Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

We’re wrong to mock Do They Know It’s Christmas?

Television

‘I hope we passed the audition,’ said an alarmingly youthful Bob Geldof at one point in The Making of Do They Know It’s Christmas? He was, of course, quoting John Lennon from the 1969 Beatles rooftop concert: an appropriate reference in the circumstances – because this documentary was a kind of Get Back for the

Deeply impressive and beautiful: Akram Khan’s Gigenis reviewed

Dance

After taking a wrong turn culminating in the misbegotten Frankenstein, Akram Khan has wisely returned to his original inspiration in kathak, the ancient dance culture of northern India synthesising both Hindu and Muslim mysticism and mythology. The result is something deeply impressive and beautiful that held me enraptured for an hour. This is the work

Radio 3 Unwind is music for the morgue

Radio

Soon after the launch of Classic FM in 1992, the then controller of Radio 3, Nicholas Kenyon, asserted that his high-minded station was not in any competition with its commercial rival and certainly not lurching into ‘some ghastly descent into populism’, even as he hired Classic FM’s presenters and fiddled with the programming to create

A keeper: ENO’s new The Elixir of Love reviewed

Opera

There was some light booing on the first night of English National Opera’s The Elixir of Love, but it was the good kind – the friendly kind, aimed not at the baritone Dan D’Souza but his character, the caddish charmer Belcore. In other words, it was what opera snobs call ‘pantomime booing’, and which, as

Besieged Odesa is still caught in a conflict of identities

Lead book review

How can you break the mental manacles of an empire that has occupied not only your physical world but also your education, publishing, media, high culture and popular entertainment? In his endearing memoir of Odesa, Undefeatable, Julian Evans quotes the Ukrainian author Viktoria Amelina, who describes growing up in post-Soviet Ukraine surrounded by all things

Who’s still flying the flag for Britpop?

More from Books

There’s only one Cincinnatus in the Cotswolds, and it’s not Boris Johnson. Over the Rainbow tells the story of how, once again, Alex James was torn from his life in a very big house in the country to fulfil his national duty to play bass with Blur. The tale comes in the form of a

The subversive message of Paradise Lost

More from Books

For those of us who have long loved (or hated) Paradise Lost, this is one of those rare and refreshing books that invites us to compare our feelings with other committed readers over the centuries. The poemmay well be the only major work in the western canon that nobody can avoid for long – even

A father’s love: Childish Literature, by Alejandro Zambra, reviewed

More from Books

Serious books about fatherhood are hard to come by; indeed, next to distinguished literary mothers such as Rachel Cusk, Sheila Heti, Jacqueline Rose, and Elena Ferrante, the male sex is beginning to look decidedly inarticulate. In his new, genre-blurring work Childish Literature, the Chilean novelist Alejandro Zambra seeks to right this imbalance. In doing so,

The report of Christianity’s death has been an exaggeration

More from Books

George Orwell began his beautiful, nostalgic pre-war novel Coming up for Air with an epigraph from a popular song. ‘He’s dead, but he won’t lie down.’ It’s tempting to borrow the line when writing about Christianity in the West today. The chronicle of its death has been long foretold, its obituary repeatedly rewritten. Numbers, particularly

The curse of distraction: Lesser Ruins, by Mark Haber, reviewed

More from Books

Earlier this year, I visited the Museum of Jurassic Technology in Los Angeles. This cherished museum appears at first to be a collection of bizarre arcana: botanical specimens, miniature dioramas, tributes to forgotten polymaths. Closer inspection reveals it to be something altogether stranger, at the junction of fact and fiction. Witty and highly individual, it

Seeking forgiveness for gluttony, sloth and other deadly sins

More from Books

Professor Guy Leschziner writes that he was raised in a secular household that was ‘entirely irreligious’ yet with ‘a strong sense of morality, of right and wrong’. As an eminent neurologist and a rational atheist, it’s striking that his study of the extremes of human behaviour should reach for such Biblical terms. Is there an

The North American fruit tree that provides a model for economics

More from Books

Life on Earth is not a zero-sum affair. Most plants only exist thanks to partnerships with fungal filaments in the soil which mobilise essential nutrients for them and receive sugars made from sunlight in exchange. Without those partnerships, humans and most other land animals which depend on plants either directly or at one or two

A spectacular failure: Royal Ballet’s MaddAddam reviewed

Dance

Adapting ballets out of plot-heavy novels set in fantasy locations and populated with multiple characters is a rubbish idea. The profound truth of such a proposal is forcefully borne out by the wretched muddle of Wayne McGregor’s MaddAddam, an over-inflated farrago drawn from a triptych of visionary fictions by Margaret Atwood. McGregor – hugely talented

What a remarkably bad electric guitar player Bob Dylan is

Pop

Finally, a taste of the authentic Bob Dylan live experience. On the two previous occasions that I’ve seen Dylan, in the early 2000s and again two years ago, he was disappointingly well-behaved for a man with a reputation for operating a scorched-earth policy towards his catalogue. Once upon a time, seeing Dylan live was a

Damian Thompson

Dazzling: Marc-André Hamelin’s Hammerklavier

The Listener

Grade: A When Beethoven’s Hammerklavier Sonata was published in 1818, pianists were confronted with a mixture of ‘demonic energy and a torrent of dissonances’, as Charles Rosen put it. Only the most freakishly gifted virtuosos could tackle it. The first recording was by Artur Schnabel, whose heroic assault on the finale sent wrong notes scattering

Yes, Anora is as good as everyone says it is

Cinema

Sean Baker’s Anora won the Palme d’Or at Cannes and is hotly tipped to win big at the Oscars and I know you won’t believe it’s as good as everyone is saying it is until you hear it from me so here you are: yes, it’s as good as everyone is saying it is. All

Damian Thompson

Why is Fauré not more celebrated?

Arts feature

It is 100 years since the death of Gabriel Fauré, a composer whose spellbinding romantic tunes emerge from harmonies and rhythms that nudge us towards the future. No other composer deploys such subversive mastery of the conventions of French music: again and again, if we look underneath the arches of his melodies, we find ambiguous

Mary Wakefield

We need to learn to pray again

More from Books

In The Spectator’s basement kitchen a few weeks ago, I cornered a young colleague, Angus Colwell, and asked him what he made of Rod Dreher’s new book Living in Wonder. The thrust of it is that we are not in an age of enlightenment so much as ‘endarkenment’ (Dreher’s term) and that, having turned our