The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
Never meet your heroes, they say. But if you grew up with classical music in the 1980s, there was fat chance of that. Stravinsky, Britten, Shostakovich, Walton: you’d just missed them. Which is why, in 2001, and finding myself duty-managing an 80th birthday concert for Sir Malcolm Arnold, I inched past his minders and delivered
Deep in the guts of Russian library stacks exists what remains — little acknowledged or discussed — of a dead and buried atheist dream. The dream first took shape among Russian radicals of the mid-19th century, to whom the prospect of mass atheism seemed the key to Russia’s salvation. When Lenin seized power in 1917,
Maleficent: Mistress of Evil is the sequel to the 2014 film Maleficent, and it will certainly come as a relief to all those who, in the interim, have been worried that Disney might let a potential franchise go unexploited. Did that keep you awake at night, as it did me? Well, now we can all
The Man in the White Suit, famously, is a yarn about yarn. A brilliant young boffin stumbles across an everlasting polymer thread but when he tries to profit from his discovery he faces unexpected ruin. There are only three beats in the story — breakthrough, triumph, disaster — so it needs to be elaborated with
There was something really creepy about listening to the ten-minute countryside podcast released last weekend by Radio 4 supposedly transporting us to Marneys Field in Ambridge. Two worlds colliding. The fake countryside of Borsetshire was transfigured — no longer pretending to exist but existing, as if to make us all pretend we believe in it
One of the many great things about The Capture was that we could never be sure whether the British authorities’ capacity for virtually blanket surveillance was a nightmare vision of the future or a nightmare portrait of the present. Celebrity Hunted, though, suggests a third possibility: that virtually blanket surveillance is simply proof of how
It’s amazing what the movies can do. In 1986, the John Hughes teen flick Pretty in Pink — the one where poor girl Molly Ringwald and rich kid Andrew McCarthy get it together despite their friends’ disapproval — took its title from a Psychedelic Furs song, which featured heavily in the film. Whoosh! Suddenly they
Manon: minx or martyr? There are two ways to play Kenneth MacMillan’s courtesan. Is Manon an ingénue, a guileless country girl, pimped by her own brother and corrupted by Monsieur G.M.? Or is she a pleasure hunter, a man-manipulator, a schemer out for all she can get? In the Royal Ballet’s revival of Kenneth MacMillan’s
On 25 November 1895, Camille Pissarro wrote to his son Lucien. He described how he had bumped into his erstwhile protégé, Paul Gauguin, who had explained to him how artists in the future would ‘find salvation by replenishing themselves’ from the works of remote peoples and places. Pissarro was not convinced. Gauguin, he grumbled, was
Call me soppy, but when the credits rolled on ‘Wooden Boulder’, a film made by earth artist David Nash over 25 years, I was blinking back tears. Funny what the mind will make human. Within a few minutes I started to think of Nash’s boulder, hewn from a storm-struck oak in the Ffestiniog valley in
New York The Roy Cohn documentary Bully. Coward. Victim: the Story of Roy Cohn was successfully screened at the Lincoln Center last week to a full house. Cohn was once Donald Trump’s lawyer, and after the screening the event turned into an anti-Trump show. Had I known this would happen, I would have stayed
Exciting news from the BBC, where every employee has just received a flyer from the Director-General, Lord Hall, informing them about the creation of a new post — Director of Creative Diversity. Should they all apply? Certainly, when I found out about it, I thought I might throw my hat in the ring. I’d immediately employ
I have never ever watched a TV series I have enjoyed more than Succession (Now TV). There’s stuff I’d put in the same league, maybe — Fauda, Babylon Berlin, Band of Brothers, Utopia, Gomorrah, Breaking Bad, The Sopranos, and so on — but absolutely nothing beats it. It is, quite simply, a work of pure,
The Day Shall Come is a second feature from British satirist Chris Morris and like the first, Four Lions, it is a ‘comedy of terrors’, you could say. But this time, rather than a group of hapless home-grown Muslim suicide bombers we’ve decamped to America and it’s the FBI that will do anything to get
Grade: A– The outlaw country genre has shifted a little over the decades since Waylon and Willie, with each proponent trying to out-badass each other, the guitars getting louder, the lyrics either more obtuse or (in the case of David Allan Coe) more obscene. This takes it all one stage further. I don’t think Sound
Podcasts will soon be like porn. Every interest, desire or idle flicker of curiosity will have been anticipated and catered for. Whatever you’re into there’ll be a podcast devoted to it, waiting to make itself heard. That’s easy for me to say because I’ve already found my perfect match: Is It Rolling, Bob? in which
It’s Act Three of Emma Rice’s new production of Offenbach’s Orpheus in the Underworld, and Eurydice (Mary Bevan) is trapped in the backroom of a Soho peep show. But that doesn’t really matter because Jupiter (Willard White), a cigar-toking love walrus in a silk bathrobe, has transformed himself into a fly and is about to
Michael Frayn’s backstage comedy, Noises Off, is the theatre’s answer to Trooping the Colour. Everyone agrees that it’s an amazing display of synchronised choreography but does anyone actually want to see it? Yes, to judge by the press-night crowd at the Garrick. The joint was packed. The show opens at the dress rehearsal of a
Occasionally, we encounter an image that seems so ludicrously out of kilter with the modern world that we can only flounder in antiquity for appropriate descriptions. We see a black and white photograph that shows a swarm of tiny figures, ant-like in their relentless pursuit of some mysterious purpose around the edges of a dark,
While Sir Joshua Reynolds, on his plinth, was looking the other way, a little girl last Saturday morning was trying to prise a littler sculpture from the pavement of the Royal Academy’s courtyard. For all its tininess — from a distance the sculpture’s curvy lumps, 12 x 28 x 17cm, resemble horse droppings a security
Caryl Churchill is back at the Royal Court with a weird collection of sketches. The first is set on a mantelpiece where a clock, a vase, a statuette and a plastic dog discuss their lives. These ornaments morph into human teenagers. One is a lad who wants to die after being raped by his father.
Sixteen years into a stop-go production saga, I got a call from the director of The Song of Names with a suggested script change. What, said François Girard, if one of the two protagonists was perhaps, er, not Jewish? My reply cannot be repeated. I was, for a minute or so, completely speechless. My novel,
Judy is in cinemas this week and so is Joker and if you have to choose between the two, then it’s Judy every time. I would even add: step away from Joker. Step away, and step away now, if you know what’s good for you. It may be a masterpiece or it may be irresponsible
It’s possibly not a great sign of a Britain at ease with itself that the historical character most likely to show up in a TV drama now seems to be Oswald Mosley. But the week after his starring role in Peaky Blinders ended, there he was again, right at the beginning of BBC1’s next Sunday-night
This Changeling Self, Radio 4’s lead drama this week, clearly ought to have gone out in August. It’s set — and was recorded — at the Edinburgh Festival and would have been a gift to marketing. ‘I love the festival!’ coos She. ‘All these millions of conversations, listen, listen, oh and stories, lots of stories,