The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
This month sees the Swiss alpine resort of Davos play host to the annual World Economic Forum summit, but it also marks the centenary of the death of one of England’s greatest Edwardian poets. The worship of Mammon and the ascent of Parnassus are traditionally not easy bedfellows, but the two are linked by the
After Mr S revealed that Chris Bryant has broken two ribs getting out of bed, speculation is rife that his nemesis James Blunt could be to blame for the incident. The duo fell out after the Labour MP claimed that British culture should not be dominated by the likes of privately educated crooners such as Blunt.
There is an island nation, just off the main body of a continent. It gained an empire from the force of its military and the finesse of its trading contracts. The empire withered, as they all do, under the gaze of history. But that didn’t finish the island nation off. It simply took over the
The main spring offering at the Royal Academy, Rubens and His Legacy: Van Dyck to Cézanne, teaches two useful lessons. One — not much of a surprise — is that Peter Paul Rubens (1577–1640) was a protean giant of a painter, expending sufficient artistic invention and energy to power other artists for centuries to come.
White to play. This is a variation from Carlsen-Aronian, Wijk aan Zee 2015. Black has just played his bishop to a3, uncovering an attack on the white queen while also threatening the c1-rook. How can White respond to this double attack? Answers to me at The Spectator by Tuesday 3 February or via email to
I’d tell you I came back here, that I’m writing in this room, if you had not found another and are happy, I presume. I’d tell you I returned and I have walked to you know where, if it were not to disturb you for so little, seems unfair. I’d tell you I have chosen
In January 1958, the British government began working on the significantly titled Operation Hope Not: its plans for what to do when Winston Churchill died. The plans, it turned out, wouldn’t be needed until January 1965 — but the intervening seven years were obviously well spent, because, as Churchill: A Nation’s Farewell (BBC1, Wednesday) made
By some quirk of fate, just as news reached the papers that the Scottish nurse who had contracted Ebola while working in Sierra Leone was now recovered, the guest on that Radio 4 staple Desert Island Discs was the scientist who first identified the virus. This gave a programme that can seem rather outdated and
In one of the more peculiar concerts that I have been to at the Royal Festival Hall, Vladimir Jurowski conducted excerpts from Das Rheingold in the first half of the programme, and Rachmaninov’s little-known opera The Miserly Knight in the second half. The idea, I gleaned from a pre-concert chat by the conductor and others,
Trash is the sort of film one desperately wishes to be kind about — heart supremely, if not burstingly, in the right place and all that — but it doesn’t make life easy for itself. Directed by Stephen Daldry, with a script by Richard Curtis, and set amid the kids who work the rubbish dumps
January is something of a palate-cleanser for the year, as the London International Mime Festival flies in plane-loads of companies bearing gnomic names in a kind of dance-world Desperanto that’s equally incomprehensible in every language. Like cars or tourist T-shirt slogans, titles like Plexus or Ephemeral Architectures label what’s now called ‘visual theatre’, with copious
Gay plays crowd the theatrical canon. There are the necessary enigmas of Noël Coward, like The Vortex or Design For Living, which are slyly aimed at an audience of knowing code-breakers. There are the proud, defiant (and rather tedious) pleas for understanding like La Cage Aux Folles. And the gayest of them all, My Night
We have all read about the current woeful state of the CD industry — how it is 28 per cent down on last year, which was 25 per cent down on the previous year, and so on — but do we know why? Is it the endless financial crisis? Or is it that CDs, as
Persuasions of shattered glass, fifty rounds bringing carnage, injury, terror, bereavement. What can preserve the State? Citizen A calls an ambulance, rips his shirt up for bandages, risks his neck to protect others. Persuasions of word and image, graphics of ridicule, of subversion. Who should enforce their silence? Citizen B’s undeceived, seeing the hypocrite-bigot untrousered,
I was working on the final edit of my book — a fictionalised account of the year Charles Rennie Mackintosh spent in Suffolk — when news came in that his most famous architectural creation, The Glasgow School of Art, was on fire. My heart lurched. This was an unimaginable tragedy, not just for Glasgow, but
Concentration camps in Nazi Germany were originally set up in 1933 to terrorise Hitler’s political enemies; as war drew near, their function expanded to gratify his obsession (and that of Reichsführer Himmler, as head of the SS which administered them) with ‘purifying the race’ by getting rid of gypsies, Jews, ‘asocials’ — prostitutes, criminals, vagabonds
The Sykes-Picot agreement will be 100 years old next year, but there will be no congratulatory telegrams winging their way to the Middle East from London, or from Paris on high alert. The Islamic State, the world’s most powerful jihadist group, has filmed its men bulldozing border posts between Syria and Iraq, dealing perhaps the
This is the tale of Muriel Lester, once famous pacifist and social reformer, and Nellie Dowell, her invisible friend. Nellie Dowell is invisible in the sense that Claire Tomalin described Nelly Ternan in The Invisible Woman. While Ternan, the mistress of Charles Dickens, simply ‘vanished into thin air’, Nellie Dowell, who may or may not
In a tone of breezy bravado in keeping with their concept of their subject’s character, Don Jordan and Michael Walsh have written a swashbuckling life of Charles II. This is narrative history that seldom slows to accommodate analysis, the Restoration court presented as the stuff of a TV mini-series: febrile, frenetic and vivid. At the
In the early 19th century, the Romantic movement was in full swing across Europe. You could probably date its birth from the publication in 1775 of Goethe’s The Sorrows of Young Werther, the gloomy novel of unrequited love that led to a spate of suicides among young men in Germany. Coleridge and Wordsworth’s Lyrical Ballads
At the time of his death in 1932 Edgar Wallace had published some 200 books, 25 plays, 45 collections of short stories, several volumes of verse, countless newspaper and magazine articles, movie scripts, radio plays and more. His work was dictated, transcribed and sent directly to the publisher. In one year alone (1929) he wrote
The musical Cats reopened in the West End in December, with a judge from The X Factor in the lead role. The music is by Andrew Lloyd Webber and the songs are, of course, by T.S. Eliot. Eliot died 50 years ago this year, and retains a curious kind of fame, which encompasses West End
Lord Hall will be glad that he didn’t attend last night’s Costa Book Awards. Robert Harris, who chaired this year’s judges, took the opportunity to criticise the corporation’s book coverage when announcing the winner. Harris says that it is ‘an absolute disgrace’ that there is ‘no dedicated book programme’ on television. The 57-year-old author urged Tony Hall to do
After Sarah Vine revealed that her husband Michael Gove’s ringtone that infamously disrupted a cabinet meeting was the latest Beyoncé hit, David Cameron has thrown doubt on this version of events. Speaking to LBC this morning, the PM was tackling the big issues. When host Nick Ferrari played a series of Beyoncé tunes, Call Me Dave seemed
I was watching the Cirque du Soleil’s Kooza at the Royal Albert Hall last week, thinking how much base, uncomplicated enjoyment can be had away from dance. Such relief to watch contortionists, trapezists, high-wire cyclists and crazed men skipping on the Wheel of Death, such relief just to be amazed. If they didn’t make my
This week a monumental exhibition, Rubens and His Legacy, is opening at the Royal Academy. It makes the case — surely correct — that the Flemish master was among the most influential figures in European art. There are few painters of the 18th or 19th century — from Joshua Reynolds to Cézanne, Watteau to Constable
Two months ago I was sitting beside the tomb of a descendant of the Prophet Mohammed, telling a story about the last week of the Prophet’s life. It was detailed enough to paint an imaginary portrait of him and included a mildly ribald joke from one of his wives, told to him on his deathbed
It starts in darkness. And no, it’s not a metaphor for the crooked timber of the human heart, it’s just bad lighting. Stanley Kubrick sourced his cameras from NASA in order to capture candlelight in his eighteenth-century epic Barry Lyndon; director Peter Kosminsky’s techniques in Tudor drama Wolf Hall seem decidedly sublunary by comparison. And it’s not just
In the summer fields your life left you. She ran out from under the hood of your heart and tottered across tarmac on clippy-cloppy hoofs like a teenage girl in heels. No time to notice the strange evening light, the sun low down on the green high crops, only time to brake and watch her