The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
Next month, a formidable band of women will take to the stage at the Southbank Centre for the Women of the World Festival, now in its second year. The line-up includes veteran Annie Lennox, who will perform with rising stars Katy B, Jess Mills, and Brit Award winner Emeli Sandé as part of an eclectic
One morning in 2007, the music critic Nick Coleman woke up to find that he was profoundly deaf in one ear. ‘The silence did not descend silently, however. It made a small sound. You might compare it to the sound of a kitten dropping on to a pillow.’ Within an hour this pffff had developed
We are all just trying to make a living here, obviously. Musicians are no different. There are so many of them now, several generations of them, for the old ones never stop and new ones seem to appear every day. To make any impression at all, then, you need what sportsmen call ‘momentum’. That’s the
There is only one place these days where the music of Charles Villiers Stanford (1852–1924) sends its hearers into reliable ecstasy, and that is in choirs and places where they sing. Otherwise he is something of a bust. Despite having written seven symphonies, nine operas, 11 concertos (including three piano, two violin, a cello and
For the first time in its 170-year history, the New York Philharmonic Orchestra has a native New Yorker at the helm. Music director Alan Gilbert (above) brings the band to the Barbican this month for a brief residency that crams four concerts into a little over 48 hours, starting with a performance of Mahler’s Ninth
There are few art forms with more colossal barriers to entry than classical music. Picture yourself finally plucking up the courage to go to your first classical concert. You arrive late, because at that gig last Saturday you had to sit through two ill-judged warm-up acts, an act of charity you’re not inclined to repeat;
We are already more than halfway through January and I am still managing to stick heroically to my new year’s resolution. This is to keep smoking throughout 2012 — with a particularly large intake of nicotine and tar planned for the dreaded Olympic Games when everyone will be banging on about the glories of physical
The phrase ‘community drummers’ strikes fear into me. When I read it in the programme notes for Survivor, Antony Gormley’s collaboration with Hofesh Shechter, premièred at the Barbican, I paused a beat. The elder cerebral artist paired with the young passionate choreographer: so what exactly is this? In the ladies afterwards I heard the disparaging
This ain’t necessarily Townes at his best. Then again, the singing was never the biggest point of TvZ. But of all his songs this is close to being my favourite and not just because it means much to at least one other person. Self-indulgent? Sure. But so what? This is a blog. My blog, actually.
What is Christmas for, exactly? For me, it’s a time of reflection and of sudden dawning realisation. Reflection on the year’s new music, and the sudden dawning realisation that I have hardly heard any of it. Not that I think it matters. Newness isn’t everything, or even very much, and there’s no reason why anyone
Been a while since Dolly featured in this slot. So here she is with Backwoods Barbie. It’s like a compendium of country and Dolly cliches but, you know, so what? It still works.
Embedded somewhere in the Christmas story no doubt is the idea of much being contained in a small space — or Multum in parvo as the restored road signs leading into Rutland have it. The opposite, which I will leave you to chisel into Latin for yourselves, presumably gets less attention in the Bible, yet
We normally run these Spotify playlists on Sundays, but, as it’s Christmas tomorrow, we thought we’d make an exception for Adrian’s selection of festive music. Don’t forget Pete Hoskin’s selection of more recent Christmas songs, from a couple of weeks ago, too. Distilling your Christmas favourites into a succinct playlist is like trying to cram
Picking my favourite albums this year reminded me of three things about the current state of music. First, the obvious point of how everything is driven by single tracks rather than albums, making the task harder each year. Second, how so much of the most interesting and innovative art is being made by women right
There is one carol that has particular resonance for Londoners: ‘Silent night, holy night’. Just the idea of it can bring on an involuntary shiver of pleasure. In the 36 or so hours between Christmas Day and Boxing Day, after a solid month of the eldritch screeches of office parties and Westfield shopping, we city
As soon as Thanksgiving is over, the Beverly Hills bitches are out and about in full force and full maquillage. Driving their Beemers and Mercs with maniacal intent, they hit the department stores determined to put a dent in their hubbys’ credit cards. Black Friday is what the day after Thanksgiving is called, as all the retailers
It seems that Christ was born with the sound of choral music in his ears. That, at any rate, is what is to be deduced from many of the works of art that the manger scene has subsequently inspired. There is the holy family gathered round the crib, gold and lapis lazuli everywhere, beneficent animals
One of the unwritten rules in our house is that Christmas should never be mentioned until a few days before the big day. Mrs Spencer gets into a state in the run-up to the festive season, not least because, as a teacher at the Royal Ballet School, she has rehearsals of The Nutcracker to attend
There are, as they say, only thirteen more shopping days until Christmas. And that, unless you don’t much care for seasonality, means only thirteen more days of Christmas music. But what to listen to? There are the old standards, of course: the carols, the hymns, that Slade song. But I thought I’d delve into my
The Unthanks couldn’t have chosen a more fitting venue for the first night of their current tour than St James’s Church, Piccadilly; just as it’s all too easy for passers-by, eyes glued to the bright lights, to overlook this relic of the 17th century, one could be forgiven for missing The Unthanks’ distinctive breed of
Like a few who have ploughed through the Steve Jobs biography, I am now heartily tired of early adopters, those strange men who are always at the front of the queue at the Apple shop when some dismal new gewgaw is coming out. I myself am a classic late adopter, discovering the new and exciting
Inexplicably, this series failed to note that Gillian Welch and David Rawlings finally released a new album this year. Better late than never, here they are again this time performing Dark Turn of Mind…
This series is back after a dreadful, loved-up, hiatus. Here’s the official video of Glen Campbell’s last, splendid, album released for his final tour as the awfulness of dementia takes its toll. Thanks for the music Glen. This is Ghost on the Canvas:
The arrival of the composer Eric Whitacre and his family in London as permanent residents brings a ray of Californian sunshine to our cloud-bedraggled lives. American musicians who have chosen to move to Europe to work have always made an interesting group, headed by jazz players of the calibre of Josephine Baker and Sidney Bechet.
The 20th century was a century of musical revolutions. One of the last and most audacious ignited 50 years ago on the east and west coasts of America. And in a small but significant way The Spectator played a part in fanning the flames. In 1968 a young critic and early-music specialist by the name
It occurs to me sometimes that this column is, essentially, one long and painful confessional. I admit to enjoying all this unfashionable and uncool music so others don’t have to. ‘Ah, the man who likes Supertramp,’ someone once said to me at a party, just before he was stabbed by an unknown assailant. No one
The Jam were once described as the ‘last great English singles band’. For a group that released such classic chart-toppers as ‘Going Underground’ and ‘Town Called Malice’ that might seem fair enough, but it grievously underestimates their musical canon. The quality of their output on LPs, B-sides and even on recordings that were never released
There was a time when ‘classical music’ meant something you could put your finger on. It denoted the musical period between roughly 1750 and 1800, when Haydn, Mozart and many others wrote symphonies, concertos and instrumental pieces with a sense of form and grace that were likened to the art and architecture of Classical Greece
Last month, on the most glorious of autumnal days, the world of music paid its last respects to Robert Tear. St Martin in the Fields was packed and the singing, as you can imagine, was magnificent. Sir Thomas Allen gave us Kurt Weill’s ‘September Song’, Sir John Tomlinson contributed Sarastro’s aria from Zauberflöte, and Dame