the new ‘voice’ for Tony, as David Troughton takes over from Colin Skipp, who has played the part for more than 40 years.
‘It put a lot upon us,’ said Christopher Jefferies’s aunt. ‘The ripples went on and did not stop for a long time.’ She was talking about the after-effects of the media witchhunt that skewered her nephew after his arrest in connection with the death of the Bristol landscape architect Joanna Yeates in December 2011. Jefferies
New year new ideas as we woke up on Monday morning to find ourselves in Lagos with Evan Davies trying to convince us that Nigeria really is undergoing an economic earthquake. It’s part of a week-long campaign by Radio 4 to make us believe that the next economic leaders among world nations will be Mexico,
Perhaps the most moving programme of all amid the huge range that will mark the coming centenary of the Great War will be on 28 June, the day when in 1914 Gavrilo Princip shot dead the Archduke Franz Ferdinand and his wife Sophie while they were on a state visit to Sarajevo. On that night,
Is it time to scrap the licence fee? That’s a question we’re going to hear more and more about in the next couple of years. Why should the BBC retain its archaic monopoly over the airwaves? Why not abolish the royal charter that grants the BBC the right to collect the fee (worth £3.6 billion
Just in time for Advent, that season of preparation, of getting ready, of making sure we are in the right mind to weather the excitements of Christmas, the World Service gave us a short programme designed to get us in the mood. In Heart and Soul on Sunday, Jane Little talked to Joshua Dubois who
As I listened to Robert Peston early last Friday fluffing on about the Revd Paul Flowers and the possible effect of his indiscretions on the future of the Co-operative Bank, I couldn’t help wondering why none of the financial journalists smelt a rat when Flowers took over as chairman of the once-dependable, now-fragile bank. The
A surfeit of anniversaries this week reminded us that on the day of President Kennedy’s assassination, C.S. Lewis (born 1898) and Aldous Huxley (born 1894) also died. Three such different figures are hard to imagine — Kennedy, the wily politician, Lewis, the tortured academic, Huxley the cool intellectual. Lewis is the one whose image and
Best line of the week came on Monday from the composer John Tavener, and was given added poignancy by the announcement the following day that Tavener had died. He told us, ‘Life is a creeping tragedy; that’s why I must be cheerful.’ It’s a sankalpa, or inner resolution, he held on to especially in his
It’s hard to stay cross with Radio 3 for long. Just when I thought the network had stretched my loyalty too far by not only allowing Aled Jones to decamp to Classic FM but also saying goodbye to the great Catherine Bott, I had a comeback conversion. I’ll explain how that happened later. First, we
This year’s Free Thinking festival at the Sage in Gateshead has been asking the question, Who’s in Control?. Oddly, or perhaps presciently, as soon as I typed that last word ‘control’, the power went off in the midst of Monday’s storm. No word processor, no internet connection, no phone line, almost no radio (since the
You’ve probably already read or heard somewhere that the inspiration for Grayson Perry’s current series of Reith Lectures on Radio 4 was none other than Lynda Snell. (I wonder if she knows.) What a coup for the establishment network, the home service, the epitome of right thinking and professional excellence. Here’s a cross-dressing potter from
Boy, we’ve had to wait a long time for this. But last Thursday morning something unusual happened on Radio 4; something so unexpected, so rich with potential. It happened at peak time in the morning. Eight o’clock. The Today programme. And it began with the news, read by a woman — Corrie Corfield. Of course,
‘I was mad with jealousy,’ said Gwyneth Williams, the controller of BBC Radio 4. ‘I am mad with jealousy,’ she corrected herself, and I believed her. We were discussing Tom Stoppard’s Darkside, a radio play written to celebrate the 40th anniversary of Pink Floyd’s album Dark Side of the Moon. The play, which was perhaps
Why are we still listening to the radio in 2013, to an outdated technology that has hardly changed in manufacture or output since it first appeared in the 1920s? How come TV did not wipe it out, as CDs wiped out the cassette and DVDs put paid to video? My guess is that it’s because
This time round in the autumn shake-up of the schedules it’s Radios 2 and 3 who are on the frontline of change. They have had to face ‘tough decisions’ and to address ‘the financial challenges due to the licence-fee freeze’. Radio 3 has lost most of its ‘live’ Saturday-night transmissions from the Metropolitan Opera in
Five women, five very different stories of arriving in the UK, often unwillingly and always alone. How did they cope with the loneliness, the poverty, the loss of everything they once knew? What do they now think of the country that has become their adopted home? Jeremy Vine talks to them next week in a
‘He was a natural broadcaster,’ said Nick Higham, after the death last week of the rugby player and sports broadcaster Cliff Morgan. I wondered what he meant. ‘Natural’ as in born to the task? Or ‘natural’ as in his ability to communicate as if chatting directly to you, and only you, with no pretension or
How many listeners, I wonder, actually tuned in to Darkside as it went out on air on Radio 2, after dark, curtains closed against the pale moon waning? One listener for sure at 10 o’clock on Monday night was David Gilmour, Pink Floyd’s guitar man and co-creator of the band’s mega-successful ‘concept album’ The Dark
Just in time for the Paralympics the veteran broadcaster and campaigner for disability rights, Peter White, has launched a special Paralympian series of his No Triumph, No Tragedy programme (Radio 4), the title of which should probably be reversed. On Sunday he talked to Margaret Maughan, the first Briton to win a gold medal at
It must have sounded like such a great idea. To gather a group of thinkers, agitators, experts, intellectuals and media people round a large table, mike them up, ply them with drink, choose a presenter from the radio hall of fame to act as monitor and shut the studio door. Then switch on the red