Burroughs’s beat
William S. Burroughs is, alongside Jack Kerouac and Allen Ginsberg, the third part of the Beat generation’s holy trinity. Yet while those two were long ago ushered into the canon, Burroughs’ writing has stubbornly resisted a comparable assimilation into the mainstream. A less conventionally romantic figure than the unruly Kerouac or the hippie seer Ginsberg,