
Saturday Afternoon Country: Emmylou Harris
Emmylou again and not just because, as Norm reminds me, it’s her birthday today. Here she is with the Hot Band promising to be your San Antone Rose…
The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
Emmylou again and not just because, as Norm reminds me, it’s her birthday today. Here she is with the Hot Band promising to be your San Antone Rose…
Charlie Siem, the half-British, half-Norwegian violinist, only came to the virtuosic style late in his development (‘probably because I was lazy’, he explains, not convincing me for a moment); but when he did he was hooked. His new, self-titled album (Warner Classics) is, ostensibly, a homage to the virtuosic tradition established in the early-19th century
Last Friday I popped into Gramex, the world’s best second-hand classical CD and record shop, just behind Waterloo Station. Last Friday I popped into Gramex, the world’s best second-hand classical CD and record shop, just behind Waterloo Station. The owner took one look at me and declared, ‘This gentleman is tired. He needs a cup
Why, despite his devoted fans, Grigory Sokolov won’t play live in Britain Grigory Sokolov is a pianist in his fifties; he is overweight, Russian, sleeps only three or four hours a night, is a strict vegan and is obsessed with the occult. He can calculate with one glance the number of seats in an empty
The drugs don’t work sung the Verve on one of their best songs, and I’m feeling the same myself at the moment. The drugs don’t work sung the Verve on one of their best songs, and I’m feeling the same myself at the moment. The stash in my bedside cabinet aren’t drugs of the recreational
He’s only been singing about how Loving Her Was Easier for 40 years now, but here’s Kris Kristofferson with an early version of the song from the Old Grey Whistle Test way back in 1972:
In December 1956, Johnny Cash, Jerry Lee Lewis, Elvis Presley and Carl Perkins met at the recording studios of Sun Records in Memphis, Tennessee. And Million Dollar Quartet, at the Noël Coward Theatre (booking until 1 October), charts this memorable get-together with 90 minutes of rock’n’roll played and sung by a not-exactly lookalike group of
She’s the broad of all broads and still terrific. If you doubt that then you probably lack heart and soul. Here is Patsy:
It should no longer come as a surprise when old pop stars keel over and die. Ten years ago, obituary columns were dominated by heroes of the second world war, with the occasional member of the Carry On cast included for light relief. Nowadays, barely a day passes without some old heavy metal singer croaking,
Some nourishment for your soul. Or, if you prefer, a reflection on the hardships of life in Appalachia.
‘Hi,’ said Patti Smith, giving us a slightly awkward wave. ‘You know it’s really great here, by the sea. The air is so fresh. You guys are really lucky.’ Well, we felt lucky, sitting inside the iconic De la Warr Pavilion in Bexhill of all places, within touching distance of our collective icon. ‘Hi,’ said
I was in New York the other week, furtively sneaking into a preview of the doomed new Spider-Man musical, which features music from Bono and The Edge of U2. Just typing the infinitely silly names of those two humour-free and tiresomely bombastic rock stars makes me feel irritated, but not nearly as irritated as the
There seems to be a sad shortage of Burrito* footage on Youtube but you can see them, quality Nudie Suits and all, in this video accompanying the great Sin City: *In his lovely book No News At Throat Lake Lawrence Donegan, now the Guardian’s golf correspondent, but once upon a time bassist for Lloyd Cole
Raymond Gubbay is a hard man to avoid. Especially at Christmas. Last year Raymond Gubbay Ltd presented roughly 600 concerts, of which 180 were part of his annual Christmas Festival and he lived up to his festive catchphrase: ‘You want carols? We’ve got carols.’ Gubbay’s packaging of live classical music has been amazingly successful. He
The news that Decca will release a recording of Striggio’s colossal Missa Ecco sì beato giorno on 7 March promises an oxymoronic treat for some of us. The news that Decca will release a recording of Striggio’s colossal Missa Ecco sì beato giorno on 7 March promises an oxymoronic treat for some of us. There
My first — and so far only — proper job in journalism was, many years ago, as a staff writer on a kids’ computer-games magazine. My first — and so far only — proper job in journalism was, many years ago, as a staff writer on a kids’ computer-games magazine. We were pretty good for
What would Glenn Gould’s playing have sounded like if he hadn’t chomped his way through bucketloads of Valium? It’s not a question that is asked in Genius Within, a much-praised documentary about the tortured Canadian pianist that has just been released in Britain. What would Glenn Gould’s playing have sounded like if he hadn’t chomped
Sad news. Charlie Louvin has died. Here’s his New York Times obituary. And here he is with his brother Ira reminding us just why these Alabama boys were one of the great double acts in the history of American music.
There’s a sad lack of Gram Parsons footage on Youtube. And what there is isn’t of the greatest visual or audio quality. But we must make do with what we have and so here it is, the Streets of Baltimore in glorious black and white and filled with that old-time feeling… https://www.youtube.com/watch?v=yjsL1OTHv7U
I have long believed that a part of you dies in winter and doesn’t come back to life until you feel the sun on your face and a mid-westerly breeze in the air. I have long believed that a part of you dies in winter and doesn’t come back to life until you feel the
Dotting through the list of composers’ anniversaries in 2011, I was struck both by the number of people mentioned and by the utter lack of fame of almost all of them. Dotting through the list of composers’ anniversaries in 2011, I was struck both by the number of people mentioned and by the utter lack
Some albums you love instantaneously, others you have to work at. And, just occasionally, an album comes along that you know that you will love if only you can hear it enough times. Except that you won’t. You will keep on playing it, and still you won’t really like it, and still you will keep
It’s as John Updike once put it – they’re getting within the big fella’s range. Captain Beefheart died at the weekend, the latest in a long line of interesting people from the world of popular music to pop his clogs. In commemoration then, here is his somewhat uncompromising and not hugely tuneful “Dachau Blues”, from
A great song from Mr Earle’s terrific album Train A Coming which was also covered by Emmylou on Wrecking Ball. Here they are together performing Goodbye: UPDATE: This post is now, alas, dedicated to Julian FitzGerald, old friend from Trinity days and much missed by all who knew him.
Lucerne is a city with powerful musical associations, the most celebrated being Wagner’s living there for the six years between 1866 and 1872, the most tranquil of his life, in Haus Triebschen, now a magnificent Wagner museum. Lucerne is a city with powerful musical associations, the most celebrated being Wagner’s living there for the six
Was there a golden age of English music a hundred years ago? From today’s vantage-point there probably was. Was there a golden age of English music a hundred years ago? From today’s vantage-point there probably was. The years 1910 and 1911 still excite the imagination as one contemplates the extraordinary richness of the new works
Cold weather demands warm music. To which end I am delighted that Mojo, the monthly rock magazine for the more gnarled music fan, has chosen as its album of the year Queen of Denmark by John Grant. As we all know to our cost, albums adored by music magazines tend to be more rigorous and
In the first week of September, the Scottish composer James MacMillan sat in the ‘composition hut’ in the backyard of his Glasgow house, finishing the music he’d been commissioned to write for the Pope’s Mass at Westminster Cathedral. In the first week of September, the Scottish composer James MacMillan sat in the ‘composition hut’ in
Sitting on my desk as I write are two objects of wonder and delight. They are a pair of box sets from the Deutsche Grammophon label celebrating the company’s 111 years of existence. An odd anniversary to celebrate, you might think, and I suspect the real reason is that the marketing men somehow forgot the