Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

Lloyd Evans

Almeida’s Look Back in Anger is flawless

Theatre

Strange title, Juno and the Paycock. Sean O’Casey’s family drama is about a hard-pressed Dublin matriarch, Juno, whose husband Jack ‘the paycock’ Boyle refuses to support his family and spends all day drinking with his penniless cronies. The producers have labelled the show an ‘Irish masterpiece’, which raises the bar. Mark Rylance plays Jack as

I’m done with Hofesh Shechter

Dance

I think I’m through with Hofesh Shechter, and that’s a pity, because earlier work of his such as Political Mother thrilled me with its unedited passion and energy. But after several duds and misfires, I feel that with Theatre of Dreams he’s run out of ideas and hit a dead end. The title suggests what’s

The triumph of surrealism

Arts feature

When Max Ernst was asked by an American artist to define surrealism at a New York gathering of exiles in the early 1940s, he pointed across the room at André Breton and said: ‘That is surrealism.’ Even today it can seem as if no other answer is available, so tenacious was his grip. A former

The journalist’s journalist: the irrepressible Claud Cockburn

More from Books

No one should be put off reading Patrick Cockburn’s remarkable biography of his father by its misleading subtitle. ‘Guerrilla journalism’ doesn’t do justice to its subject. The suggestion of irregular warfare from the left underrates Claud Cockburn’s great accomplishments in mainstream politics and journalism and doesn’t begin to embrace the romantic and daring complexity of

The court favourite who became the most hated man in England

More from Books

The Duke of Buckingham, wrote Alexandre Dumas, lived ‘one of those fabulous existences which survive… to astonish posterity’. In the summer of 1614, a young man from a modest gentry family was invited to a hunting party in Northamptonshire to meet a very special guest. George Villiers was affable, not terribly bright and superlatively beautiful.

A scorched Earth: Juice, by Tim Winton, reviewed

More from Books

Late last year in Australia’s The Monthly, Tim Winton wrote an essay on the urgent need for writers to look the climate crisis in the eye. Quoting Amitav Ghosh’s observation about the ‘patterns of evasion’ that continue to conceal the scale of the catastrophe, he argued that writers must overcome the habits of mind that

The rollercoaster ride of the world’s most reckless investor

More from Books

For a few days in February 2000, Masayoshi Son was the richest person in the world. A risk-taker and showman, universally known as Masa, he had long been disdainful of Japan’s staid ‘salaryman’ business culture and was riding the wave of dot-com mania. His company SoftBank, founded in 1981, had bet big on the growth

Whipping up a masterpiece: painters and their materials

More from Books

If you are someone who revels in the deliciousness of oil paintings, who looks at them and wants to eat them ‘as if they were ice cream or something’, in Damien Hirst’s phrase, then Martin Gayford’s latest book will be a banquet. In part, this is thanks to the illustrations – luscious close-ups of Van

And still the colonial memoirs keep coming…

More from Books

Since the 1990s there has been a spate of post-colonial memoirs written by white Africans. The best was Rian Malan’s My Traitor’s Heart, a poetic, guilt-stricken Afrikaner confessional published on the eve of Nelson Mandela’s release from prison. Two others of note were by Rhodesian/Zimbabwean writers: Douglas Rogers’s The Last Resort and Alexandra Fuller’s Don’t

The demonising of homosexuals in postwar Britain

Lead book review

Not every human culture leaves clear and legible accounts of itself. Here we have a comparatively recent way of life which we know thousands of men led. It was proscribed, and those who lived within it had good reasons to conceal their participation and nature, usually taking care not to leave any records. Invisible and,

Three great minds explore the enigmas of the universe

More from Books

It sounds like a Tom Stoppard play. A big-shot philosopher meets a big-shot boffin by way of a big-shot writer to descant on the biggest of big-shot debates – what The Rigor of Angels’s subtitle calls ‘the Ultimate Nature of Reality’.True, William Egginton can’t match Stoppard for punchy one-liners, nor for puns and pratfalls and

Panning for music gold: The Catchers, by Xan Brooks, reviewed

More from Books

They were known as song catchers: New York-based chancers with recording equipment packed in the back of the van, heading south in search of hill country music that could make the record company (and, relatively, the recorder) rich. The singer would get a flat fee of $30. Among themselves, over a beer, the catchers called

This UFO testimony had me hooked

Radio

In October 1964, a young man was driving to a dance in Hamburg, Pennsylvania, when his radio began to pick up a strange frequency. At first he thought it was just tuning in to a local channel, but then voices came through discussing some kind of nuclear war – and issuing bomb reports. Recalling the

Familiar scenarios: Our Evenings, by Alan Hollinghurst, reviewed

More from Books

There’s a certain pattern to an Alan Hollinghurst novel. A young gay man goes to Oxford. He’s middle class and riddled with suburban self-consciousness – a kind of complicated awareness of his non-posh failings and resulting subtle superiority. He meets another young man – possibly gay – who is posh. An intricate dance ensues of

What do we mean when we talk about freedom?

More from Books

When the Yale historian and bestselling author Timothy Snyder was 14, his parents took him to Costa Rica, a country lauded for its conservation of natural resources that is rated freer and happier than the United States. He recalls feeling liberated and unfettered as he hiked in cloud forests with his brothers, seeing monkeys, sloths

The BBC Singers Centenary Concert was toe-curling

Classical

When does a new opera enter the repertoire? Judith Weir’s Blond Eckbert has only had a couple of UK productions since its première at English National Opera in 1994, but it’s been doing reasonably good business on the continent, where its source material – a story by German writer Ludwig Tieck – presumably has more