It’s a shame that Crooked Cross isn’t better
Director Jonathan Bank is unable to do the play justice
The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
Director Jonathan Bank is unable to do the play justice
Olivia Levine’s one-woman show takes the mental illness as a subject
The actor is the best part of Springsteen: Deliver Me from Nowhere
The documentary claims the Saudis were behind 9/11 – and the CIA then protected them
It’s a strange time, McEwen reflects, to be an artist
The Life of a Showgirl is conceptually mature and compelling
It is a grand, multifaceted masterpiece of badness
The band never lost sight of what first made them great, and what made rock ’n’ roll great
She’s the nation’s court jester
Tim Robinson’s latest cringe-fest is sophisticated and hilarious
The ‘Tron: Ares’ star represents a cautionary tale for our times
From Ziggy Stardust to Marie Antoinette, the mood is maximalist
He struggles to chart a new course in The Smashing Machine
‘It’s impossible to predict hits,’ said the man paid $1.4 million a year to, well, predict hits
The Met’s show is tribute to a fine artist of boundless talent
The much-missed musician is the beneficiary of a new, bespoke space inside the Victoria & Albert Museum’s East Storehouse outpost
The week has evolved into a content-driven machine
Above all, Reiner proves his vim and vigor by the very quality of the film
It’s gotta be really, really good if it wants to stay even slightly relevant
The shock and awe is done – the details are not
It might be time to take the show out to pasture
As his new documentary shows, he’s not going anywhere
Just like that, America was great again
The curators’ political peacocking has long carried no risk
The artist’s unflinching vision of a world gone awry is as powerfully direct as his late-in-life compositions of compassion and hope
In early photos, the crowds – and the band members – are eager, curious and frank
The first comprehensive repackaging of any of Drake’s albums does justice to the musician
Every detail, every sound, every object feels intentional
The play rises from social commentary to legitimate art piece, avoiding mere parody and ax-grinding