Culture
The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
I’m sorry I haven’t a clue
CinemaAlice Rohrwacher’s Happy as Lazzaro sets out as a neorealist tale of exploited sharecroppers, but midway through the story it falls off a cliff (literally) and returns as magical realism, although we mustn’t hold that against it. Or should we? I was sad to see the first narrative go, frankly — come back! Come back!
Bad blood | 4 April 2019
TheatreThe Phlebotomist by Ella Road explores the future of genetics. Suppose a simple blood test were able to tell us how long we will live and what disease will kill us. If the tests were compulsory and the results publicly available, a new hierarchy based on life expectancy would emerge. Citizens facing chronic illness or
Menace and magnificence
More from ArtsTwo households, both alike in dignity. Capulets in red tights, Montagues in green. Kenneth MacMillan’s Romeo and Juliet opens in a piazza where the clash of swords makes a fifth section of the orchestra. Strings, woodwind, brass, percussion… and steel. If Shakespeare’s young bloods and blades once seemed remotely Renaissance, made romantic by distance, Verona’s
Splitting headache | 4 April 2019
MusicBack when the UK was assumed to be leaving the European Union on 29 March, the Aurora Orchestra was invited to Brussels to participate in Klarafestival: specifically, an evening of words and music ‘celebrating cultural links between Europe and the UK’. And because arts organisations in general (and orchestras in particular) change direction with the
The wisdom of the crowd
TelevisionOn Sunday a drama began with ED905 being stolen by an OCG who’d faked an RTC that required IR, little realising that they had a UCO in their midst. So yes, Line of Duty (BBC1) is back in all its jargon-laden glory — and, judging from the first episode, it’s lost none of its ability
Call of duty
OperaIs it possible to write a feminist opera about Jack the Ripper? Composer Iain Bell thinks it is, and his Jack the Ripper: The Women of Whitechapel tries very, very hard to prove it. But while the result is respectful, topical and agonisingly, paralysingly sincere, it’s also a sheep in wolf’s clothing. You can’t have
Seeing things
RadioAt its best audio can be a much more visual medium than the screen. Making Art with Frances Morris (produced by Kate Bland), which I caught by chance on Radio 4 last week, gave us insights into the work of the French conceptual artist Sophie Calle that were so vivid it was almost as if
31 Mar 2019
The unpopular populism of the National Portrait Gallery
Nicholas Cullinan, the director of the National Portrait Gallery, says that the success of a gallery should not be judged by its number of visitors. He is defensive because the visitor figures at the NPG have fallen (by nearly 120,000 from 2016-17). Dr Cullinan is right. Anyone who likes going to galleries would always say,
28 Mar 2019
England, their England | 28 March 2019
ExhibitionsAll good narrative painting contains an element of allegory, but most artists don’t go looking for it on a Coventry council estate — unless, that is, they happen to come from there. Since starting his Scenes from the Passion series while at the Royal College in the 1990s, George Shaw has been painting the Tile
There’s something about Mary
Arts featureI think I probably qualify as the oldest fashion editor in the world, because in spite of my advanced age I am still writing about clothes (in the Oldie). This gives me one USP: it means that I was actually around — even wearing them myself — when the revolutionary fashion ideas that are now
A circus film with no circus
CinemaDumbo is an elephant we can’t forget. More than 70 years since Disney’s 1941 film, the big-eared baby is still the most famous pachyderm on the planet. Director Tim Burton has dared to enter the ring with this iconic grey beast and remake the Disney classic not as a cartoon, but as live action. In
Books and Arts – 28 March 2019
Why don’t we talk about Van Gogh’s Christian faith?
Vincent Van Gogh has been airbrushed by the secular arts media. I have not yet seen the new exhibition at Tate Britain about his London years, so I can only comment on the publicity I have read and heard. This arts chatter downplays, or even ignores, the central feature of his life at this time:
Sublime salvage
More from ArtsThere was a moment more than 20 years ago when Bankside Power Station was derelict but its transformation into Tate Modern had not yet begun. I remember thinking, on a visit to the site, how beautiful and impressive the huge rusting generators looked — like enormous real-life sculptures by Anthony Caro. Nothing that has since
The secret of their success
TelevisionWhich of the Beatles would you most like to have been? Not either of the dead ones, presumably. Nor the one continually derided for his alleged lack of talent. Definitely not the embarrassing, gurning, two-thumbs-up uncool one… Anyway, it’s a trick question. The correct answer, at least it is for me after watching The Beatles:
Forza majeure
OperaTo stage Verdi’s Il Trovatore, they say, is easy: you just need the four greatest singers in the world. The Royal Opera has applied this principle to La forza del destino. Jonas Kaufmann sings Alvaro, Anna Netrebko is his beloved Leonora, and Ludovic Tézier her brother Carlo, with the mighty Ferruccio Furlanetto completing the set
Toxic waste
TheatreBruce Norris is a firefighter among dramatists. He runs towards danger while others sprint in the other direction. His Pulitzer-winning hit Clybourne Park studied ethnic bigotry among American yuppies and it culminated in a gruesomely funny scene in which smug liberals exchange racist jokes in public. The play was morally complex, dramatically satisfying and an
Foreign exchange | 28 March 2019
RadioAs the ravens circle around Broadcasting House in London’s West End, presaging difficult times ahead for BBC Radio, with less money to play with at a time of increased competition from its commercial rivals, a very different kind of listening experience was on offer last week in an upstairs room above a café in Canterbury.
27 Mar 2019
Art institutions should stop virtue-signalling about funding and focus on what they’re showing
The ethics of the private patronage of arts institutions has never been straightforward issue. But as the preoccupation with transparency and corporate responsibility has grown, wealthy benefactors can nowadays turn from pillars of respectable society to moral pariahs in the blink of an eye. Such is the fate of the fabulously rich Sackler family, major
21 Mar 2019
Playing dead | 21 March 2019
Arts featureIn March 1968, Frank Zappa released an album called We’re Only in it for the Money. Presumably, then, Zappa — who died a little over a quarter of a century ago — would be delighted to discover that he begins his latest tour next month, with a series of shows in the US followed by
The shock of the nude
ExhibitionsEarly in the 16th century, Fra Bartolomeo painted an altarpiece of St Sebastian for the church of San Marco in Florence. Though stuck full of arrows, the martyr was, according to Vasari, distinctly good-looking in this picture: ‘sweet in countenance, and likewise executed with corresponding beauty of person’. By and by the friars of San
Books and Arts – 21 March 2019
Double trouble | 21 March 2019
CinemaUs is a second feature from Jordan Peele after his marvellous debut Get Out, which was more brilliantly satirical than scary and may well be the best ever horror film for non-horror people (i.e. me). Us has also garnered five stars everywhere, as well as, at the time of writing, a 100 per cent rating
Out of tune with the times
MusicA few years ago, I hooked up with a BBC team in Berlin to record a programme with Daniel Barenboim. We were shown in to his spartan offices at the Staatsoper and, without preliminaries, I conducted an interview with him across a low table for 45 minutes. When our time was up, Barenboim rose and
Resistance is futile
OperaYou can see Graham Vick’s work at La Scala or the New York Met. But if you want to be directed by him, you need to go to Birmingham. The Tower Ballroom is a sticky-floored former nightspot out by Edgbaston Reservoir, artfully trashed by Block9, the people behind Banksy’s Dismaland. You crunch across the tarmac,
Horror show | 21 March 2019
FeaturesOK, Archers fans out there. All five million of you. Ask yourselves a straightforward question. Why on earth do you — do we — listen to this show full of completely awful people? Why do we subject ourselves to this 13 minutes of daily torment, not to mention the Sunday omnibus, wallowing in the lives
Black magic | 21 March 2019
Radio‘You’re thinking these girls all wrong,’ Miss Mai tells Enid in Winsome Pinnock’s play Leave Taking, adapted from the recent Bush Theatre revival for Radio 3 (and produced by Pauline Harris). ‘They don’t know where they come from.’ Miss Mai continues: ‘These girls got Caribbean souls,’ but they’re living in south London. Viv and Del
Mummy porn
TelevisionWhat can parents do about the avalanche of pornography available to their children on tablet, phone and laptop? This question was the starting point for a documentary series that began on Wednesday — and the answer proved unexpected. Having gathered five mothers together and shown them a hair-raising selection of online filth, the programme blithely