Culture

Culture

The BAFTAs N-word scandal has been very revealing

At the BAFTAs on Sunday night, John Davidson – whose story of living with Tourette’s syndrome is dramatized in the (very good) film I Swear – shouted out the N-word when black actors Delroy Lindo and Michael B. Jordan were on stage to present an award. You’d hope that by now people might understand the mechanics of Tourette’s symptoms – that the tics are totally involuntary, and consist of erupting with the worst possible things at the worst possible times; the imp of the perverse dialed up to 11. But no. The cruel and ideological politics of identity still have a grip on the mediocrities of the creative industries This was another one of the increasing number of events in this century that feel almost comically demonstrative.

Carl Jung, the man behind the psychobabble

A surefire way to alienate people is to talk about the dream you had last night. In polite society, we’re generally told nobody cares about the goings-on of our subconscious and that it’s probably best to keep quiet. Nothing, then, quite prepares one for the oneiric delights to be found in Jung’s Life and Work, a new edition of the collected interviews between Professor Carl Gustav Jung, the renowned Swiss psychiatrist and founder of modern analytic psychology, and his former student, Aniela Jaffé. The tone is set in the very first interview, where Jung recalls a childhood dream involving a gigantic “erect phallus” reaching “almost to the ceiling” equipped with an all-seeing eye and seated on a plush golden throne.

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Ann Lee deserves better than her biopic

Ann Lee was a sharp-tongued woman from the back streets of 18th-­century Manchester who joined a maverick Protestant sect that became known as the Shakers, or “Shaking Quakers.” In fact their shaking was the least of it: they howled, gurned and gibbered while flirting with the notion that God would return to Earth in the form of a woman. All sexual activity, even between man and wife, was forbidden. Ann then had a series of visions that, according to subsequent Shaker accounts, identified her as the “woman clothed with the sun” whose appearance in the Book of Revelation heralds the end of the world. In 1774, “Mother Ann” and a small band of faithful emigrated to America.

Love Story’s counterfeit Kennedys

Last June, Jack Schlossberg, the Kennedy nepo baby currently running for the open seat in New York’s 12th Congressional District, called out the television mini-series, Love Story: John F. Kennedy Jr & Carolyn Bessette. Executive producer Ryan Murphy was, Schlossberg declared, exploiting this couple’s courtship, marriage and death, and “profiting off of it in a grotesque way.” On a key point, Jack can rest easy. Love Story, now airing on FX/Hulu, treats his uncle John F. Kennedy Jr. reverently. Elizabeth Beller, Bessette’s biographer, praises the show for “honoring the legacy of everyone involved.” If JFK Jr.

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The many David Bowies

Alexander Larman is the author of a biography of John Wilmot, Earl of Rochester, and of Byron’s Women. Reading Larman’s new biography of David Bowie, one gets the sense that this could have been the end of a trilogy, given all three men’s talent and excesses. In fact, Bowie once considered playing Byron in a movie. Larman’s focus in Lazarus is on Bowie’s career from the end of the 1980s through to his final works: the musical Lazarus and the album Blackstar, the artist’s last gift to his fans, released on his 69th birthday – two days before his death from liver cancer in 2016.

The auteur Eugène Atget

Few connoisseurs of the image are unfamiliar with the great French photographer Eugène Atget (1857-1927). But his name is, unfortunately, unfamiliar to the lay person. This is a shame: his gloriously detailed, sharply focused black-and-white images of late 19th- and early 20th-century Paris evocatively conjure the shadows and lights of the boulevards, parks and alleyways of the Belle Époque. His astonishing close-ups of finely crafted architectural details are as striking as his sometimes surreal views of storefront windows and food-stall displays. Whether training his bulky large-format view camera on scenes interior or exterior, he reveals an aesthetic sensibility exquisitely sensitive to the world around him.

Marilyn Monroe, poetic muse

The year 1959 was a particularly productive but especially depressing year for Sylvia Plath. She toured the length of America, attended a series of stimulating literary seminars and wrote some of her most beloved verse. While outwardly active and energetic, her diary reveals she was struggling all the time to sustain her few fleeting fits of happiness. One entry in October describes a vivid dream she had, in which Marilyn Monroe appeared as a kind of fairy godmother. Monroe gave Plath a manicure and promised her a “new, flowering life,” before wishing her well and inviting the troubled poet over for Christmas. The image of Monroe clearly consoled her. Plath was hardly the only poet to be mesmerized by Monroe’s outward magnificence and fascinated by her perturbing private tragedies.

Inside the Murdoch family fallout

Terrific scripts, marvelous acting and glamorous locales – plus that haunting theme song – made HBO’s Succession superlative television. The show also took the sheen off being a billionaire. Who among us, watching Logan Roy (a barely veiled stand-in for media mogul Rupert Murdoch) mess with his children’s psyches, didn’t think “Isn’t it perilous to be quite so loaded?” Journalist Gabriel Sherman’s new book prompts a similar, aversive recoil. Every family has squabbles, but the Murdochs have fallen out with shocking animosity. Though it’s hyperbolic to claim, as the author does, that the struggle for control of News Corp broke the world, his gruesomely detailed account reveals how shattering the battles have been to those who fought them.

The literary appeal of the English upper classes

“However British you are, I am more British still,” said the American expatriate novelist Henry James, explaining his fascination with all things aristocratic and Anglo. It’s a type of fascination that’s only gathered steam over the years. A grand representative of the establishment, Lady Anne Glenconner, sold thousands of copies of her first book, Lady in Waiting, in the US, and recently discovered that her (admittedly predominantly homosexual) American fanbase has taken to throwing Lady Glenconner-themed costume parties. Meanwhile, Carla Kaplan, whose biography of Jessica “Decca” Mitford, Troublemaker, went on sale at the end of last year, discovered that Decca, known as “the Queen of the Muckrakers,” has a manic following among cowboys and long-haul truckers.

The end of Will Lewis’s Washington Post experiment

And now his watch is ended. Sir Will Lewis fell on his sword last night, resigning as CEO and publisher of the Washington Post. “After two years of transformation at the Post, now is the right time for me to step aside,” Lewis said in an email to staff. In his note, Lewis thanked only the Post’s proprietor Jeff Bezos. Cockburn hears that least one journalist replied to Lewis’s email, “Bye, bitch.” Lewis had a troubled and confusing tenure. In his final week, the Post cut 30 percent of its staff, including the full books section and scores of foreign reporters. The publication also folded its vaunted sports section into features.

How the Washington Post became a liability for Bezos

What does Jeff Bezos’s gutting of the Washington Post say about America’s sense of itself and of its place in the world? Bezos has scrapped much of the paper’s foreign coverage, as well as the books and sports sections. Over three hundred reporters and editors have been fired – including publisher Will Lewis. The Ukraine bureau has been closed, along with Berlin and the entire Middle Eastern and Iran team. You’d think there wasn’t much going on in the world. Does that mean that American readers are no longer interested in books or foreign news? That doesn’t sound true. The numbers of literate, educated and interested readers in the US who were devoted followers of the Post’s world-class books section and prizewinning foreign coverage haven’t collapsed.

Why does Taxi Driver still resonate?

Even if you haven’t seen the movie, you probably know the macabre legacy of Martin Scorsese’s early masterpiece Taxi Driver. Released 50 years ago this month, the tale of the eponymous cabbie Travis Bickle, played by Robert De Niro, still has something potent to say about what can happen when a brooding loner finds himself adrift amid the menace and jammed chaos of New York’s streets with a .44 Magnum for company. Perhaps one of the reasons Taxi Driver resonates with so many people is because of this human void that lies at its center. At one time or another, we’ve all felt as alone as Travis Bickle.

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Coppola, Lucas and Spielberg’s outsized impact on 1970s cinema

For any serious lover of cinema, the 1970s were both a golden decade and the beginning of the end of film as an art form. After the permissiveness and countercultural impact of the 1960s, a whole generation of new filmmakers emerged, many of whom remain household names. These men – and they were almost exclusively men – produced work that shook up expected norms and took the medium in new, thrilling directions. It is impossible to list all the pictures and their directors who made this difference, but there are good reasons why they remain celebrated today. And then Star Wars came along in 1977 and changed the trajectory of the industry forever.

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Marty Supreme mirrors Timothée Chalamet’s desire

Recently, Timothée Chalamet gave the world a refreshing show of ambition when, after winning a SAG award, he said that “the truth is I’m really in pursuit of greatness. I know people don’t usually talk like that, but I want to be one of the greats.” Ambition perhaps turned into arrogance when, during an interview for his new film, Marty Supreme, Chalamet noted that during the last few years, he’s been handing in “top-of-the-line performances... I don’t want people to take it for granted. This is really some top-level shit.

The golden years of David Bowie

This year marks the anniversaries of two of David Bowie’s most compelling and powerful albums: 1976’s Station to Station and 2016’s Blackstar. Given that they are often – rightly – described as Bowie’s crowning artistic achievements, amid severe competition from his other releases, they also have the intriguing fillip that both were originally released in January: a fortunate time for the musician, who was born on January 8, 1947, even if it was also the month in which he finally departed this Earth. Yet the comparisons between Station to Station and Blackstar, which came out 40 years apart, are far more pervasive – and persuasive – than the serendipity of their release dates.

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A vibrant, partial look at Gabriele Münter

Recognition can be late in coming for many artists, but perhaps especially so for women whose originality and talents too often become overshadowed by their more famous romantic partners. Museums are often eager to put on shows making this very argument as women artists are rediscovered. Sometimes the thesis succeeds; other times, it does not. The latest of these is the case of the German artist Gabriele Münter (1877-1962), whose reputation, until recent decades, rested less on her own body of work than on her long-time connection to her mentor and lover, the Russian expressionist Wassily Kandinsky (1866-1944). The Guggenheim Museum’s exhibition, Gabriele Münter: Contours of a World, attempts to rectify the imbalance.

The inside story of how America got to the Moon

On March 16, 1966, Neil Armstrong and David Scott became the first astronauts ever to dock with another spacecraft when they linked their Gemini 8 capsule to the uncrewed Agena target ship. However, the cheers had barely died down at Mission Control Houston when Scott realized they had a problem. The conjoined spacecraft had begun a gentle leftward pitch. Armstrong and Scott watched in horror as the capsule’s gentle pitch became a tumbling motion that increased, turning the craft into a centrifuge. In desperation, Scott undocked the two ships before gravity ripped them apart. But Gemini 8 continued to spin faster. At 60 revolutions per minute, the astronauts began to slip into unconsciousness.

This Tucker Carlson biography is a chronicle of an era

Tucker Carlson may be the most divisive man in America, a human tuning fork vibrating at frequencies that delight half of the country and drive the other half demented. Few public figures inspire such simultaneous loyalty and loathing. To his admirers, he’s a truth-teller with a preternatural instinct for cultural anxiety. To his critics, he’s a fabulist with a talent for setting fires and selling the smoke. This tension – this strange mix of menace and magnetism – is what Jason Zengerle captures in Hated by All the Right People, a biography that becomes, almost inevitably, a portrait of the contemporary conservative movement itself.

George Saunders’s thoroughly Dickensian novella

George Saunders’s luminous new novella Vigil begins with a fall of a kind – lower-key, sinless and very funny: “What a lovely home I found myself plummeting toward, acquiring, as I fell, arms, hands, legs, feet, all of which, as usual, became more substantial with each passing second.” With the fallen narrator landing headfirst, ass “in the air and fresh new legs cycling energetically,” the story’s tone is set. Though explicitly modeled after Charles Dickens’s A Christmas Carol, Vigil is quintessentially Saunders in its combination of user-friendly stylistic innovation, straight-faced satire and a deep dive into Big Moral Questions.

How Fatima Bhutto’s dog saved her from a toxic relationship

Americans who are concerned with heightened levels of political violence should understand that we are fortunate compared with Pakistan, whose most visible political family, the Bhuttos, have a history that makes even that of the Kennedys look tame. One survivor, journalist Fatima Bhutto, born in 1982, encapsulates the family tragedies. Her grandfather, the charismatic prime minister Zulfiqar Ali Bhutto, was executed under trumped-up charges by the government serving the man who deposed him, army chief Zia-ul-Haq. Her uncle, Shahnawaz Bhutto, died in mysterious circumstances, possibly murdered, at the age of 26.

The strangeness of Melania Trump

Long ago, in a different world, I edited a magazine called InStyle Weddings, which showcased the nuptial celebrations of the rich and famous. Melania Knauss Trump graced the cover of our spring 2005 issue, in her wedding gown, next to the headline “Behind the Scenes at the Trump Wedding.” My boss at the time had attended Donald and Melania’s January 2005 knot-tying at Mar-a-Lago, as an invited guest, alongside other Manhattan media machers, plus politicians, movie stars, famous athletes and... Jeffrey Epstein. The Trump Organization furnished the quotes for our article, and also approved all the photos.

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No, Jacob Elordi isn’t a ‘whitewashed’ Heathcliff

For those of us who associate Wuthering Heights either with high-school English classes or Kate Bush caterwauling over the moors while exhibiting some remarkable interpretive dance moves, the news that the new Emerald Fennell-directed film of what she calls “my favorite book in the world” has become the subject of a race-based controversy may come as a shock. Yet the latest interpretation of Emily Brontë’s classic novel, which is being released, appropriately, on Valentine’s Day, has already been met with contempt and derision by many before anyone even sees it.

The predictable politics of the 2026 Grammys

When Billie Eilish declared, during her acceptance speech for song of the year with “Wildflower” at last night’s Grammy awards, that “I feel like we just need to keep fighting and speaking up and protesting, and our voices really do matter,” she was speaking in the approved register. "Fuck ICE," she added but it was more of the same. In contrast to the Golden Globes, where the neutral tenor of the event was made up of tame jokes about the age of Leonardo DiCaprio’s girlfriends, the Grammys have turned into an opportunity for musicians to express political outrage. The awards themselves went as expected last night. Kendrick Lamar and Bad Bunny were the big winners of the night along with Eilish.

How mediocrity took over the Grammys

Is music getting worse? Rick Beato is a musician, producer and critic with more than five million YouTube subscribers. His answer would be: yes, pretty much. In a recent video, he compares the 2026 Grammy Song of the Year nominees to those of 1984. There are a few bright sparks among the slate of new songs, but Beato regards most of them as derivative, unoriginal and unlikely to be remembered past the end of the awards show. In contrast, 42 years on, all the 1984 nominees – Michael Jackson’s “Beat It,” The Police’s “Every Breath You Take” and Lionel Richie’s “All Night Long” among them – are firmly embedded in the popular music canon. One could ask the same question about science: has it gotten worse? My answer, I have to say, reflects Beato’s for music.

What is Travis Scott doing in The Odyssey?

As far as teaser trailers for summer blockbusters go, it takes quite a lot to make jaded audiences – or cynical critics – sit up and say, “What the hell?” But what’s exactly what the latest trailer for Christopher Nolan’s eagerly awaited The Odyssey has done. Not because it has featured a couple of new shots of Tom Holland’s Telemachus squaring off with Robert Pattinson’s villainous Antinous, or Matt Damon’s Odysseus participating in the bloody sack of Troy with his fellow Greeks, but because it introduces the most unexpected cameo of the year, possibly of the decade. Ladies and gentlemen, enter the latest feature of Nolan’s all-star cast: the hip-hop artiste Travis Scott, appearing in the somewhat unlikely role of a staff-beating herald.

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To see, or not to see Hamnet?

In 1966, the actor Raphael Montañez Ortiz staged his one-man show Self-Destruction at London’s Mercury Theatre. Intermittently screaming “Mommy! Daddy!,” Ortiz tore the clothes from his body, doused himself with baby powder, lay down in a diaper, downed a few bottles of milk and began vomiting profusely. Plastic bags were then distributed to members of the audience, who were encouraged to follow suit. Montañez Ortiz’s performance gave the psychologist Arthur Janov the idea to create primal scream therapy, a psychiatric fad that once counted John Lennon and Yoko Ono among its followers.

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Our Mount Rushmore

Personally, I regard Mount Rushmore as an excrescence on the mountain and a monument to the horror that Edward Abbey called industrial tourism. Beyond that, it is an expression of a naive piety and a patriotic sentimentalism that no longer exists in America. Matthew Davis correctly views the presidential sculptures carved into the face of Mount Rushmore in the Black Hills of South Dakota by Gutzon Borglum in the 1920s and 1930s as very much a period piece, an expression of popular American patriotism in the early decades of the 20th century. His “biography” of the mountain is equally a cultural work reflective of its time. Preeminent among Davis’s concerns in writing this book was to determine, “What is a memorial for?

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Nicolas Sarkozy’s inside story from Parisian prison

Nicolas Sarkozy’s prison memoir is a slender book about a short sentence that nonetheless makes for compulsive reading. It is unintentionally comic, occasionally moving and almost always politically calculating. This, despite the weight of its author’s self-importance, moral evasions and intermittent self-awareness. Sarkozy, 71, was sentenced to five years for criminal conspiracy linked to Libyan money in his 2007 presidential campaign. He served less than three weeks in Paris’s La Santé prison before being released under judicial supervision to finish his punishment at home, pending an appeal to be heard in March. He used the time efficiently, producing more than ten pages of writing a day. The result is a compact 200-plus-page chronicle of noise, bad showers and damaged pride.

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