Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

Saint Joan and saucy Eve: a single woman split in two

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Fresh out of Hollywood High, Eve Babitz introduced herself to Joseph Heller: ‘Dear Joseph Heller, I am a stacked 18-year-old blonde on Sunset Boulevard. I am also a writer.’ It was 1960, and while her writing was the sheerest bliss, ‘Eve Bah-Bitz with the Great Big Tits’, as she was known, was herself a work

Were the Arctic convoy sacrifices worth it?

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You need only mild interest in the second world war to be aware of the Arctic convoys of 1941-45, escorted by the Royal Navy through savage weather and unimaginable cold to deliver supplies to Russia. Their purpose was to keep Russia in the war; the conditions were such that storms could last nine days, blowing

Doppelgangers galore: The Novices of Lerna, by Angel Bonomini, reviewed

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Resurrection has become its own literary genre. Though hardly a new phenomenon (Moby-Dick, for example, was out of print at the time of Herman Melville’s death), the success of such ‘forgotten’ classics as Suite Française, Stoner and Alone in Berlin proved that an author’s death and/or obscurity were no barrier for readers. So publishers from

Reliving the terror of the Bataclan massacre

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On Friday 13 November 2015 France suffered the deadliest terrorist attack in its history. In quick succession, gunmen and suicide bombers struck the outer concourse of Paris’s Stade de France; then the pretty canal-side cafés and restaurants of the tenth arrondissement; then, most notoriously, the Bataclan theatre, where the doors were blocked and, over the

Freedom fighters of the ‘forgotten continent’

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On 18 May 1781, Tupac Amaru II’s rebellion came to an abrupt and grisly end. Seized by Spanish forces, the Peruvian muleteer-turned-popular-revolutionary knew the game was up. Still, he refused to go quietly. After Tupac’s captors’ horses failed to wrench off his limbs, the executioner reached for his axe. ‘You kill only me,’ legend has

Books of the Year II

Lead book review

Peter Parker The New Zealand novelist Catherine Chidgey ought to be much more celebrated in this country than she is. Do not be put off by the fact that The Axeman’s Carnival (Europa, £14.99) is narrated by a magpie; whimsy is entirely absent from this highly original, thrillingly dark and often very funny novel. The

Sam Leith

Why is Elon Musk so obsessed with Diablo IV?

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Grade: A- I usually try to write about new games, but indulge me in addressing Blizzard’s open-world dungeon crawler Diablo IV this week even though it came out last year. Why? Because along with simultaneously trying to save American democracy and make humanity an interplanetary species, Elon Musk’s third preoccupation is Diablo IV. When he’s

A bit of a mess: Channel 4’s Generation Z reviewed

Television

In the second of this week’s two episodes of Generation Z (Sunday and Monday), a teenage girl called Finn wondered why her friend Kelly was so distracted and tearful. As a well-informed type, Finn applied the principle of Occam’s razor and decided that Kelly must be pregnant. In this case, though, the simplest explanation definitely

Lloyd Evans

Is Coogan’s Dr Strangelove as good as Sellers’s? Of course not

Theatre

Stanley Kubrick’s surreal movie Dr Strangelove is a response to the fear of nuclear annihilation which obsessed every citizen in the western world from the end of the Cuban missile crisis in 1962 until the fall of the Berlin Wall in 1989. The play’s co-adaptors, Sean Foley and Armando Iannucci, are old enough to recall

Demanding but exhilarating: Royal Ballet’s Encounters reviewed

Dance

After opening its 2024/5 season with a run of Christopher Wheeldon’s candy-coloured, kiddie-friendly Alice’s Adventures in Wonderland, the Royal Ballet gets down to business with a demanding but exhilarating programme of new work. Newish, to be accurate; the evening’s only previously unseen piece is Joseph Toonga’s Dusk. Crystal Pite’s The Statement is eight years old

How a single year in Florence changed art forever

Arts feature

The story goes that one day early in the 16th century Leonardo da Vinci was strolling through Florence with a friend. Near the Ponte Santa Trinita they came across a group of gentlemen disputing a point in Dante’s Divine Comedy. Seeing Leonardo, they asked him to explain the passage. At that same moment, Michelangelo Buonarroti

Books of the Year I

Lead book review

Jonathan Sumption Barbara Emerson’s The First Cold War: Anglo-Russian Relations in the 19th Century (Hurst, £35) is an outstanding account of Britain’s relations with Russia at a time when ambassadors mattered and Britain was the only world power. No one has explained the Great Game in Central Asia or the intricacies of European dynastic politics

Waifs and strays: Gliff, by Ali Smith, reviewed

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‘Gliff’ is a word which can mean ‘a short moment’, ‘a wallop’, and ‘a post-ejaculatory sex act’; to ‘dispel snow’, ‘to frighten’, and to ‘escape something quickly’. It’s ‘really excitingly polysemous’, says one of Ali Smith’s characters. It’s certainly an apt title for a book which can’t seem to define itself. At its centre are

The mystery of Area X: Absolution, by Jeff VanderMeer, reviewed

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I have to confess that I am not a fan of horror fiction. I have a stack of unread H.P. Lovecrafts sent to me by enthusiasts. M.R. James scares me silly. Even Elizabeth Bowen’s ghost stories remain neglected among her other much-loved books. I have, however, been impressed over the years by writers usually identified as belonging

Truly inspirational: the hospital diary of Hanif Kureishi

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You’d think a book about a paralysed man lying in hospital for a year would be bound to be depressing. It never is. Hanif Kureishi is such an exhilarating writer that you read agog even when he’s describing having his nappies changed or fingers stuck up his bottom. It all started on Boxing Day 2022

Out of the depths: Dante’s Purgatorio, by Philip Terry, reviewed

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Many readers of Dante get no further than the Inferno. The inscription over the gates of Hell, the demon-haunted circles, the howling winds that buffet the lovers Paolo and Francesca, even the poet’s grim profile and bonnet, are part of the world’s literary and artistic heritage. Several translators also stop at the point that the

A geriatric Lord of the Flies: Killing Time, by Alan Bennett, reviewed

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Somewhere, there must be a PhD: Flashing: Exhibitionistic Disorder in the Oeuvre of Alan Bennett. It’s there in the first of his Talking Heads monologues (‘He’s been had up for exposing himself in Sainsbury’s doorway – as mother said, Tesco, you could understand it’) and in the last, Waiting for the Telegram, which opened with

All human life – and death – is here: the British parish church

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In ‘Church Going’, the poem that gives this charming book its title, Philip Larkin talks about ‘one of the crew that tap and jot and know what rood-lofts were… Some ruin-bibber, randy for antique’. Well, Andrew Ziminski is king of the ruin-bibbers, randy for antique churches. He doesn’t just know what a rood-loft is; he’s