The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
It’s a fact of life: death and destruction make for compulsive reading. The latest tome in the apocalypse genre is Callum Roberts’s, Ocean of Life: How our seas and changing. The book describes how man has ravaged and defiled the oceans, and explains how our rapacious stewardship is damaging us. Thanks to over-fishing, fossil fuels
At Home with the World, the Geffrye Museum’s latest exhibition (until 9 September), reinterprets objects from its permanent collection, highlighting those from overseas or those that have been influenced by other cultures. Because the museum concentrates on the changing styles and tastes of the urban middle class, rather than of the aristocracy, we can appreciate
In 1966, under the influence of ideas about chance, the artist Tom Phillips pledged to take as the foundation for his next work the first book that he could find for threepence. That book, discovered in a junk shop on Peckham Rye, was a long-forgotten Victorian romance in journal form, A Human Document by W.H.
Why did Florence become a hotspot for Americans in the late 19th and early 20th century? Henry James, Edith Wharton, John Singer Sargent and a gang of other American artists and writers descended on the Arno, often for years at a time. Sargent, born in Florence, the son of a Philadelphia eye surgeon, didn’t get
In 1895 the Spanish art collector John Charles Robinson donated a picture to the National Gallery. ‘On the whole I think it is very much above the average of this most eccentric master’s work,’ he phrased his offer less than enticingly. ‘At the same time you know the man was mad as a hatter and
We are standing in the wood-panelled anteroom to the state rooms at No. 10 Downing Street — myself, Mo Hussein, David Heaton and Janice Blackburn, the former curator of the Saatchi Gallery who has been putting examples of contemporary decorative art and design into No. 10 since last July. We gaze up at Michael Eden’s
Unimpressed by the relentless barrage of blockbusters, Andrew Lambirth singles out some small-scale gems Although it can’t be easy to run a major museum in this country, and balance the books as well as fulfil a remit to provide the best possible conspectus of past and contemporary art for the general public, our museums are
When the Possum made it to the stage he was pretty good. Here he is at the Opry some time in the late 90s crooning away with Tennessee Whiskey.
It is a glorious moment in the life of any music-loving parent when your progeny develop their own fierce musical tastes, and start looking rather askance at yours. My case may be extreme, as my two children have had to put up with my music for years. As previously mentioned in these columns, my tinnitus
If you want to see Scotland’s superiority complex in action, take a look at its literary culture. The works of Hume, Boswell, Walter Scott and Robert Louis Stevenson adorn libraries the world over, and it suits Scotland’s arts lobby to pretend that the age of excellence is still alive. It’s great PR and it justifies
The first thing you should know is that I love, adore and worship Sacha Baron Cohen and have this fantasy whereby we get married and set up home in Notting Hill as a power couple and when the phone rings and it’s Richard Branson I will say, ‘I’m so sorry, Dick, but we can’t come
Opera North’s latest and most ambitious outreach project is a new production of Rodgers and Hammerstein’s Carousel, which will end its tour with a month’s run from mid-August at the Barbican. The second performance in the Grand Theatre Leeds went down very well, and I’m sure that the whole run will be a great success.
He was accused of listening too much to the ‘wrong people’, of being ‘too deferential’, not judgmental enough. Sometimes those he interviewed afterwards said that he was like ‘a ferret’, who pried too deeply into their lives, ‘looking for the facts that he wanted’. But Tony Parker, who died in 1996, gave a voice to
Now and again a sitcom gag lodges in the public mind. In 1974, Ronnie Barker, in Porridge, was reminiscing about Top of the Pops and its all-girl dance troupe, Pan’s People. ‘There’s one special one — Beautiful Babs,’ he says. Beat. ‘Dunno what her name is.’ Her name was Babs Lord. She attracted the attention
It is easy, especially if one is not American, to feel ambivalent about the fictions of John Updike. The immaculate clarity of his prose style, the precision of his vocabulary, the tenderness underlying his Wasp comedies of manners, the puckish wit rising above a sorrowful temperament — none of these can be gainsaid. But the
The other evening my wife came home to find me watching re-runs of Steptoe and Son. The washing up had not been done, and everything was in a state of bedragglement (including Olga, the family dog). ‘How can you bear to watch that stuff? Steptoe’s got a face like a squeezed lemon. He’s perfectly horrible.
In 2009 a magazine survey found that many women in their twenties wanted to stay at home baking while their husbands went out to work: ‘I’d love to be a captive wife.’ Jessica Mann’s thoughtful and emphatic book is a riposte to this, an overview of the Fifties, which she calls a polemic and a
Sartre tried to prove that hell is other people by locking three strangers in a room for eternity and watching them torture each other. Similarly Will Cohu seems determined to show that hell is our own families. What is remarkable is that Cohu’s family members were not a collection of horrific monsters. On the contrary,
Christopher Isherwood kept diaries almost all his life. The first extant one dates from 1917, when he was 12, and like most schoolboys he used it more to measure than record his days: ‘Work in morning, walk in afternoon. In choir. More work. Nothing special.’ At Cambridge, however, inspired by the W.N.P. Barbellion’s The Journal
I was racking my brains, trying to understand money, trying to grasp exactly what it is, when I came across these two books. One is written by Aaron Brown, who is the risk manager of a large Wall Street hedgefund. The other is by David Graeber, the anarchist who has been called the leader —
In his introductory eulogy, Peter Parker calls In the Making: The Story of a Childhood (Penguin, £8.99) G. F. Green’s masterpiece, which, though not popular, attracted the admiration of E.M. Forster, Christopher Isherwood, Stephen Spender, J.R. Ackerley, John Betjeman, Philip Toynbee, C.P. Snow, Pamela Hansford Johnson, Frank Tuohy and Alan Sillitoe. According to Elizabeth Bowen,
‘I did not know about sympathy or sadness. They educated us from birth so that we were not capable of normal human emotions. Now that I am out, I am learning to be emotional. I feel like I am becoming human.’ You may have heard of Shin Dong-hyuk, the man who feels he is becoming
The late Carlos Fuentes was a fluent English speaker — the product of being the son of a diplomat and his own careers in international academia and diplomacy. Here he is talking with Charlie Rose in February 2011. The interview captures the sense of how important politics was to Fuentes and the other writers of ‘El
I’ve recently been going to bed with Alan Bennett. He’s a very comforting presence as I drift off to sleep, his gentle voice soothing me with tales of what he’s been up to that day, or sometimes anecdotes from his long and successful past. It’s a real treat, the last thing I hear before nodding
What’s happened? Carlos Fuentes died on Tuesday night. Who was he? He was a revered Mexican novelist, a crucial part of the literary movement in Latin America that came to be known as ‘El Boom’. What was ‘El Boom’? It was an artistic movement that emerged in the ‘60s. The writers were mavericks who defied
The latest intellectual maverick to win the 2010 Prix Goncourt du Premier Roman, Laurent Binet certainly isn’t shy, especially when it comes to his literary tastes. A single paragraph in his debut — a postmodern take on Heinrich Himmler’s righthand man Reinhard Heydrich — reveals his position on Camus, Desnos, Flaubert, Hasek, Kafka, Marquez, Rimbaud and
Everyone enjoys making and perusing lists of ‘greatest’ — nineteenth-century novels, Beatles LPs, generals, opening batsmen, and so on. The choices inevitably reflect the compiler’s tastes and prejudices, and are always fun to dispute. I have spent the last few months considering the claims of Britain’s Prime Ministers, a process from which four semi-finalists ultimately
The Observer’s William Skidelsky has taken it upon himself to list ‘The 10 best historical novels’. The usual suspects are present: War and Peace, The Leopard, I Claudius and The Blue Flower. There are a couple of surprising inclusions, too: Eliot’s Romola, for instance. And, of course, there are some glaring omissions — of which,
I met a very interesting chap while doing my weekly video film for the Sunday Times. This was Dr Peter Mullen, Rector of St Michael, Cornhill. He hove into view like a disreputable clergyman from a lateish Graham Greene story, dog collar, strange hat, impish grin. He has just written a book — The Politically