The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
A. N. Wilson, in his admirable biography, concluded that Belloc was more remarkable as a man than in his writings. No doubt he was, and his case is not unusual. The same has been said often of Dr Johnson and of Byron, while I know people who return frequently to Walter Scott’s Journal, fascinated by
The treasures of the Royal Collection are usually dispersed among the various royal palaces and residences throughout Britain. For the first time in more than 40 years, the earlier Italian paintings and drawings have been brought together in a substantial exhibition which is rich in visual and historical delights. In what is really a tribute
Before getting down to some hard iconoclasm, let me first declare that to me all tenors, no matter what music they sing, nor even how well or badly they sing it, are heroes. Not because they tend to get heroes’ parts, but simply because of what they do, physically. Never blessed with much of a
A feature of the gardening world, which probably strikes me rather more forcibly than it does you, is the number of amateur plant specialists there are. These are experts in one area of plantsmanship, usually, who aggregate in groups in order that they can exchange technical talk, test their skills in competition and learn from
Questions are easy, answers less so. That’s the conclusion of Joe Penhall’s new morality play and it won’t come as a surprise to anyone brighter than a hedgehog. A brilliant but unstable missile scientist has invented a gizmo that will give Britain military superiority for a generation. Professor Brainiac then suffers an attack of conscience
I caught up with Welsh National Opera’s production of Musorgsky’s Khovanshchina only in Birmingham, the last performance of its first run. I hope it’s revived soon, since an account of it as intense as the one I saw, without longueurs, is just what this work needs to lift it from the status of masterpiece-but-also-bore to
What a peculiar life it was: born in Poland, exiled to Russia, orphan- ed at 11, and sent to sea at 16. A decade and a half of salt water and solitude in the merchant marine. Then the rest of it spent as an English gent, writing literary novels in his third language (English) under
In her book on the Eichmann trial, Hannah Arendt famously, and controversially, wrote of the ‘banality of evil’. The contemporary variant is the awesome banality of much of the analysis and soul-searching that evil provokes. Since the horrific murder of 32 people at Virginia Tech on Monday, there has been a spree of such commentary.
In the park in front of my place, every nightA bunch of tramps sleep on the wooden porchOf the bowling green club-house. They shed no light.No policeman ever wakes them with a torch, Because no one reports their nightly stay.People like me who take an early walkJust after dawn will see them start the dayBy
In 1766, a diminutive adventurer appeared in Cetinje, the capital of the mountainous principality of Monte- negro, and managed to supplant the rightful claimant to the position of Vladika, the ruling Prince-Bishop. The adventurer was remarkable in many respects. Firstly, he was known as ‘Scepan Mali’, ‘Stephen the Small’, in a country where physical stature
In October 1875 Henry James moved to Paris to advance his nascent career as a man of letters, specifically as a novelist. This was not his first visit: his enlightened family encouraged travel, but the desire to take up residence was intimately connected with his ambitions: Paris, after all, was the epi- centre of forward
Piers Morgan is big in the US. After his dismissal from the Mirror in 2004 he spent a thankless year as a freelance hack in Britain before popping up as the token ‘nasty Brit’ on Simon Cowell’s blockbusting show America’s Got Talent. This book traces his journey from sacked hack to superstar but unlike The
Shelley (and later Paul Valéry) suggested that all literature might be the work of a single Author and that, throughout the ages, writers have merely acted as His (or Her) amanuenses. A visit to any large bookshop today seems to confirm this thesis: an infinitude of almost identical accounts of Da Vinci conspiracy theories, immigrant
On 2 July 1816 the French frigate Medusa, en route for Senegal, ran aground on the dreaded Arguin sandbank off the west coast of Africa. Incompetent seamanship had landed the vessel there and attempts to refloat the Medusa over the next couple of days proved to be in vain. The decision was therefore taken to
This book is about the Cowley Road, which runs for about a mile and a half south east out of Oxford towards a place where they assemble motor cars. Most of it was built up between 1830 and 1940, in many varieties of cheap and sometimes cheerful brickwork for the housing and lodging of ungenteel
Protests against international business are nothing new. Probably the wittiest, and certainly the most brutal, took place long before the first trashing of a Starbucks, way back in the early 1st century BC. This was a period when the Roman Republic, lacking a bureaucracy of its own, had opted to privatise the provincial tax-system —
Show time at the V&A: the latest in its series of survey exhibitions brings us Surrealism in all its faded glory and sempiternal intrigue — a gallery of the visually fickle and macabre, the once-disturbing and the lastingly chic. The exhibition starts well with a de Chirico stage set for Le Bal (1929), a couple
I’ve spent the past couple of weeks sharing my life with some malignant bug that has left me feeling weak and pathetic on those relatively rare occasions when I’m not rushing to the loo. It’s not exactly been a barrel of laughs, apart from the long sleeps which have been accompanied by excitingly strange and
No question about it. If you had to name the 500 brightest periods in the history of human creativity, you wouldn’t include West Germany in the 1970s. What did they give us, those occidental Heinrichs and Helmuts? The Volkswagen Golf, the Baader-Meinhof gang, Boney M and a team of hyperefficient donkeys who fluked the World
Back in the 1920s someone complained there wasn’t a play on the London stage that didn’t have a telephone in it. While it’s the lifeblood of theatre to move with the times, a mania for modish contemporaneity can only get you so far. The danger is especially endemic in theatre troupes dedicated to outreach and
Lots of new comedy this week. Mitchell and Webb are a puzzle. They had a successful sketch slot, which followed the first runs of Peep Show. Then they turned up in the ads for Apple computers. One of them (I forget which) is supposed to use an Apple Mac and the other a boring old
It was not so extraordinary in September 1946 when the Third Programme began broadcasting that its schedule should include a weekly discussion of the ‘visual arts’, kicking off with the then director of the National Gallery in conversation with the painter William Coldstream. Radio was still the Queen Bee of the BBC and television a
In managing too carefully the revelation of truth, parents often betray it. Graham Swift’s new novel is narrated by a mother and addressed to ‘you’, her teenage twins, boy and girl. It involves us, as voyeurs, in the revelation of a truth that will come as a bolt from the blue to the children. But
Recently, Adam Mars Jones accused me in the Observer of being in some ways worse than Hitler, because at least Hitler had an excuse for idolising the German upper classes, namely race science, which I didn’t. I was outraged, and seriously considered suing him. I have since calmed down a little and see now that novels
John Evelyn would find our agonies about food all too familiar. He was impressed with the modern ‘miracles of art’ whereby plants were forced in hot beds and meats and fish were preserved for months or years; but nothing tasted better or was more wholesome than fresh ingredients. He was preoccupied by healthy diets, noting
A summary of the events that take place in this novel might run as follows: a lost boy (who may be the soul of a comatose adult) walks around a hospital with an apple tree growing inconveniently in his stomach. He explores most of the floors, some of which are in a different dimension, and
Gershwin’s Porgy and Bess is a masterpiece, whatever other category one finds for it. It is bursting with vitality, it has a larger number of memorable, indeed unforgettable tunes than any work of comparable length in the 20th century, whether opera or musical. And what counts still more for its stature is that the great
What is it like for an actor, after the stimulating exploratory process of rehearsal, followed by the high-voltage excitement of opening night, to go on performing the same piece over and over again, night after night? A long run of a show makes it a banker for its producers and is therefore in many ways
Prunella Clough; Harry Thubron: Collages and Constructions 1972–1984 It was a privilege to be a member of the jury that gave Prunella Clough (1919–99) the Jerwood Prize for Painting in 1999. On the one hand, we wanted to draw attention to the fact that she was an immensely distinguished painter who had remained largely unknown