Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

Heat Lightning by Helen Hull – review

‘I had decided that I wished to write a novel about the immediate present – this was the summer of 1930 – and I had been speculating about the way people were acting and feeling,’ wrote Helen Hull of Heat Lightning in 1932. Heat Lightning follows the tumultuous Amy Norton as she returns temporarily to

Interview with James Wood

James Wood is arguably the most celebrated, possibly the most impugned, and definitely the most envied, literary journalist living. By his mid twenties he was the chief book reviewer for The Guardian. From there he moved to America’s The New Republic, then, as of 2007, The New Yorker. He also teaches at Harvard. There is

The British Library goes digital

If you go down to the British Library today, you’re sure of a big surprise. Because as of last weekend, it’s archiving not just every book published in the UK (its traditional role), not just every e-book published in the UK – it’s archiving every website based in the UK. In terms of what we’ve

The repentant book thief of Lambeth Palace

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Most of us associate ecclesiastical libraries with dusty accumulations of sermons, providing nourishment for bookworms but of no other real use. But surprising treasures — some decidedly secular — can be found in our churches, cathedrals and episcopal residences. The library at Lambeth Palace, bequeathed in 1610 by Archbishop Richard Bancroft as a clerical equivalent

‘The Age of Global Warming’, by Rupert Darwall – review

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We scarcely need our fifth freezing winter in a row to remind us of the probability that future generations may look back on the panic over global warming which suddenly gripped the world in the late 1980s as one of the oddest scientific and political aberrations in history. Why did such an unprecedented scare blow

Sam Leith

‘Levels of Life’, by Julian Barnes – review

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‘You put together two things that have not been put together before and sometimes it works, sometimes it doesn’t.’ In this slim book Julian Barnes puts not two but three things together: nonfiction, fiction and memoir. And sometimes it works, sometimes it doesn’t. The first section is an elegant and breezy account of the early

‘The Oxford Dictionary of National Biography 2005-2008’, by Lawrence Goldman – review

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Where else would you possibly find George Painter, Jackie Pallo and Sir Eduardo Paolozzi in immediate successive proximity? The incunabulist of the British Museum who emerged from scholarly obscurity with his biography of Proust, the curly-blond wrestler in kinky trunks, and the son of an Edinburgh-Italian confectioner who became an avant-garde sculptor, have nothing whatever

‘Saul Bellow’s Heart’, by Greg Bellow – review

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Greg Bellow, a retired child psychotherapist in his late sixties, is the eldest of the novelist Saul Bellow’s offspring. Bellow Sr (pictured above in 1984), as we already knew from his part-autobiographical fictions and a readable, well-sourced critical biography by James Atlas published in 2000, was a fairly dutiful, not unaffectionate father but didn’t see

‘Lost, Stolen or Shredded’, by Rick Gekoski – review

Lead book review

Below the title of this book, engendering immediate distrust, lies the legend ‘Stories of Missing Works of Art and Literature.’ ‘Story’ is such a weasel word, implying a tale as much as truth; a fiction that when turned into a narrative develops into the fact that every schoolboy knows; or a real event embroidered with

Fobbit by David Abrams – review

Fobbit, by David Abrams, is an attempt at describing a wartime tour from different perspectives, including soldiers and support personnel. Chapter by chapter our viewpoint rotates within this cast of characters.  Indeed, for every three infantrymen, five soldiers are required in forward deployed locations to cook, care for wounded, file paperwork, et cetera. Abrams himself

The Exiles Return by Elisabeth de Waal – review

The Exiles Return has been published as a beautiful Persephone Book, with smart dove-grey covers and a riotously colourful endpaper. Before this glorious incarnation, it existed for many years as a ‘yellowing typescript with some tippexed corrections’, one of the few things that Elisabeth de Waal held on to during her ‘life in transit between

Alex Massie

Margaret Thatcher and Scotland: A Story of Mutual Incomprehension

There is a poignant passage in Margaret Thatcher’s memoirs during which she contemplates her failure in Scotland. She seemed puzzled by this, noting that, in her view, many of her ideas and principles had at least some Caledonian ancestry. And yet, despite her admiration for David Hume and, especially, Adam Smith, there was no Tartan

What is the point of fiction if not to expand horizons?

While Ian McEwan’s recent piece in the Guardian is not expressly termed a treatise on the value of art, it is hard to see it otherwise. What is the use of fiction, what can a novelist tell us of, ‘why the Industrial Revolution began, or how the Higgs boson confers mass on fundamental particles…?’ he

Interview with a writer: Kevin Maher

Kevin Maher’s debut novel The Fields is set in the suburban streets of south Dublin in 1984. The story is narrated by Jim Finnegan: an innocent 13-year-old boy who lives in a carefree world that consists of hanging out in the local park and going on nightly bike rides with his geeky friend Gary. But

‘A Slow Passion’, by Ruth Brooks – review

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Snails are supposed to hate eggshells. Not the ones in Ruth Brooks’s garden. They clamber over the barrier as though it’s ‘a new extreme sport’. Ditto hair. And grit. She tries beer, but her young son drinks it. As for coffee grounds (normally a failsafe), the pests just eat them, then attack the flowers with

‘The Birth of an Opera’, by Michael Rose – review

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When, more than half a century ago, I was a student, deriving much of my education from the Third Programme, I was given, between 1955 and 1971, a crash course on opera by Hans Hammelmann and Michael Rose. The two of them were major opera historians and both were natural broadcasters, able to pass their

‘The City of Devi’, by Manil Suri – review

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Manil Suri’s novel is like a ‘masala movie’ — a Bombay mix of genres, spicy, often subtle, often corny, and distinctly addictive. It is difficult to pin down its overriding flavour. A reviewer on the back cover notes that ‘Manil Suri has been likened to Narayan, Coetzee, Chekhov and Flaubert’; but there are twinkly sprinklings

Penguin Underground Lines – review

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You don’t have to live in London to be faintly obsessed by the Tube, but it probably helps. At this point I should state my bona fides: born in Great Ormond Street Hospital (nearest station: Russell Square), babyhood in Marylebone (Bakerloo line, originally to be called ‘Lisson Grove’), grew up in Hampstead (deepest station on

‘The Undivided Past’, by David Cannadine – review

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David Cannadine detests generalisations and looks disapprovingly on any attempt to divide humanity into precise categories. The Undivided Past provides a resoundingly dusty answer to any historian rash enough to seek for certainties in this our life. It is highly intelligent, stimulating, occasionally provocative and enormous fun to read. Cannadine considers the six ways in