Culture

The fifth season is full of self-referential excess, but it’s also an example of great homage

Anthology 4 makes the extraordinary band seem ordinary

The spy learned his final lesson in No Time to Die

Jacob Elordi might well be about to capture Heathcliff’s mixture of brutality and magnetism

He skillfully suggests what a fascinatingly complex character Herman Göring was

Joachim Trier’s film shows us what compassion is

Glen Powell is great, but this movie feels distinctly dated

Apple has finally got its act together when it comes to original content

Death by Lighting is uproarious fun

In The Etcher: The Life and Art of Oskar Stoessel, he has lifted a great artist from obscurity

If only the rest of the cast had showed up

The band’s new album, Everybody Scream, contains some of the best music released this year

Still, it’s a relief that Netflix, for all its faults, is bankrolling work as individual and striking as this

That his film might be seen as a risk says a lot about how tainted the brand has become