Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

Steerpike

Chris Bryant: I am not James Blunt’s sex toy

After Mr S revealed that Chris Bryant has broken two ribs getting out of bed, speculation is rife that his nemesis James Blunt could be to blame for the incident. The duo fell out after the Labour MP claimed that British culture should not be dominated by the likes of privately educated crooners such as Blunt.

Spotify: saint or sinner?

Music

We have all read about the current woeful state of the CD industry — how it is 28 per cent down on last year, which was 25 per cent down on the previous year, and so on — but do we know why? Is it the endless financial crisis? Or is it that CDs, as

Damian Thompson

Confessions of an illegal downloader

Music

I’ve never been into shoplifting, though I once had a friend who was. And, no, before you ask, I’m not using that old ‘friend’ device to hide my own identity. She was a girl I met at university. Bookshops were her hunting ground. I’m assuming she was driven by some sort of compulsion because she

The Spectator at war: War music

From ‘Music and the War’, The Spectator, 16 January 1915: The war, so far, has not thrown up any supreme musical product. It would be an affectation to pretend that the taste of the average British soldier is elevated. As in the Boer War, his repertory is confined to music-ball tunes and songs of an

The cook, the critic, the composer and the love child

Michael Kennedy, who died on New Year’s Eve, was the Sunday Telegraph’s music critic when I was for a while assistant arts editor there about 20 years ago. He was of course musically knowledgeable beyond reproach, but his writing had the compulsive readability of a man who was always a journalist, a storyteller. He was elitist in

Does anyone have the balls to bring back castrati?

Music

One of the most complete bars to the authentic performance of both baroque opera and some renaissance polyphony is the current unavailability of castrati. There isn’t much to be done about it of course, but we might regret that we can no longer hear a sound which, at its best, fascinated all who did hear

Bob Dylan and the illusion of modern times

Features

I was talking the other day to a young woman who knows a lot about the history of rock. We shared an enthusiasm for Bob Dylan’s later work — especially Blood on the Tracks (1975). As we talked, it occurred to me that Dylan recorded this ‘late’ effort 40 years ago, only 13 years into

Michael Tanner’s five least objectionable opera performances of 2014

1. Khovanskygate A typically brilliant and wayward production by the Birmingham Opera Company of this unfollowable opera, with stupendous choral singing by local inhabitants. 2. Dialogues des Carmélites The Royal Opera did Poulenc’s gamey masterpiece proud, in a direct and intense account, with ideal all-round casting. 3. Götterdämmerung Opera North, under the inspiring leadership and baton of Richard

Ismene Brown’s best of dance in 2014

As the revels of the year end, here are my best memories. I think new was the word: new names, and new directions from familiar names. Stories rushed back into fashion. There was big emotion and bold movement, and untraditional means: collaborations with composers and communities thinking large on tiny budgets. Here are my highlights –

Kate Chisholm’s radio top five from 2014

1. My top gong would be shared by June Spencer and Patricia Greene for their brilliant character acting on Radio 4’s The Archers, creating in Peggy and Jill two resilient women of their time yet also strong-minded, decisive, fiercely independent and in Jill’s case always game for a laugh. 2. Not far behind is Neil

Fraser Nelson

Why Joe Cocker was the only singer to improve a Beatles song

Joe Cocker died yesterday, just 70 years old, from lung cancer. He was one of a handful of rock singers whose voice was instantly recognisable, adding a new dimension to any song he sang. And perhaps this is why his cover versions worked so well – they did sound completely different, and yet still thrilling and

From the archive: Sound of the season

Features

Some songs are hits — No. 1 for a couple of weeks. Some songs are standards — they endure decade after decade. And a few very rare songs reach way beyond either category, to embed themselves so deeply in the collective consciousness they become part of the soundtrack of society. They start off the same

Actually, Bob, they do know it’s Christmas (we checked)

Barometer

Yeah, Bob, they know The answer to the rhetorical question posed by the Band Aid single, ‘Do they know it’s Christmas?’, is broadly yes. Christmas Day is a public holiday everywhere in Africa except Mauritania, Western Sahara, Morocco, Algeria, Tunisia, Libya and Somalia, although countries have widely differing customs associated with the event. — In

Spare us a Bob?

Leading article

Anyone listening to the BBC this week could be forgiven for thinking that the musician Bob Geldof had just emerged from Africa, like a latter-day Dr Livingstone, the first westerner with news of a deadly new virus. He and his makeshift band of celebrities have adopted Ebola, their song blazing from the radio while Geldof

Pink Floyd’s new album: it’s not hip – but it is good

Yesterday, I popped into Rough Trade West record store to purchase the new Pink Floyd album. That isn’t something I expected to say in my lifetime, but 20 years after their 14th album The Division Bell, one final album has been added to the band’s canon: The Endless River. Although this laddie does not think of himself as a professional

A reverend at war

This evening – Armistice Eve – Ben Fleetwood Smyth (no relation) and Hugh Brunt will be putting on their annual British Art Music Series concert: this year, in aid of St Paul’s, Knightsbridge. Narrated by Judith Paris, and interspersed with Victorian and Edwardian music from the BAM Consort and the BAM Ensemble, the event will tell

Is there anything a gospel choir can’t cheer up?

Music

‘I’m starting to think that all of the world’s major problems can be solved with either oyster sauce or backing vocals.’ That was Brian Eno writing in his diary one evening, after a long day’s thinking and maybe a glass or two of something agreeable. I am not entirely convinced by the bivalve mollusc argument,

Damian Thompson

The drunk conductor who ruined Rachmaninov’s career

Music

Would musical history have turned out differently if Alexander Glazunov hadn’t been smashed out of his wits when he conducted the first performance of Rachmaninov’s Symphony No. 1 in D minor? The best of Glazunov’s own neatly carpentered symphonies hover on the verge of greatness. Perhaps if he hadn’t been such a toper — swigging