Culture

Culture

East Palestine and the roots of rural mistrust

The East Palestine, Ohio, train derailment has thrust rural America into the national spotlight. Town mayor Trent Conaway, a hefty, scruffy figure who resembles many a resident of flyover country, has been all over cable news expressing his “frustration” over how the federal government has handled the disaster. “Frustration” is exactly the word I’d use to describe the predominant feeling I encountered last week during my visit to East Palestine. It’s the same attitude I come across constantly in my rural Pennsylvania homeland. The way the East Palestine disaster has unfolded magnifies the rural perception of government, and both sides of the aisle would be wise to take a closer look and listen.

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The magnetism of His Dark Materials

When I was in middle school back in the 1990s, there were two sets of books every boy seemed to have in his backpack. One was the Redwall series, Brian Jacques’s swashbuckling tales of heroic mice and tyrannical wildcats. The other was the His Dark Materials trilogy by Philip Pullman. It’s no coincidence, I think, that both Jacques and Pullman are British. What made these books intriguing, beyond their carefully wound plots, was that they were marketed to children yet addressed subject matter that was very much adult. In Redwall, it was the brutal violence. His Dark Materials had some of that too (in the first chapter of the first book, we witness an attempted killing; in the first chapter of the second book, we witness an accidental fatality).

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Greg Lansky: the artist with a scandalous past

St. Paul points out that “all have sinned and fall short of the glory of God.” Despite that inclusive “all,” human nature inclines toward exclusion of the “other,” which is a very difficult thing for many of us to overcome — me included. Enter Greg Lansky, pornographic-film producer. Perhaps no one in recent memory has made a greater profit from the highly lucrative commerce paradoxically known as “adult entertainment” than Parisian-born entrepreneur Lansky. Within the span of about fifteen years, he went from dropping out of school and having few realistic prospects to making fortunes from adult media, partying with celebrities and receiving glowing profiles in magazines such as Forbes, GQ and Rolling Stone.

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Mary Blair, doyenne of Disneyland

On a cold day at Disneyland, I walk through sugarplum-scented air, past a midcentury-modern poster for Alice in Wonderland, and beneath a plaque that reads, “Here you leave today and enter the world of yesterday, tomorrow and fantasy.” Walt Disney — the controversial impresario of twentieth-century animation and escapism, not the corporation that bears his name — intended his magic kingdom as an escape, a real-life never-never land devoid of the politics and troubles of the everyday. But on this visit to the park, I encounter the here and now around every corner. Passersby notice that an empowered female pirate has replaced the bride-auction scene in the Pirates of the Caribbean ride. (“Did anyone really believe pirates were role models?” one visitor asks.

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& Juliet and Titanique: two newly minted cult classics

Fears that the new pop-parody musical & Juliet would be a vehicle for steamrolling Shakespeare are understandable but unfounded. It’s true that, on Broadway as in the rest of the arts, holding dead white males up for flagellation is now almost a cherished ritual — a recent example being last season’s Six, a glitzy feminist paean danced on the grave of Henry VIII. There’s a healthy dose of girl power in & Juliet, too, and I don’t doubt that a few heedless theatergoers came with tomatoes in hand, hoping to find the Bard pilloried. Let me tell you a secret: the theater world still adores Shakespeare, even in 2023. To renounce him is to swear off your mother’s milk.

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Bianca Censori: Kanye West’s new handler

Cockburn would usually think twice about celebrating a man that’s under his wife’s thumb. But after seeing reports that Kanye West's new wife Bianca Censori “runs the show,” Cockburn can’t help but think that arrangement is probably for the best. The forty-five-year-old disgraced rapper shocked fans last month when he married the Yeezy architectural designer Censori, in a top-secret ceremony just two months after finalizing his divorce from Kim Kardashian. A source told the Sun, "Bianca runs the show. She has been around Ye for about three years, things got serious really fast in mid-November. "Bianca handles Ye's daily logistics from Yeezy clothing management to construction of the new Yeezy headquarters/ Donda Academy.

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The tragedy of corporate America’s anti-child messaging

My brothers and I grew up in a very active household. We were always busy with sports, schoolwork, and chores, and there was a constant revolving door of friends and teammates. Both of my parents worked full-time as business owners and as our informal chauffeurs. Along with thousands of meals to be prepared, loads of laundry to be done, fights to break up, and the occasional window to be replaced, ours was a house that was never quiet, especially when my brothers tapped their illegal fireworks stash. To an outsider, it might have looked like being in the middle of a domesticated Lord of the Flies. But there was a purpose to the madness and chaos. We learned conflict management, independence, fire safety, and the value of hard work and cooperation.

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Dana White’s Power Slap is a gruesome freak show

UFC president Dana White’s new show Power Slap: Road to the Title debuted on January 18 to paltry ratings — a reported 295,000 viewers following a helpful lead-in from the pro wrestling show AEW Dynamite, which had nearly a million — and widespread critical outrage due to the seeming inhumanity of the sport. Those who did tune in watched in mute horror as Chris Kennedy was brutally knocked out, his hands curling up in what Chris Nowinski, a former football player and wrestler turned brain trauma researcher, referred to as “fencing posture,” indicative of serious brain injury — then later proved unable to recollect what had happened to him.

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The Some Like It Hot revival is cream-puff theater

The new Some Like It Hot on Broadway has bass player Jerry (J. Harrison Ghee), disguised among Big Sue’s Society Syncopators as “Daphne” to hide from the Chicago mob, decide to embrace the drag lifestyle and elope with his elderly suitor Osgood (Kevin Del Aguila) by the show’s end. (The 1959 film closes with Jerry straining to extract himself from Osgood’s clutches.) Many theatergoers will not expect this update, setting up a bit of dramatic irony too delicious to be unintentional. What’s a drag show, after all, without a few surprises? To my knowledge, this irony has gone entirely uncapitalized by headline-writers across the nation. Some Like a Hot Dog! Speakeasy, Don’t Tell! Billy, but Wilder! Jack’s Lemon!

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Playing God with Paramore

From the moment Hayley Williams founded Paramore with three Christian boys in Nashville, she was consumed by Biblical levels of conflict. Williams signed as a solo artist with Atlantic on the heels of Avril Lavigne’s “Complicated.” Her male bandmates performed and recorded without a contract. To counteract the narrative that a major label had engineered Williams, Atlantic released Paramore’s 2005 debut album, All We Know Is Falling, through the “sub-label” Fueled by Ramen. Critics caught onto the ruse, with Gigwise writing, “The band are an A&R man’s fantasy.” But Williams connected with angsty teens partially because the critics seemed to be bullying her. The bullying continued when Paramore changed their lineup and released the 2007 sophomore album Riot!

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In Claude Monet’s postmodern garden

There are few topics that rankle the art critic more than “immersive exhibitions.” They must be second only to “nonfungible tokens,” whatever those are. I speak of the immersive spectacles where images of famous artwork are flashed on the walls and floors of a large white room in which you sit. Certainly, this should be outside the remit of my union card, I might think. Until now, if you were looking for some opinion on this-or-that out-of-copyright projection venue slash tourist trap, I would simply say not my job. Maybe go see the real thing. Then we can talk. And yet, with art on the walls, real or imagined, judgment always comes calling. Suddenly we seem to be immersed in immersion. It can be a challenge just to keep your head above the digital waters.

The shock and awe-inspiring art of Iraq

The road from Erbil consists of one large, tarmacked lane, no separation marks, no shoulder, despite seemingly never-ending ascents and descents and a barrage of trucks carrying huge oil tanks. As soon as the mountains of the Iranian border appear, the cars form a bottleneck into Sulaymaniyah, the “cultural capital of Kurdistan.” It leads to a maze of circular streets, where finding anything — let alone an old tobacco factory turned arts center — becomes a challenge, even for two journalists armed with Google Maps and a local fixer. Yet after some circling, a phone call, a bit of translating and the opening of two twelve-foot, light-beige metal gates, the artist Tara Abdulla appears, smoking a cigarette.

A pilot explains why air travel has become so stressful

Add your tropical dream vacation/work trip/family wedding to the list of lingering Covid consequences. If you’re like me, every time you head to the airport these days, you brace for your flight to be delayed or cancelled. It’s not just in our heads. If it seems that air travel has gotten less reliable since the the pandemic hit, that’s because it has. Reuters reported in August 2022 that “flight cancellations and delays by US airlines in the first seven months of the year have surpassed the comparable 2019 period.” Many of these disruptions were weather-related, but a pilot I spoke to emphasized ongoing airline staffing shortages as the biggest headache at the airport. He told me that heading into 2019, airlines were facing the biggest pilot shortage in history.

Prince Harry and Andrew Tate are two sides of the same coin

On the face of things, there is little in common between Prince Harry and Andrew Tate. Yet look closer and you see two sides of the same coin: a narcissistic version of modern masculinity that warps what's actually important about manhood for the demands of an addicted audience. Tate is a juvenile accused sex trafficker, who believes his right as an HGH-fueled muscle man entitles him to a Conan the Barbarian Romanian fantasy of Bugattis, baby oil and bitches. Harry is a pussy-whipped blue blood who wields his grief gestalt as a weapon against all comers — be they media or monarchy. Tate's narcissism is more aggressive.

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Ebony and ivories

In the early going of The Piano Lesson (1987) there’s mention of a merchant buying up musical instruments in the black neighborhoods of 1930s Pittsburgh. When offers for the titular family piano are rejected by its current proprietor, Berniece, her brother Boy Willie, who has arrived from the south, hopes to sell it to him behind her back. It’s a coy reference to that great Broadway salesman of band equipment, Meredith Willson’s Music Man (1957), and the reversal gives you some idea of playwright August Wilson’s method. Where Meredith built a full musical around a musical zero (Harold Hill is tone-deaf), August composed a stage play from the music of the blues, which he called the “sacred book” of black literature.

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A staunch defense of ‘nepo babies’

Over the last few days, as far as I’m aware, I have been the sole defender of the successful children of the rich. So-called "nepo babies" have been unfairly attacked by the very jealous, mainly middling journalists, who have decided that the greatest crime of these talented few was simply being born. “We love them, we hate them, we disrespect them, we’re obsessed with them,” read Vulture’s front cover, along with a photo illustration of famous progeny. The spawn included Lily-Rose Depp, daughter of Johnny and Vanessa Paradis, and Dakota Johnson, whose parents are Melanie Griffiths and Don Johnson. The author of the piece seems to think that the only reason anybody knows the aforementioned names is because of their parents' status and connection.

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An ingloriously dumb adaptation

There’s always been a market for nostalgia. Keats, the huckster of Greek glories, put it best: “Heard melodies are sweet, but those unheard are sweeter.” But the peculiar achievement of Lester Bangs, the cantankerous rock critic played by Philip Seymour Hoffman in the film Almost Famous (2000), is to sell us some self-confessedly unsweet music. True rock and roll, the Bangs character tells us, is “gloriously and righteously dumb” and could suffer no worse fate than to become an “industry of cool.” Of course, by his lights, the golden age has passed; all that remains is “the death rattle, the last gasp, the last grope.” If nostalgia is a drug, he has mainlined the stuff. What are you on, man, and where can I get some?

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Edward Hopper’s America

With a new show at the Whitney, Edward Hopper’s New York; a new documentary film from director Phil Grabsky, Hopper: An American Love Story; and a recent exhibition organized by the Virginia Museum of Fine Arts and the Indianapolis Museum of Art, the work of one of the most popular yet seemingly inscrutable American artists of the twentieth century is receiving a great deal of renewed attention. In his paintings, Hopper’s hard-edged realism, impressionistic plays of light and passages of intensely saturated color compete for attention. What has always captured the public imagination is the relative isolation of the figures that appear in his work. Search for articles about Edward Hopper online, and many will describe his art as an exploration of loneliness.

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Cleopatra still dazzles sixty years later

It’s a dazzlingly staged event that evokes the ancient theater, Italian operas, elaborately choreographed Busby Berkeley films and an open-air spectacle on par with WrestleMania at Caesar’s Palace. I’ve watched it knowing that as a small boy, I tugged on my mother’s blue jeans and asked a question informed purely by cinema: “Is Cleopatra the most beautifulest woman in history?” “No,” replied mother, with a cigarette stuck between her clenched teeth. “Elizabeth Taylor is.” I was, of course, picturing Elizabeth Taylor as Cleopatra. The event I’m referring to isn’t mere cinematic overindulgence; it is a monumental moment — six decades after moviegoers first saw it — which transforms a movie star into a deity.

How Houdini and Arthur Conan Doyle invented the modern celebrity feud

1922 saw its fair share of shocks in the literary world, among them the publication of James Joyce’s Ulysses, Sinclair Lewis’s Babbitt and T.S. Eliot’s The Waste Land. But perhaps the strangest book-related event of the year didn’t involve any writing at all, at least not as performed by human agency. Instead, the author was a ghost. The setting was a darkened room at the Ambassador Hotel in New Jersey’s Atlantic City, where on the warm Sunday afternoon of June 18, 1922, Arthur Conan Doyle of Sherlock Holmes fame sat down between his wife Jean and the celebrated escapologist Harry Houdini to hold a séance. The first two of these individuals were advocates of spiritualism, the last of them a skeptic.

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Elon Musk loudly booed on stage at Dave Chappelle gig

Is Elon Musk losing his appeal? Cockburn concedes that being the richest man in the world must be pretty sweet. But, what if you were phenomenally unpopular at the same time? That’s Elon Musk. The Dave Chappelle show last night in San Francisco proved that. The comedian invited Twitter boss Musk to join him on stage. “Ladies and gentlemen, make some noise for the richest man in the world,” Chappelle said near the end of his set at the Chase Center. And the crowd did — most of them opting to loudly boo the billionaire. The booing only intensified as Musk wandered around onstage, pacing and waving, looking visibly embarrassed. The video, which was initially posted to Twitter, has since mysteriously been deleted. Ahem.  https://twitter.

Stormy Daniels’s good fortunes

In the lobby of the Holiday Inn Chantilly, there’s a leak in the ceiling. Next to the pail collecting the drips sits Stormy Daniels, her client and a haunted doll called Susan. This is a normal — and paranormal — afternoon for the world’s most notorious porn star. In the time since her hush-money imbroglio with President Trump, Daniels has dedicated her time to directing porn, making some for her OnlyFans, reality TV show appearances… and the supernatural. Her latest venture sees her reading tarot for clients who book with her online. This is what has brought Cockburn to the fringes of the Exxxotica DC convention. “I usually do these up in the room,” Stormy explains, festively dressed in a red-and-black checked shirt and a snowflake necklace.

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The left declares war on sperm

There’s a perplexing debate buzzing online about where babies come from, and liberals are highlighting the fundamentally warped way they view human life and relationships. Author Gabrielle Blair is making waves for her groundbreaking discovery that if men stopped ejaculating inside women, we would have fewer unwanted pregnancies and abortions (though Blair, herself a Mormon mother of six, believes “women that want or need an abortion should be able to get one whenever they want or need one”). In promoting her new book, Ejaculate Responsibly: A Whole New Way to Think about Abortion, Blair has been advocating for free vasectomies and for a “social campaign that talks about the reality of vasectomies.

Romance at the porn convention

Northern Virginia is a wasteland. Twenty or so miles due west of Washington, DC you'll find a series of nondescript neighborhoods, with no distinct identity, no true town centers, a barely broken chain of outlet stores and closed restaurants. The stretch of highway leading from Arlington to Dulles Airport is the urban equivalent of an ellipsis: a “loading” screen of locales. There could be no more suitable place to host the most conventional of conventions. And conventions can be frightfully dull. Cockburn would know: his lengthy tenure with The Spectator has seen him grace the stalls of CPAC, AIPAC, the RNC. He is far too familiar with the jangle of elevator musak, the freebie fridge magnets, the plastic press passes. When it comes to corporate America, he has seen everything.

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Madison Cawthorn is right about metrosexuals on social media

Madison Cawthorn, the one-hit-wonder congressman from North Carolina who was defeated in his primary earlier this year, used his final address on the House floor yesterday to condemn “soft metrosexuals.” In the spirit of not kicking a guy when he’s down (Cawthorn will be gone by January), let’s cut him some slack and acknowledge that, melodramatic language aside, his speech made a valid point. Social media is to blame, at least in part, for weakening American culture. “America is weak,” Cawthorn declared. “Her sons are sickly, and her daughters are decrepit. Our country now faces the consequences of enabling a participation trophy society. We’re no longer the United States. We’ve become the nanny state.

The generation gap over J.K. Rowling

I’ve often thought that a candid fly-on-the-wall documentary about the production of the Harry Potter films would be considerably more entertaining than any of the lackluster pictures themselves (Alfonso Cuaron’s excellent Prisoner of Azkaban duly excepted). Alan Rickman’s recent diaries suggest that the sets were unhappy, frantic places where actors were seldom allowed to create memorable characters and where the focus on the juvenile performers meant that one of the finest British ensemble casts ever assembled often functioned as little more than expensive set-dressing. Yet more than a decade after the final film, the actors continue to command headlines, some of which is thanks to Harry Potter creator J.K. Rowling’s views on the trans issue.

Why are wives still taking their husbands’ last names?

“Why don’t more men take their wives’ last names?” asked the Washington Post in a recent piece about a Maine husband who took his wife’s name. And why is it less common for a woman to keep her existing last name, which accounted for only about 20 percent of marrying women in 2015? Amazingly, even in our progressive era, women are still choosing to assume the names of their husbands. It’s obvious what side WaPo comes down on. Their article quotes an author who labels women taking their husbands' last names “bizarre and anachronistic.” It quotes the mother of another husband who took his wife's name, praising her son’s decision for “subvert[ing] the dominant paradigm.

Murillo the masterful

Murillo: From Heaven to Earth, an exhibition at the Kimbell Art Museum in Fort Worth, Texas, is, at its core, a cunning display of institutional braggadocio. How much better to amplify a mainstay of the permanent collection — that would be “Four Figures on a Step” (c. 1658-60) — than to mount a show dedicated to the artist responsible for it? “Four Figures on a Step” is, if not Murillo’s masterpiece, then a distinctive painting all the same. It is distinctive because it is odd: though attempts have been made to peg the image as some-or-other lesson in morals, the canvas has consistently resisted explication. The title, a bland descriptor superimposed by an outside source, points up how the picture’s thematic basis remains firmly contained within its own peculiar logic.

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