The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
On the night of 17 March 1959, the 14th Dalai Lama, aged 23, slipped out of the Norbulinka, his summer residence in Lhasa, and began his flight to India, where he arrived on 31 March, after crossing some of Tibet’s most rugged terrain. He was so heavily disguised that the faithful crowds who had gathered
Emma Donoghue’s novel Room was short-listed for the 2010 Man Booker prize and made into a film in 2015. Inspired by Josef Fritzel’s incarceration of his daughter Elisabeth, it described a mother and son held captive in one room for several years. It depicted their intense, private world and focused on maternal love. The Wonder
In the great Iberian empires of the 16th and 17th centuries, a career was already avail-able in global administration not very different from the lives of the bankers or lawyers who globe-trot today. In 1509, as one example among hundreds, Duarte Coelho Pereira, a soldier for the Portuguese crown in Morocco and West Africa, went
Marie Darrieussecq shot to literary fame in France when her bestselling debut, Pig Tales (1996), was a finalist for the Prix Goncourt. Featuring a woman who turns into a pig, the novel earned Darrieussecq a reputation as a surrealist writer in the tradition of Kafka, and many of her subsequent works have involved fantastical elements
Here is a veritable feast for fans of Paddy Leigh Fermor. This is the story of a well-lived life through letters. The first is from a 24-year-old recruit eager to do battle with the enemy in 1940. The last is by a tottering nonagenarian of 2010, still hoping, 75 years after his ‘Great Trudge’ across
Eventually,’ said Michelangelo Pistoletto, ‘it became a movement. In fact, I believe that arte povera was the last true movement. Since then all artists have been individuals.’ We were sitting one baking hot day last month in his cool study in Biella, a small town in the foothills of the Alps where he has established
Modern Britain scratches its head over children who are overfed, not underfed, while guilt-ridden mothers stand accused of feeding children badly even if they are not obese. These are not insignificant troubles since childhood obesity is set to cost the NHS many millions in years to come. But as a new exhibition at the Foundling
For a 21st-century gallery, a Victorian collection can be an embarrassment. Tate Modern got around the problem by offloading its Victoriana on to Tate Britain, but York Art Gallery decided to make the best of it. As the birthplace of William Etty, York found itself lumbered with a major collection of work by a minor
Artrage by Elizabeth Fullerton. Thames & Hudson. 288pp. £24.95 Thames & Hudson is no longer a publisher much associated with writing. You do not expect its books on art and applied art to be wrought with the brio and elegance of Susie Harries or Rosemary Hill, Crook or Summerson. Which is, perhaps, just as well because
I can’t say I care for zombies particularly or even understand them — OK, they’re the living dead, but what do they have against the living living? Why do they always want to bite their faces off? — and I can’t say I cared for The Girl With All the Gifts either. This is an
We now think of Radio 3 as the music station, but when it was created in 1946 as the Third Programme music was only meant to take up one third of its output. Dramas, features, talks were just as crucial to its identity, and poetry especially was to be heard ‘three times a week and
The closing credits of National Treasure (Channel 4, Tuesday) contain the usual disclaimer that any resemblance between its characters and real people is merely coincidental. Well, coincidental maybe, but also entirely inevitable — because this is a drama based on Operation Yewtree. With its choice of subject matter, a cast including Robbie Coltrane and Julie
The Emperor seems like a worthy lesson in Ethiopian history. Haile Selassie’s final days are recounted by a retinue of devoted flunkies. He had valets, chauffeurs, zoo-keepers and door-openers to perform every conceivable chore. Each morning a butler proffered a silver dish loaded with meat from which the emperor fed his exotic pets. A clock-watcher,
Alas, poor André Tchaikowsky. A survivor of the Warsaw Ghetto, with an assumed name that probably did his musical career as much harm as good (he was born Robert Andrzej Krauthammer), he died of cancer in 1982 shortly after his only opera, The Merchant of Venice, was rejected by ENO. He’s remembered today principally for
In this week of toadying obsequies after the (rather late) retirement of Sir Nicholas Serota from his imperial throne at Tate, an alternative narrative (briefly) enters the minds of the mischievous. Alone, aloof, fastidious, austere, he is sitting, suited darkly, in his office surveying, with a basilisk stare, the spreadsheets and data-sets his cowering elfin
‘A fool’s errand’. That is how Lonnie Bunch, founding director of the Smithsonian’s National Museum of African American History and Culture, wryly characterises the decade’s work it took him to get the museum built. It opens in Washington DC this weekend. A talented fundraiser, he and his team matched the $270 million from the federal
Depending on your point de vue, Haussmann’s imperial scheme for Paris created townscape of thrilling regularity or boring uniformity. Whatever; against a backdrop of serene haute-bourgeois perfection, intrusions have always been controversial. Eiffel’s tower of 1889 was attacked by the intellos of the day. Maupassant, Gounod and Dumas fils thought it a hideous construction of
‘Here is a story from the winter days of the end of 1959 and the beginning of 1960,’ announces the opening sentence of Amos Oz’s challenging, complex and strangely compelling new novel. The story itself is easily summarised. At its centre is Shmuel Ash, a rather woebegone young man who abandons his university studies in
Six years ago, the publishers Hachette took the well-meaning yet preposterous step of making ‘sensitive text revisions’ to Enid Blyton’s classic Famous Five books. So ‘tinker’ was changed to ‘traveller’, ‘mother and father’ to ‘mum and dad’ and ‘awful swotter’ to ‘bookworm’. The suggestion that tomboy George needed ‘a good spanking’ became ‘a good talking
It’s 2008 in Manhattan, and there’s still a brief window for the Goldman bankers to swill their ’82 Petrus before the crash, for the masters of the universe and social X-rays first sighted in Tom Wolfe’s Bonfire of the Vanities to launch another hostile takeover or push a lettuce leaf around a $25,000-a-table benefit dinner-plate.
The 12th-century crusader Reynald de Chatillon was one of the most controversial men of his time, and his new biographer Jeffrey Lee believes he has returned to disturbing relevance in ours. Over a relatively long life with a dramatically violent end, Reynald became Prince of Antioch by marriage, endured 16 years in a dungeon below
The Good Immigrant, a collection of essays about black and ethnic minority experience and identity in Britain today, is inconsistent, infuriating, uncomfortable and just occasionally insulting. It is also right to be every one of those things, and highly recommended. Its editor, Nikesh Shukla, was prompted to compile the book by an online comment on
History teaches no lessons but we insist on trying to learn from it. There is no political party more sentimental than the Labour party. The stone monument of Labour history is Clement Attlee’s 1945–51 administration, so any biography of the great man is, inevitably, an intervention into the present state of the party, even if
I remember an American author once saying she wrote about love and friendship because, after all, these were the fundamental things that people talked about when they gathered around dinner tables. Not quite so in Turkey. Over lengthy breakfasts and suppers, lunches and drinks, we Turks tend to talk about something else: politics. The truth
To tell this story of his search for a mother lost to mystery in early infancy, its author uses the techniques of documentary drama. He describes past scenes and conversations in extreme, atmospheric detail: a particular dream on a particular night in the 1940s, a conversation in the 1950s. Perhaps his work as a screenwriter
Picking a day at random, ‘an unremarkable Saturday in America’, the Guardian journalist Gary Younge identified ten children and teenagers throughout the United States who were shot dead on 23 November 2013. Whichever day he chose, he knew it would be typical. Determined to investigate each of these deaths, none of which bore much —
Searching for a 12-month stretch in the life of Elizabeth Jane Howard (1923–2013) that might illuminate the kind of person she was and the circumstances of her fraught and chaotic career, I settled on the year of 1955. Our heroine, then living in a maisonette flat in Little Venice and reading manuscripts for the publishing
‘My painting is an act of decolonisation,’ declared Wifredo Lam. These are the first words you read on entering the retrospective of his work at Tate Modern. But I must say that both Lam and Tate got this statement 100 per cent back to front. On the contrary, Lam’s work strikes me as entirely a
For a regular dancegoer in New York City, the Alvin Ailey American Dance Theater seasons arrive with the comforting predictability of a Christmas Nutcracker. Superb dancers, Ailey’s sublime Revelations, jubilant audiences, stirring evocations of African-American identity: it’s easy to begin to take these things for granted. When you haven’t seen the Ailey company for a