Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

Eurotrash Verdi: ENO’s Luisa Miller reviewed

Opera

Verdi’s Luisa Miller is set in the Tyrol in the early 17th century, and for some opera directors that’s a problem. After all, they’re busy people. They probably never had time to read Wolf Hall, or to speak to any of the 100 million people worldwide who watched Game of Thrones. It’s self-evident to them

A bruising encounter: Pina Bausch’s Bluebeard reviewed

Dance

Pina Bausch’s best work always hovered between the familiar and the unknown. The late choreographer revelled in borders and thresholds, the hinterlands where fantasies collide with reality. The gulf between men and women — their conflicting desires, instincts, clout — was one of her favourite trenches to plumb, so it’s no wonder she was drawn

Lloyd Evans

Comedy gold: The Upstart Crow at the Gielgud Theatre reviewed

Theatre

A Moorish princess shipwrecked on the English coast disguises herself as a boy to protect her virtue. Arriving in London, she’s hired by William Shakespeare as an assistant to his maidservant Kate, who instantly falls in love with the exotic cross-dressing newcomer. This absurdity, familiar to fans of Twelfth Night, is the opening move in

I regret my bust-up with the Bee Gees: Clive Anderson interviewed

Arts feature

‘The really tricky thing,’ says Clive Anderson as we discuss the topic of being recognised in public, ‘is when they say, “I love your programmes —that thing you did with Margarita Pracatan…” Do I say now that that wasn’t me? Because if you let them carry on about how they loved your Postcards From…, and

In this instance, greed isn’t good: Greed reviewed

Cinema

Greed is Michael Winterbottom’s satire on the obscenely rich and, in particular, a billionaire, asset-stripping retail tycoon whose resemblance to any living person is purely intentional. (Hello, Sir Philip Green.) Plenty to work with, you would think. Low-hanging fruit and all that. But as the characters are so feebly sketched and the ‘jokes’ — ‘jokes’

James Delingpole

The appeal of psychopaths

Television

Ever since the end of Gomorrah season four (Sky Atlantic) I have been bereft. I eked it out for as long as I could, going whole weeks without watching an episode — rationing it and savouring it as you do when you’re down to your last Rolo. But eventually I could put off the climax

Some of the best Austen adaptations are the most unfaithful

Arts feature

The new Emma film by Autumn de Wilde is the latest in a very long line of Austen adaptations, but by no means the strangest. Even in Austen’s lifetime there were pirated editions and translations of her books that took liberties with the originals, and the first illustrated editions raised howls of objection, too, at

Odd but gripping: BBC1’s The Pale Horse reviewed

Television

Not much was clear in the opening scenes of The Pale Horse (BBC1, Sunday), which even by current TV standards were admirably committed to confusing us with a series of baffling fragments. One thing that did seem apparent, though, was that Mark Easterbrook (Rufus Sewell) wasn’t having much luck with the ladies. In one fragment,

This is how theatre should work post-Brexit: Blood Wedding reviewed

Theatre

Blood Wedding, by the Spanish dramatist Federico Garcia Lorca, is one of those heavyweight tragedies that risks looking a bit ridiculous when you take it out of its period setting. With rival families, murdered patriarchs and Albanian-style blood feuds — not to mention a talking moon — modern adaptations often come across as implausibly melodramatic.

Lloyd Evans

A brilliant, unrevivable undertaking: Tom Stoppard’s Leopoldstadt reviewed

Theatre

History will record Leopoldstadt as Tom Stoppard’s Schindler’s List. His brilliant tragic-comic play opens in the Jewish quarter of Vienna in 1899. We meet a family of intellectuals and businessmen who are celebrating their very first Christmas. The eldest son, Hermann, has married a Catholic and become ‘Christianised’ in order to smooth his path through

How Jan van Eyck revolutionised painting

Arts feature

We know tantalisingly little about Jan van Eyck, but one thing is sure. He once spent a week in Falmouth. In 1428 Philip the Good, Duke of Burgundy, sent a formal delegation of nobles and courtiers to negotiate his marriage with Isabella, daughter of the King of Portugal. One of these was Van Eyck. The

Fabulous and enthralling: Parasite reviewed

Cinema

Bong Joon-ho’s Parasite won the Bafta for best foreign film and is up for six Oscars and it is an involving drama. And satire. And thriller. And comedy. And allegory. And it is fabulous and enthralling on all those counts. It works on every level which is, perhaps, fitting for a film about levels and