The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
Grade: A+ In a desperate wish to avoid the appellation of a derided genre, this young man from Asheville, North Carolina has been described by the press as Americana, slacker rock, indie and alt-country. But we at The Spectator will call it how it is: this is country rock, pure and simple. And if country
The Last Days of Liz Truss? is a one-woman show about the brief interregnum between Boris Johnson and Rishi Sunak. We first meet the future prime minister at a nursery school in Paisley where she orders the teachers to call her Elizabeth and not to use her first name, Mary. This establishes her combative, self-righteous
Dost thou think, because thou art virtuous, there shall be no more cakes and ale? Most subsidised theatres hanker for political relevance. Even so, when the Royal Shakespeare Company planned its new production of Twelfth Night, they can hardly have expected that by Christmas 2024 we’d have Malvolio as prime minister. The curious thing is
If your heart sinks at the prospect of a thriller series starring Keira Knightley as a highly trained undercover agent with unfeasible martial skills, join the club. The reason I was drawn to Black Doves was when I realised it had been written by that master of tongue-in-cheek, ultraviolent, popcorn TV, Joe Barton (Giri/Haji). However
We Live in Time is a rom-com (of sorts), starring Florence Pugh and Andrew Garfield. They have terrific chemistry and elevate the material by around 1,000 per cent (a conservative estimate), but it’s still deeply annoying. It’s a weepie – a cancer story as well as a love story; at some screenings tissues were handed
The Enlightenment is back. Despite the best efforts of the past decade of handwringing about cultural imperialism and wailing over machismo, money and majesty, the future keeps crashing in. The Science Museum has now laid its cards on the table with Versailles: Science and Splendour. Think gilt, not guilt. Is there anything in our lives
The catalogue of 20th-century writers who committed suicide is long and sad: Sylvia Plath and Virginia Woolf, Ernest Hemingway and Sarah Kane, Stefan Zweig and Marina Tsvetaeva, to name only a few. Yet even amid this litany of literary misery, one name stands out for being perhaps more famous for their death than their work:
According to a 2016 report published by the World Health Organisation, Argentina is the ‘therapy capital of the world’, boasting 222 psychologists per 100,000 people. Reading the Argentine writer Pola Oloixarac’s Savage Theories, I can understand why. The novel is quick to mock the posturing of the academic world, especially in Buenos Aires The novel
One of the key charges made by the hard of thinking is that because the devastating accusation ‘racist’ has been thrown around so casually in these days of febrile public discourse, it no longer has meaning. Similarly, ever since Rik called Vyv (and a bank manager and the BBC) a fascist in The Young Ones,
For Anna, wickedness istypified by the villain ofa fairy tale –Rumpelstiltskin The narrator of Alive in the Merciful Country is a woman weighed down by past trauma ‘like a bag full of broken kaleidoscopes’. Anna is a teacher steering her nine-year-old pupils through the 2020 lockdown while coping with life as the single mother of
This is a very odd book. Where you’d expect to find an author’s photo inside the dust-jacket it just says: ‘Cher is a global icon.’ As for the ending – there isn’t one. It feels as though the publishers snatched the manuscript out of Cher’s hands almost mid-sentence, saying: ‘Keep the rest for Part Two.’
In Paris in 1740 the hangman publicly burned his most famous book. In England some of the best and brightest – Alexander Pope, Henry Fielding, Bishop George Berkeley, Jonathan Swift and John Wesley – queued up to destroy his reputation. The book was The Fable of the Bees (1714) and the author was Bernard Mandeville,
‘From the days of Homer on,’ Vera Brittain wrote, ‘the friendships of men have enjoyed glory and acclamation, but the friendships of women, in spite of Ruth and Naomi, have usually been not merely unsung, but mocked, belittled and falsely interpreted.’ Rachel Cooke’s anthology – inspired in part by her own ardent friendship with the
Two things that amaze me about the European Enlightenment are the brilliance of its achievements and the stupidity with which it excluded much of humanity from its circle. Say, for example, you were an 18th-century Frenchwoman who wished to advance human understanding of the universe by doing experiments, discussing texts and comparing hypotheses with other
Why, my sharp-minded colleague Tom Utley once asked after a Telegraph Christmas Carol service, should anyone think God would abhor the Virgin’s womb? He was talking about the line in ‘O come, all ye faithful’ that goes: ‘Lo, he abhors not the Virgin’s womb.’ Wasn’t it a bit weird? At last I found the answer
Ruination begins with an ironic prologue in which a choric figure warns the audience that what follows makes unlikely matter for the festive season: look elsewhere if you’re after light entertainment, he says, because this is going to shake you up a bit. And it does. This is genre-defying physical theatre, ‘devised’ by Ben Duke,
The talented military historian Max Boot has published a well-researched life of Ronald Reagan that is fundamentally wrong. First the good parts: he has combed through lots of archives finding new information and has interviewed countless people who worked with or knew Reagan. His style also bears the reader effortlessly along. Yet his claim that
John Savournin has been busy. That comes with the territory for a classical singer – things often get a little hectic as the music world barrels towards Christmas. But with Savournin, it’s sometimes hard to keep track of which theatre – which city – he’s in on any given night. ‘This week has been Pirates
The biggest blockbuster hit of the Elizabethan theatre was not by William Shakespeare or Christopher Marlowe or Ben Jonson. In fact it wasn’t by anyone. The Spanish Tragedy, a sturdy play of rhetoric, blood and revenge, was published in multiple editions without any attribution at all. Its central figure, Hieronimo, was a cultural phenomenon, but
The tale of Credit Suisse ought to be Buddenbrooks on steroids. A staid Swiss lender enters marriage with a racy Wall Street investment bank and gives birth to a monster. Scandal follows scandal. CEOs come and go. In March 2023, the bank ends up being flogged to its arch rival UBS for a miserly $3
More than a thousand musicians took part when Handel’s Messiah was performed in Westminster Abbey in May 1791. It wasn’t the only item on the bill, either; it was part of a day-long blow-out that lasted from 11 a.m. to 5 p.m. and also included the whole of Handel’s Israel in Egypt. The crowd came
The Devil Wears Prada is a fairy tale about an aspiring female novelist, Andy, who receives a job offer from Runway, the nastiest and most influential fashion magazine in America. Miranda, the editor, is a Botoxed uber-bitch who doesn’t really want to hire Andy, but does anyway. And Andy doesn’t really want to work in
James Baldwin matters. To veteran Baldwin admirers, his renewed prominence comes as a surprise after decades of indifference. This year, in the centenary of his birth in Harlem, Baldwin has seemed to matter more than at any time since his heyday, when he combined the roles of writer and civil rights spokesman. Between 1961 and
I don’t approve of ghosts, from the sublime (I generally just mouth the words ‘Holy Ghost’ in church, as I don’t want to pledge allegiance to something I can’t help but envision looking like the traditional sheet-based model) to the ridiculous (I would charge all ‘mediums’ with fraud). If ghosts were invariably like poltergeists (the
Every Christmas the proportion of money we spend online escalates. This year probably more than a third of all our festive gifts and food will be sourced via the internet. With this will go the usual hand-wringing about consumerism causing neighbourhoods to become clogged up with delivery vans and the death of our high street.
Tirzah Garwood, wife of the more famous Eric Ravilious, is having a well-deserved moment in the sun, benefiting from this era of equality in which artists’ and composers’ wives and sisters (such as Clara Schumann, Fanny Mendelssohn and Elizabeth Siddal) are having the spotlight shone on their under-appreciated works. It’s not profound art but it’s
‘Cela me revolte,’ wrote Queen Victoria in her diary in 1894 when her adored granddaughter Alexandra of Hesse announced her engagement to the Tsarevich Nicholas, ‘to feel that she has been taken possession of and carried away by those Russians.’ The sisters all look alike in the photos: uncomfortable dress, priceless jewellery, grimace, hair in
At last, a film about the G7. There have been more movies than you can shake a stick at set in the Oval Office and No. 10 and other citadels. But not once has cinema gathered democracy’s prime septet in the same frame, the way the annual Group of Seven summit does. Until Rumours. ‘Did
I thought we might be on to a winner with this book after the opening sentence. ‘From an early age,’ Simon Mayall writes, ‘I loved stories and storytelling.’ Sounds simple, but in a world in which many professional historians tend to know more and more about less and less, and write for each other rather