Culture

Culture

Thursday

Mitchell Jackson

The loss of Joss Whedon

Cheerleaders save the world. Vampires gain souls. Ellen Ripley comes back to life as a half-alien. In the case of Willow Rosenberg, Buffy the Vampire Slayer’s geeky, lesbian BFF, she’s a good witch one year, Southern California’s equivalent of the Wicked Witch of the West the next, and only a year later, the key to stopping an apocalypse. One season, you’re good; the next, you’re bad; then, finally, you’re the savior. This is the world Joss Whedon envisions across six television shows (Buffy the Vampire Slayer, Angel, Firefly, Dollhouse, Marvel’s Agents of S.H.I.E.L.D.

Whedon
Cat Woods

Dita Von Teese, the once and forever burlesque star

She’s the Glamonatrix who looks equally as comfortable luxuriating in a Champagne glass, emerging from a giant shell, perched upon a cake or astride an oversized lipstick bullet. She’s the Rhinestone Cowgirl, the Bird of Paradise, the star of Strip, Strip, Hooray! and Dita’s Crazy Show. She’s a star. In contrast to OnlyFans influencers, Dita Von Teese comes from an older, spectacular style of tease, and at fifty-one, remains the world’s best-known burlesque dancer. She’s the most famous striptease showgirl since Gypsy Rose Lee and perhaps the world’s leading erotic celebrity. She’s come a long way since she was simply a Michigan-born girl named Heather Sweet.

von Teese
Clarissa Sebag-Montefiore

Spring’s hottest theatrical openings on Broadway

Since closing its doors during the pandemic in 2020, Broadway has struggled. The Phantom of the Opera lowered the curtain in April last year after more than thirty-five years. Andrew Lloyd Webber’s new musical, Bad Cinderella, shut in June, less than three months after it opened, and other musicals, such as the tortuously-named Britney Spears-inspired Once Upon a One More Time, have fared little better. Meanwhile, productions are still scrambling to get butts on seats: audience numbers are down 17 percent from their pre-pandemic highs. And yet, for theater aficionados, there is hope.

theater
William Newton

The divine Dalí and his ‘Christ’

I arrived in the city of Figueres early one January morning to visit one of the most popular, and bizarre, art museums in the world, the Teatre-Museu Gala Salvador Dalí. It houses a dreamlike picture that, for the first time since it left over seventy years ago, has made a temporary return journey to Spain. Originally simply titled “The Christ,” the 1951 canvas depicting the giant figure of a man on a cross, shown at an overhead angle hovering over a moody seascape, was painted by the most famous son of Figueres, Salvador Dalí. Through April 30, it forms the centerpiece of a show exploring its creation, history, local connections and symbolism.

Dalí

Tuesday

Amber Duke

Remembering Toby Keith

Country music star Toby Keith died Monday night at the age of sixty-two after battling stomach cancer for a year and a half. Keith’s music career spanned three decades and he racked up twenty #1s, seven Grammy nominations, nearly two dozen combined wins across the ACMs, CMAs and AMAs — and was given the Country Icon Award at the 2023 People’s Choice Country Awards. In 2021, President Donald Trump awarded Keith the National Medal of the Arts. He’s a member of the Songwriters Hall of Fame.  Toby Keith’s legacy goes beyond his success on the music charts, and he was no stranger to criticism.

toby keith

Wednesday

Amber Duke

My war against ‘Big Bowling’

It’s been about thirty years since Robert Putnam published Bowling Alone, an essay about the declining civic and community engagement among Americans. The title of the essay came from Putnam’s observation that although more people were bowling than in the previous twenty years, fewer people were members of bowling leagues. It suggested to him that people were more frequently engaging in individualized activities, which could decrease social ties. In the years since, there has emerged another threat to community-based bowling: the monopolization of the bowling industry by corporate conglomerates.  A couple of weekends ago my husband and I went on a double date with another married couple. We grabbed dinner and then went bowling.

Tuesday

Ben Sixsmith

Is Taylor Swift a psyop?

In 2024, right-wingers are facing a doddery, often incoherent Democratic president, an even more incoherent VP (who doesn’t have the excuse of being eighty-one) and a host of oil-leaking charlatans like Gavin Newsom. Why, in this target-rich environment, are some conservatives focusing their ire on Taylor Swift? Don’t get me wrong — America is a free country. You can criticize who you like. Me, I happen to think that Ms. Swift’s music is annoying and tedious. But to see the most popular singer in the world as an avatar for everything you hate politically seems misguided from a tactical perspective, no? Sure, it might be annoying to see her on TV at NFL games. It might vex you that she opposes Donald Trump.

taylor swift psyop

Friday

Amber Duke

Meet football’s Catholic first family

Jim Harbaugh made a surprise appearance at the annual March for Life in Washington, DC last Friday, just a couple of weeks after he won the college football national championship as the head coach of the University of Michigan Wolverines. Harbaugh marched alongside about 100,000 other pro-lifers in the snowy cold and gave an impassioned speech to the crowd while introducing former NFL player Benjamin Watson.   “Thank you all for being here. It’s a great example that you’re setting. It’s testimony for the sanctity of life.” Harbaugh said. “It’s a great day for a march... This is football weather!” “You know, we all talk about human rights.

Tuesday

Christopher Sandford

John Densmore on protecting the Doors’ legacy

The once-explosive accusation that a rock ’n’ roll band is a sell-out, aimed at artists who make an accommodation with industry, has come to seem a little naive since it was first bandied about in the 1960s. Whether it’s that well-known monument to prudence Iggy Pop extolling the virtues of car insurance, the Zombies promoting Tampax or Bob Dylan shilling for Victoria’s Secret, they’re all at it these days. Elton John wants you to dial UberEats, the Stones will start you up with a $139.99 Keurig coffee machine, and by now it might be easier to list the names of rock stars who haven’t chugged Pepsi on TV than those who have.

densmore
Mitchell Jackson

Does Joan Crawford deserve her bad reputation?

Bitches get a bad rap. In his new book, Ferocious Ambition, film historian Robert Dance recontextualizes the life, career and artistry of the most notorious bitch of them all, Joan Crawford. Crawford’s early twentieth-century rivals have faded into history (outside of the gayest of gay kids, does any Gen Z-er know the name Norma Shearer?), but Crawford is omnipresent for all the wrong reasons. Ryan Murphy reenacts her feuds on FX’s Feud. Drag queens imitate Crawford running around with an ax. And, every Mother’s Day, bloggers roll out posts and memes about her legacy as the worst mom of all time; the titular Mommie Dearest of Faye Dunaway’s campy, classic, child-abuse shlockfest.

crawford
Harmony
Clarissa Sebag-Montefiore

Beauty, terror and banality are uneasily juxtaposed in Harmony

If there is a central message in Harmony, it is that old cliché that evil flourishes when everyday people stand by and do nothing. That idea is returned to repeatedly, with increasing angst, as the central characters in the musical get swept up, and finally tossed aside, in Nazi Germany. Harmony revives the true story of the Comedian Harmonists, six men — three Jewish, three Gentile — who created an ensemble in 1927 during the waning days of the Weimar Republic. The group, who melded physical comedy with singing, sometimes using their vocal cords to mimic entire orchestras, became a surprise hit. They sold millions of records, appeared in movies, and performed worldwide.

starfield
Ross Anderson

The frustrating promise of infinite freedom in video games

Starfield is intermittently, unexpectedly profound. As my custom spaceship lands on one of the game’s thousand planets, and my customized character steps into the neon lights of a strange alien city, I’m struck by the sheer scale of this digital universe. This is the game I dreamed of as a sci-fi nerd child and teen, burying myself in The Icarus Hunt, The Long Earth, Foundation, Hyperion, Dune and boundless other sci-fi novels that transported me from a rural Australian library and into space. And here I am, transported there again, through an Asus M16 gaming laptop. There’s a big galaxy out there, and it’s yours to explore. And yet, however vast, it’s a desolate universe.

art market
William Newton

How does the global art market move?

Art market reporting tends to be more sensationalist than, say, the news about corn futures. Breathless accounts of high-stakes bidding abound, remarkable discoveries of forgotten treasures in thrift shops get big headlines, and who’s up or down and how much money the fluctuation involves become fodder for salacious gossip. Interesting though these tales undoubtedly are, though, they don’t provide a realistic picture of the art business. While they may be less gossipy, some nuts-and-bolts stories away from the headlines can be just as compelling for those with an interest in the art market, and how what we see displayed in our homes, public spaces and cultural institutions depends upon very practical considerations to get there.

Wednesday

Amber Duke

Why is everyone getting bad plastic surgery?

Take a look at the side-by-side above. Which woman do you find more attractive? They are both photos of Erin Moriarty, an actress on Amazon Prime’s The Boys. The comparison went viral this week for obvious reasons. The first photo appears to be from 2016. The second photo was posted on Moriarty’s Instagram a few days ago. She is twenty-nine years old in the second photo — the same age as I am.  Most people would say that the woman on the left is objectively more attractive. She looks healthier, for one, but more importantly, she looks human. Faces are not supposed to be perfectly symmetrical. In the photo on the right, Moriarty looks uncanny. Even if you didn’t have the photo on the left as a reference point, you’d know that something was “off.

bad plastic surgery

Thursday

Amber Duke

Are we sick of Taylor Swift yet?

The 2023 Golden Globes awards took place this past weekend, and although I never really watch these things live, I am a woman and thus biologically and socially wired to inhale red carpet photos and the celebrity gossip that inevitably springs out of award show season. This year’s Golden Globes were shockingly free of politics, and so the focus was really on the movies and the celebrities — as it should be.  That brings us to Taylor Swift, the twelve-time Grammy Award-winning country singer turned pop star. Although it seemed none of the celebs were too keen on Golden Globes host Jo Koy’s comedy routine, Swift’s reaction to a light-hearted jab made in her direction left many viewers with a bitter taste in their mouths.

Thursday

Amber Duke

Kids with conservative parents are happier

Welcome back to Culture Shock! I hope everyone had a wonderful holiday season and is gearing up for the big winter storm that is supposed to hit the east coast this weekend. The latest models in the DMV suggest we’re mostly getting sleet, which is a bit disappointing after years of mild winters and very little snow. This was my first Christmas since getting married, and it’s tough to figure out how to divide time between your family and your in-laws. We decided to spend Christmas Eve with my family and then flew to Florida on Christmas morning to see my husband’s family for a couple of days. I am very lucky in that pretty much all of my family members are conservative, so our political arguments are limited in scope.

Wednesday

Laura Thompson

Will ‘accessibility’ ruin ballet?

When it comes to the arts, I have an allergy to the concept of “relevance.” Yet this tired term continues to exert its power over the creative industries — and one art form, in particular, has scant defense against it. I mean the one whose most familiar symbol is a near-weightless woman with switchblade limbs, poised impossibly on the tiny blocks encasing her toes, wearing a white circle of tulle around her minimal hips and pretending to be a swan. Ballet. Is ballet relevant? Do sylphides and sleeping beauties have anything to say to a twenty-first-century audience? Do princes in tights?

ballet
Christopher Sandford

Jerry Miller’s tale

One of the saddest things about popular music is the talents it can’t accommodate. Robbie Robertson, of the Band and much else besides, died in August at the age of eighty, and never found a proper home for his gifts after that great initial burst of late-1960s creativity. But at least Robertson was widely recognized by his peers as one of the outstanding electric guitar players of his time, although the contemporary guitarist he most admired himself was Jerry Miller, of the group Moby Grape. Unlike Robertson, Miller, who’s happily still with us today, hasn’t as yet won a Grammy, or been inducted into the Rock & Roll Hall of Fame. But he did play a starring part in what’s surely one of the great show business morality tales of its time.

miller
Alexander Larman

The bold new vision for Edinburgh’s National Galleries of Scotland

What do you generally think of when you hear the words “Scottish art”? There are the usual clichés of course, of large-scale landscape paintings depicting gorse and heather and startled-looking wildlife, or alternatively there are the portraits of various noblemen and worthies, many of whom have the well-fed hue that living high on the hog imbues. If you head to Edinburgh’s National Galleries of Scotland — often simply known as “the National” — and visit the traditional collection in the neoclassical building right in the center of the city, near the castle and major shopping streets, you won’t be disappointed by the eclectic selection of Old Masters and Scottish masterpieces alike.

national
William Newton

Radical in the Rotunda

In a recent Saturday Night Live sketch, comedian Nate Bargatze portrayed General George Washington addressing his troops around a campfire in 1777, as they ask themselves what the Revolution is for. Washington shares some of his dreams for the new American republic — though he dodges difficult questions about slavery — in an effort to inspire his men to fight on. The writers take full advantage of the fact that a number of peculiarly American things, such as our version of football (in which feet rarely figure) or our complicated system of weights and measures, seem rather odd to the rest of the world. “We will be free to measure liquids in liters and milliliters, but not all liquids,” the general explains. “Only soda, wine and alcohol.

Trumbull

Tuesday

David Christopher Kaufman

Our culture of cheapness and vulgarity

There are many things in short supply these days, but cheapness and vulgarity are not among them. They’re everywhere right now — in politics and pop culture, among the royals, within the legacy media and across social media. Most obscene is the cheapness and vulgarity that has pervaded the conflict between Israel and Hamas and its accompanying explosion of global antisemitism.  It would be easy to attribute this collective rot to mere coincidence, but it’s more a case of compounded indecency. And nowhere more so than at the top. The coarse bravado of then-candidate Donald Trump a decade ago metastasized during his presidency into the corruption and cravenness that now dominates — and could possibly derail — his third stab at the White House.

Thursday

Amber Duke

The Washington Post’s assault on homeschooling

The number of parents choosing to homeschool their children has risen sharply since the Covid-19 pandemic. There are plenty of reasons for this trend, but the overarching issue was that parents simply lost trust in the public education system, whether because of the adoption of illogical Covid policies pushed by teacher’s unions or the introduction of controversial, politicized content into curricula. It became clear over the past few years that school boards and teacher’s unions mostly don’t have the best interests of students in mind, are resentful of parental involvement and are willing to lie if it means avoiding accountability for their bad decisions. The effect of liberal control over public education? Math and reading scores in the US are at their lowest level in decades.

media

Wednesday

Amber Duke

Morgan Wallen bests the mob, again

It’s officially Spotify Wrapped season! For the uninitiated, this is the time of year when Spotify subscribers receive their year-end data on what they listened to the most throughout the previous twelve months. The streaming app tells you your top songs, artists, albums, genres and any other cookie they’ve been tracking. Every user’s Spotify Wrapped is packaged up nicely into an immensely shareable infographic that dominates social media for days. I do not share mine because my music listening habits when no one is watching are completely embarrassing! But a lot of people do, usually to show how cool or niche their music or podcast tastes are.

Wednesday

Amber Duke

Cancel culture comes for two new victims

A couple of weeks ago my husband and I plopped on the couch for a quiet evening in and turned on the new Netflix comedy special Natural Selection by Matt Rife. We were both vaguely aware of Rife because he’s posted some videos of his crowd work that have gone viral on social media. Young women in particular seem to like him because he can be quite charming on stage and will openly flirt with female audience members (Gen Z would describe Rife’s charisma as “rizz,” I think). The set was fine but not super memorable, so I was caught by surprise when I recently saw an article on BuzzFeed explaining that Rife’s fans were furious with him over a joke he made regarding domestic violence.

Wednesday

Amber Duke

The trans genocide that wasn’t

You shouldn’t make a habit out of watching the daily White House press briefings unless you want to get much dumber, but every now and then they are good for some cheap entertainment. On Monday, for example, press secretary Karine Jean-Pierre decided to dedicate precious podium time to “Transgender Day of Remembrance.” GLAAD, an LGBTQ+ activist organization, says that Transgender Day of Remembrance is meant to commemorate “transgender people whose lives were lost in acts of anti-transgender violence.” TDOR (they really like their acronyms, huh?) was started in 1999 by a transgender activist in memory of Rita Hester, a transgender woman whose murder remains unsolved. I found it a bit interesting that the catalyst for TDOR was an unsolved murder case.

Wednesday

Amber Duke

Why does the left hate white women?

All of my ladies out there who read this newsletter are probably familiar with the food blog “Half Baked Harvest.” Tieghan Gerard, the thirty-year-old founder and owner of the blog, has posted a cozy and delicious recipe nearly every single day since 2012, inspiring women everywhere to dust off their crockpots and grease their baking pans. Fellas, if the woman in your life suddenly decided to try her hand at pumpkin cinnamon rolls or made white chicken chili for game day, there’s a good chance she snagged the recipe from Half Baked Harvest. Gerard has millions of loyal followers and naturally this has led to criticism from bitter, jealous losers. The New York Times recently managed to snag an interview with Gerard (no, Tieghan, run!

white women nyt

Tuesday

Ross Anderson

The birth, death and rebirth of American Psycho: The Musical

American Psycho was never supposed to be a hit. Bret Easton Ellis thought Glamorama would be his big seller, and Psycho was just an odd interlude; an experiment with form that mocked the disconnection, inanity and opulent obliviousness of America’s new, young, hyper-materialist upper crust. It was also a cloaked reflection of repressed homosexuality, written by a gay author who once dated a closeted financier. It’s not even that violent. Most of it is just the interior monologue of this cold man listing the clothes and food and bad music that occupies his hollow mind. And it was intensely funny, but dryly, darkly so. In short, it wasn’t an obvious literary smash.

american psycho musical
Alexander Larman

Have we misunderstood David Fincher?

The trailer for David Fincher’s latest movie, the hitman thriller The Killer, promises that admirers of one of cinema’s most talented directors will be getting their money’s worth, whether they see it during its theater release or wait for it to premiere on Netflix (which paid for it), just as they did Fincher’s previous film, Mank, and his serial-killer series Mindhunter. There will be a lead performance by Michael Fassbender — returning from several years away from the big screen racing cars — that will, as usual, combine icy charisma with brute physicality. There will be impressively gloomy cinematography, courtesy of Erik Messerschmidt.

comic con
William Newton

Comic Con with a Shakespearean twist

Recently, when I shared that I would be attending New York Comic Con in cosplay, I was met with a mixture of applause and derision. Why would an art critic want to participate in such an activity, let alone write about it? To me the appeal was obvious, since cosplay stems from the same impetus to tell tales, share values and dazzle the spectator that can be found throughout thousands of years of artistic expression. The first comic book conventions, popularly known as “comic cons” or simply “cons,” began as get-togethers for comic book aficionados to share their love of illustrated popular storytelling. Over time, cons absorbed other genres and forms of entertainment to become major social events and trade fairs.