The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
Almost 30 years after his death, François Truffaut remains a vital presence in the cinema. Terrence Malick and Wes Anderson are among maverick directors who have acknowledged their debt to him, while Noah Baumbach’s recent Frances Ha is in part an hommage à Truffaut in a way the French director would have appreciated: for example,
This is a book about the clash of faith and reason over the truth or otherwise of a catastrophic, world-shaping flood — and it doesn’t once mention climate change. The debate here is much less stale. David Montgomery is a prize-winning geology professor at the University of Washington, Seattle, and he recounts the history of
I’m now half way through Atlas Shrugged and I’m loving almost every moment. But Ayn Rand isn’t someone you read for pleasure, I’m beginning to realise. She’s someone you read so you can underline sentences and scrawl in the margins ‘Yes’, ‘God that is so TRUE!’ and ‘YES!!!’ For example, at the heart of the
On hearing that Easy Jet had changed its hand luggage allowance, two questions struck me. First, was the airline in league with the luggage makers’ guild? Second, which paperbacks would replace the hardbacks I was going to take with me to the beach? Such considerations may strike you as ‘old world’, a bit last century.
Thick, sentimental and with a narrative bestriding four decades, Meg Wolitzer’s The Interestings feels above all like a Victorian novel, one which finds itself as comfortable in our time as it would have been 150 years ago. It’s an American story ruled by classic English themes. Fate, coincidence, class and envy are what bind —
The two opening volumes of Margaret Atwood’s trilogy have sold over a million copies. One of them managed to be shortlisted for the Man Booker prize in the nadir year that D.B.C. Pierre’s Vernon God Little won. Entitled Oryx and Crake (2003) and The Year of the Flood (2009), they depict planet Earth after humankind
Frederic Raphael is forensic in his description of the failures of successful people. He is enviously superior and he is partial to the clever oxymoron: ‘predatory caution’, ‘reticent curiosity’, ‘intimidating reassurance’. It is as though he cannot see an abstract noun without qualifying it with a contradictory adjective. It is a kind of shorthand cleverness,
Denise Mina’s 11th crime novel, The Red Road (Orion, £12.99), is one of her best, which is saying a good deal. Set in Glasgow, it marks the return of Detective Inspector Alex Morrow, mother of twins, sister of a gangster and equipped with too many sharp edges to prosper in her career. She’s a key
Had Onan not spilled his seed upon the ground, he might have invented invisible ink. The possibility had not occurred to me until I read this account of the start of Britain’s intelligence services. Even then the implications seemed so startling as to be barely credible — that the entire trade in espionage, including the
Justin Cartwright is famously a fan of John Updike — and here he seems to owe a definite debt to one of his hero’s lesser known novels. In Memories of the Ford Administration, Updike interwove the sexual adventures of a 1970s history professor with substantial chunks from the professor’s notes on President James Buchanan, a
This short memoir deserves a longer review than this, encompassing, as it does, migration, intellectual excellence, a successful professional life, two marriages, children and an honesty and contentment not usually found in close proximity. Miriam Gross (née May), with a Jewish legal background (both her parents, who left Nazi Germany in 1933, were lawyers), was
Robert Merivel made his first appearance in 1989, in Restoration, Rose Tremain’s popular and acclaimed Carolingian novel. The passage of time has left the Everyman doctor sadder and theoretically wiser, but still in thrall to his master, Charles II, still priapic, still governed by ‘uncontainable appetites’. He sits in his chilly library at Bidnold, his
When presented with a title of this kind, many readers think they know what to expect: drugged-up child soldiers, wince-inducing brutality, ranting demagogues, rebels in women’s wigs. This, thankfully, is not that book. It is something more nuanced, elliptical and elegant. Ghana is in a different league from Liberia, Guinea or Sierra Leone, its traumatised
Some novels gaze and report and argue: others just sing. There are some writers who love and respect the visual arts, and want to bring them into prose — Henry James is one. A work freezes into an act of contemplation and description, as in the Bronzino set piece in The Wings of the Dove.
James Wyatt was considered by George III to be ‘the first architect of the kingdom’, but he was also the unluckiest, or perhaps most careless, architect of his day. Fonthill Abbey, the Gothic extravaganza he designed for William Beckford, collapsed after just 25 years. He started building a new palace for the king at Kew,
For good or ill, black West Indian culture is synonymous with youth culture in Britain today. Even among white teenagers, a Jamaican inflection (‘buff’, ‘bruv’) is reckoned hip. The ‘Jamaicanisation’ of British cities quickened after Jamaica’s independence in 1962, when more West Indians migrated to Britain, and London was poised to become the most Jamaican
Twenty years ago Pat Barker won acclaim with Regeneration, her novel about shell-shocked army officers undergoing treatment at the Craiglockhart psychiatric hospital for soldiers during the first world war. Her new novel is a close scrutiny of parallel atrocities of 1914–18. As in Regeneration, some characters are based on real-life figures. Several scenes are set
Sitting down to inspect the final volume of Pierre Coustillas’s monumental trilogy, I decided to start by counting the number of titles by or about George Gissing (1857–1903) that gleamed from the bookshelf hard by. There were 45 of them. Next, I decided to count the number of these items with which Professor Coustillas was
Once upon a time, there was an art scholar called John. He spent his days admiring marble statues, his nights in praying that he might be allowed a real-life statue as his wife. And in due course, he met a beautiful girl. She was a bit younger than him, but that was OK, because it
The Proms season of Wagner operas — pity they didn’t do them all; Die Meistersinger would have been specially welcome, since no one else is doing it either — concluded appropriately with Parsifal, conducted by Sir Mark Elder. The conducting at all these performances has been remarkably good, but in some respects Elder was the
Will my friend, the writer and historian Tom Holland, get his head chopped off for the things he is saying on Islam: The Untold Story (Channel 4)? My guess is not. If I’d said them, I’m sure I would have done because I have the kind of manner which makes people want to punch my
Nobody wants to go mad. We try to live healthy lives so that we won’t die slowly of lung cancer or quickly from a heart attack. But what we let ourselves worry about less – because there is so little we can do to protect against it – is living long enough to have our
In Charlie Kauffman’s Bafta lecture (a startlingly honest reflection on film writing, and well worth a listen), the screenwriter, producer and director stresses that it is of the utmost importance, when embarking on a screenplay, to write something that could only be portrayed in the form of a film, and in no other medium. He
From Shakespeare’s Richard II, lines spoken by John of Gaunt. This royal throne of kings, this sceptred isle, This earth of majesty, this seat of Mars, This other Eden, demi-paradise, This fortress built by nature for herself Against infection and the hand of war, This happy breed of men, this little world, This precious stone
For many people, stories and story-telling formed the basis of their childhood. But there are others whose childhood is devoid of books, and it’s these children that Oxford’s new Story Museum aims to help. As Robert Gore-Langton puts it, ‘beyond [Oxford’s] dreaming spires is an urban hellhole of burning cars, despair and unemployment’, and, he
Martha Wainwright was keeping it in the family at the Union Chapel in Islington last week. Arcangelo, the singer-songwriter’s three-year-old son, joined her on stage and had the audience eating out of the palm of his tiny hand; the spectral presence of her mother, the folk legend Kate McGarrigle, was never far away; and the
What Maisie Knew is an adaptation of the Henry James 1897 novel, updated to Manhattan in the now, and is described in the bumf I received as ‘heart-warming’, which is utterly strange, as it’s a child-caught-in-the-middle drama, and just so painful. It’s compelling. It’s exquisitely done. It’s brilliantly acted. (According to the most recent figures,
My wife says you can always tell a self-portrait by the quality of its self-regard. There’s something about the eyes and mouth (though not invariably flattering or admiring) or the set of the chin that give the artist away. Perhaps it’s simply that the artist is more interested in depicting the self than anyone else;
Politics is everywhere in Edinburgh. It’s embedded in the architecture of the streets. The New Town, built in the latter half of the 18th century, is a granite endorsement of the Act of Union, a stone pledge of loyalty to Britain’s new Germanic monarchy in London. The layout forms an oblong grid. The horizontals of
