The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
Adolf Hitler considered jazz a ‘racially inferior’ form of American black music, and banned it from the airwaves. Germany’s gilded youth flouted the prohibition by playing Duke Ellington in secret and greeting each other loudly in English: ‘Hallo, Old Swing Boy!’ Resistance was useless. The Brownshirts raided parties and even beaches in search of portable
In 1818, an unknown critic in Blackwood’s Edinburgh Magazine went out on something of a limb. One day, he claimed, Jane Austen would be among the most popular of English novelists. By the middle of the century, with George Henry Lewes complaining that she’d been unjustly forgotten, this claim must have seemed even more unlikely
Every so often a writer renovates a whole literary landscape from underneath. Armed to the teeth with slang and learning, Saul Bellow reinvented American prose with The Adventures of Augie March in 1953, and it took thirty years for a Martin Amis, a disciple of Bellow, to bring English up to date with Money. But
The following essay was shortlisted for the Shiva Naipaul Memorial Prize. It’s a cold, sunny morning when I take the bus to Elm Tree Loan. It’s a trip that I’ve avoided and I feel sick and dizzy. Tourists gather on St Andrew’s Square, beneath the granite plinth. They admire the bright shop windows and the
If you happen to be passing through King’s Cross and can spare 10 minutes, drop by the British Library to see Murder in the Library: An A-Z of Crime Fiction, a small but perfectly formed exhibition about crime writing. The exhibits range from first editions of famous classics, such as a copy of Dorothy L Sayers’
I doubt that George Orwell needs ‘George Orwell Day’. Aldous Huxley, Henry Green, J.G. Ballard, each of those dead writers might benefit from a bit of sponsorship, and so might we. But Orwell? His spirit pervades our times, and with good reason. Orwell may have recognised some of the ill that our politics and era are producing,
‘Pastime with good company’, attributed to Henry VIII Pastime with good company I love and shall until I die. Grudge who list, but none deny, So God be pleased, thus live will I. For my pastance, Hunt, sing and dance, My heart is set. All goodly sport For my comfort Who shall me let? Youth
It’s Friday at 10am in a remote field in Fife. John Burnside is taking his morning walk, whilst simultaneously attempting to conduct a conversation with me down a dodgy telephone line. Within seconds he’s speaking about a concept of happiness— or lack of it— that goes back to philosophers such as Nietzsche and Schopenhauer. ‘I’m
Warning: this is a very January 17th sort of thought. It’s meant to be comforting, though you may well find it the exact opposite. Try it on for size, anyway, and see what you think. (You might want to keep hold of the receipt.) The thought concerns something in The Ghost by Robert Harris. The
The following essay was shortlisted for the Shiva Naipaul Memorial Prize. It follows the publication of the winning entry, by Tara Isabella Burton, and the runner-up, by Steven McGregor. The remaining shortlist entries will appear on the website in the coming days. I knew next to nothing about the desert – nothing about its geology, its geography,
Virginia Ironside’s novel, No! I Don’t Need Reading Glasses (Quercus £14.99) about a 65-year-old granny who belongs to a local residents’ association and does a fair bit of knitting may not sound like the most alluring reading. Then there’s the title — facetious and forgettable at the same time. It would be less embarrassing to
A man raised by apes is discovered in Africa, recognised as an English lord, and escorted home. At a formal dinner, he raises a bowl of soup to his lips and slurps noisily. His grandfather, noting consternation among the other guests, immediately does the same, murmuring, ‘Quite right! Quite right! I hate spoons.’ This scene
A few months before he passed away, responding to a question about his doubts and beliefs, Jorge Luis Borges offered a rapt and potted account of the many cultural and religious registers in which human beings have for centuries been telling themselves stories about their own deaths. He then posed the following question: ‘Where does
Leaping from Paleolithic cave paintings to Egyptian tombs to Gregorian chant in barely half a chapter, as Howard Goodall does in his breezy but effective The Story of Music, requires panache. He compresses several millennia into little over 300 pages with the first 40,000 years — when admittedly little happened beyond some inter-cave sonar-style singing
There is something to be said for a bald-headed gnome with the power, according to his biographer, to seduce any woman he wanted, including the most celebrated and desirable actress of the day, despite being handicapped by red-rimmed eyes, bad breath and crooked teeth ‘of three colours, white, yellow and black’. And something more deserves
Henry Fonda once said that he had never had any ambition to be a film star. But then how could a man want to become someone who came out of nowhere, had no past, so that even the names we know them by were mostly not ones bestowed on them by their parents and the
This book is an account by the music-loving editor of the Guardian of how he set himself the task of learning to play one of the most daunting virtuoso pieces in the piano repertoire, and to do so within the space of what turned out to be perhaps the most hectic year in the newspaper’s
The phrase that gives this book its title is Graham Greene’s: The nightly routine of sirens, barrage, the probing raider, the unmistakable engine (‘Where are you? Where are you? Where are you?’), the bomb-bursts moving nearer and then moving away, hold one like a love-charm. Greene was apparently proud of ‘love-charm’: he used it more
I have a confession. I saw a report on the Suzanne Moore row, and fled immediately for the safety of the sports pages. A lot of self-important people making a lot of noise, I thought to myself, as a glib heterosexual, while gawping at the latest act in the life and times of Mario Balotelli. But, as time
This is the runner-up in our recent Shiva Naipaul Memorial Prize. The rest of the shortlist will be published in the coming days. At the entrance is a pale stone bower of equilateral arches and then a brass-plated door opens into a small vestibule and after a turn there is the Chamber. The golden Sovereign’s
Sharon Olds won the TS Eliot Prize last night for Stag’s Leap, which is an account of her divorce from her husband of thirty-two years, who left her for another woman. Chairman of the judging panel, the poet laureate Carol Ann Duffy, said: ‘This was the book of her career. There is a grace and
Poor Kate Middleton. In the royal tradition of artistic and literary representation, what defines her at this moment in time? The creepy feature on her wardrobe statistics in February’s Vogue? Or Paul Emsley’s even creepier official portrait revealed last week? Emsley’s Vaseline lens ‘Gaussian girl’ take on the future consort would have been appropriate had
The Spectator is proud to announce it has a new Shiva Naipaul Memorial prize winner — Tara Isabella Burton. Tara’s dazzling travel essay about the town of Tbilisi greatly impressed the judges, which this year included Colin Thubron and Joanna Kavenna. Tara’s piece, which you can read here, was published in our Christmas issue. We
Whenever I give lectures on my book on censorship – Whaddya mean you haven’t read it? Buy it here at a recession-beating price – I discuss the great issues of the wealthy to silence critics, the conflict between religion and freedom of thought and the determination of dictators to persecute dissenters. These themes have animated
Yoram Kaniuk was born in Tel Aviv in 1930. After his experience in Israel’s 1948 War of Independence, Kaniuk moved to New York where he became a painter in Greenwich Village. Ten years later he returned to Tel Aviv, where he has lived ever since, working as a novelist, painter, and journalist. He has published
I suspect I might not be the only one who finds it unnerving to be at the start of a year that features, so prominently, the number thirteen. 2013 – it feels like bad luck just to read it in my head, let alone say it aloud! But worry not, I have assuaged my fears
‘Mary and Geordie have lost a child …Why should they feel they are entitled to grieve? It’s so commonplace.’ Paul Torday’s latest novel is full of such assertions. We are in the Border country, in 2010, and three children have disappeared. Neither the police nor social services can be persuaded to take much interest. ‘Tell
If you consider ‘gripping metafiction’ a self-contradictory phrase (surely metafiction disables tension through its wink-at-the-audience style?), Nicholas Royle’s First Novel (Cape, £16.99), which is in fact his seventh, may change your mind. Royle (pictured above) teaches creative writing at Manchester Metropolitan University, and in this book he gives us Paul Kinder, who teaches creative writing at
It is rare to encounter a writer whose work can be so neatly divided into two halves. George Saunders is known as a satirist with an interest in consumerism and the technology of the near future, but occasionally he will publish moving, sometimes brutal social realist tales. Early stories such as ‘Christmas’ were like strange,