Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

Rich rewards

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Tristan und Isolde Glyndebourne Wagner’s Tristan und Isolde is a work of stark oppositions, which are overcome, or seem to be, in the final bars, as Isolde sinks lifeless over Tristan’s body, in a state of (her last words) ‘unconsciousness, highest bliss’. Well, which? you might ask. If you’re unconscious you can’t be in a

The new age of enlightenment

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God’s Philosophers: How the Medieval World Laid the Foundations of Modern Science, by James Hannam We all have our hobby-horses. James Hannam’s is the abuse of the word ‘medieval’. Hats off. As I have written in this magazine before, using the term as shorthand for anything you consider cruel, arcane or barbarous (be it the

Strangely familiar

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In 1935, Noël Coward included in his series of playlets, Tonight at 8.30, a jaunty, song-filled exposé, in Victorian dress, of fam- ily relationships, Family Album. Penelope Lively’s novel of the same title, her 16th, covers similar territory — without the jauntiness or predisposition to burst into song. It is an apt title. Lively’s novel

Playing for high stakes

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1938: Hitler’s Gamble, by Giles MacDonogh Hitler’s greatest gamble in 1938 was his determination to occupy the Czechoslovak Sudetenland, even at the risk of sparking a European war. Neither Neville Cham- berlain nor the French prime minister, Edouard Daladier, was prepared to play for such high stakes and they threw in their chips, giving the

Beating his demons

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When I first read Naked Lunch, as a teenager sleeping rough in a Greek olive grove, I thought it funny, baffling and vile, its hallucinatory horrors recalling paintings by Francis Bacon — ‘mouth and eyes are one organ that leaps forward to snap with transparent teeth’. A diet of ouzo and dodgy mousaka played havoc

A close engagement with music

Arts feature

Sean Rafferty tells Henrietta Bredin how an abbot persuaded him to make his first recording Six minutes to go before the daily live broadcast of BBC Radio Three’s In Tune goes on air and the atmosphere is full of a sort of supercharged alertness, of tension expertly controlled by a small team of people who

Saved by Brünnhilde

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Die Walküre Mariinsky Opera at Covent Garden When the Mariinsky Opera, under its ultra-hyperactive chief Valery Gergiev, brought its touring Ring to Cardiff in 2006, it was the low point of my life as an opera-goer, with, it is fair to say, no redeeming feature. After strong criticism from many people in many places, the

Pop heaven

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I have so far avoided swine flu but have caught the festival bug badly this year. Back from Glastonbury, I realised I could squeeze in a day at GuilFest, the much smaller and less intimidating festival held each year in Guildford’s Stoke Park. I have so far avoided swine flu but have caught the festival

War and words

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‘Aggressive camping’ is how one of the characters in Andy McNab’s first play for radio describes his activities in Helmand province in Aghanistan. ‘Aggressive camping’ is how one of the characters in Andy McNab’s first play for radio describes his activities in Helmand province in Aghanistan. Last Night, Another Soldier… (Radio Four, Saturday) received a

Hooked on classics

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Our monsoon season brings not only cricket delays but also a flowering of local classic-car shows. Testimony to nostalgic enthusiasm, they prompt the reflection that man is never more innocently engaged than when he values something for what it is, rather than for what he can get out of it. Not that the classic-car world

Life & Letters | 8 August 2009

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Between 1945 and his death in 1961 Ernest Hemingway published only two books, apart from collections of stories mostly written before the war. The two were Across the River and Into the Trees and The Old Man and the Sea. The first was generally considered a failure, the second a success; and it’s doubtless perversity

Lloyd Evans

World class

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A Streetcar Named Desire Donmar Too Close to the Sun Comedy Kissed by Brel Jermyn Street Streetcar opens with a strange spectacle. Christopher Oram’s lovely — too lovely — design has the upper circle decked out in peeling ironwork which soars across the boards and modulates into a chic spiral staircase overlooking the Kowalski’s open-plan

One man and his dogma

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‘The second world war lasted for 2,174 days, cost $1.5 trillion and claimed the lives of over 50 million people. That represents 23,000 lives lost every day, or more than six people killed every minute, for six long years.’ This neat summary is characteristic of the way Andrew Roberts uses statistics to bring home to

Diagnosing the nation’s ills

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It must be 20 years since Spectator readers first encountered the name Theodore Dalrymple. It’s not his real name, of course. Several times over the years people have told me of his true identity, which I have always instantly forgotten, presumably because I don’t really want to know it. Far more appropriate that Dalrymple should

Past imperfect | 5 August 2009

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We Are All Made of Glue, by Marina Lewycka The Rehearsal, by Eleanor Catton Yalo, by Elias Khory, translated by Humphrey Davies We Are All Made of Glue is Marina Lewycka’s third novel — or, more accurately, her third published novel, since she famously made her way through several other works and a rain-forest’s worth

Lloyd Evans

Melody maker

Arts feature

Lloyd Evans celebrates Tennyson’s miraculous musicality ‘He had the finest ear of any English poet,’ said W.H. Auden. ‘He was also, undoubtedly, the stupidest.’ This famous jibe aimed at Tennyson (whose bicentenary falls on 6 August) is revealing in its shrill and almost triumphant bitchiness. Every age rejects the one before and it’s no surprise

Give me Kraftwerk

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In the course of a long listening career, records tend to come and go. I look back at old columns and marvel at the enthusiasm I once felt for records I no longer remember owning, let alone enjoying. Some records come and go and come back again, of course, and a few stay for ever:

Talking too much

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The Fairy Queen The Proms Gluck double bill Wigmore Hall Purcell’s The Fairy Queen has been a big success at Glyndebourne this year, in a production by Jonathan Kent, and with William Christie conducting. I decided to wait till it came to the Proms, where it was presumably a very different experience. In the Royal

James Delingpole

Get a grip

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Being a right-wing columnist under New Labour’s liberal fascist tyranny is a bit like being a South Wales Borderer at Rorke’s Drift: so many targets, so little time. Being a right-wing columnist under New Labour’s liberal fascist tyranny is a bit like being a South Wales Borderer at Rorke’s Drift: so many targets, so little

Revolutionary road

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We’re still living with the fallout of the Iranian Revolution back in 1979 — and we still don’t really understand how the West got its reaction to events so wrong, or what could have been done differently. We’re still living with the fallout of the Iranian Revolution back in 1979 — and we still don’t

Alex Massie

Burning Issue: Does Hogwarts Have A Drinking Problem?

Lord knows there’s almost no idea too dumb to appear in a newspaper, but this recent effort from the New York Times is a cracker: Does Hogwarts have a drinking problem? As Harry Potter fans crowd movie theaters to catch the latest installment in the blockbuster series, parents may be surprised by the starring role

Face to face

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British Self-Portraits in the 20th Century: The Ruth Borchard Collection Kings Place Gallery, 90 York Way, N1, until 29 August This makes self-portraits fascinating documents but not always easy to live with. Self-communing can be a very private matter, and if the artist has used the painting to exorcise devils, the results can be deeply

Lloyd Evans

Identity crisis

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Spike Milligan’s Adolf Hitler: My Part in his Downfall Hampstead The Black Album Cottesloe Good old Spike. Wonderful, charming, innocent Spike who could skewer authority with a child’s unthinking acuity. ‘Where were you born?’ asked the recruiting sergeant when he was conscripted. ‘India,’ said Spike. ‘Which part?’ ‘All of me.’ Ben Power and Tim Carroll

Sam Leith

Irate men

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‘No English monarch until Victoria — that is, long after monarchy had become the “dignified”, rather than the “efficient” part of the constitution — remained free from challenge, and three lost their thrones to rebellions.’ David Horspool’s new book is a detailed survey of the English men, women and mobs who have been prepared to

The human element

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Writing in 1792, in the aftermath of the French revolution, Jeremy Bentham famously dismissed all talk of the rights of man as mere rhetoric. Justice, he said, was concerned with rights and duties, and they were the creatures of law. There could be no rights without law to express them, he said, no justice without