Symbolism and a man called U: more avant-garde fiction from Tom McCarthy
More from BooksIn a 2008 essay Zadie Smith held up Tom McCarthy’s austere debut Remainder as a bold exemplar of avant-garde fiction, comparing it favourably to Joseph O’Neill’s lush Netherland, which she deprecated as incarnating the worst delusions of realism. Funny how rapidly Smith’s distinction has disintegrated: McCarthy’s latest, Satin Island, bears an uncanny similarity to O’Neill’s
