The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
Noah Baumbach’s Marriage Story is a drama about the breakdown of a marriage and it is, at times, devastatingly painful. ‘Divorce,’ says a lawyer at one point, ‘is like a death without a body.’ It’s certainly not the most fun you’ll ever have at the cinema — although it is witty and there are some
It was created in November 1957, a year before the BBC’s fabled Radiophonic Workshop, and was far more influential in shaping the development of electronic music, yet the Polish Radio Experimental Studio (PRES) is now virtually unknown even in Poland. Radio 3’s feature on Sunday night, Poles Apart (produced by Andrew Carter), made the case
Some last taboos, it seems, can remain last taboos no matter how frequently they’re confronted. Grief, the menopause, masturbation, mental illness are all routinely described that way whenever they get depicted on television — i.e. quite often. But perhaps the sturdiest last taboo of the lot is that older women can have sexual feelings: something
In 2011 Britain’s first skyscraper was finally given Grade I listing. The citation for 55 Broadway — the Gotham City-ish home of Transport for London, which sprouts up from St James’s Park Station — said that the building was important in a number of ways: its architect Charles Holden, the designer of Senate House and
There’s a book about musicals that every opera lover should read. Not Since Carrie by Ken Mandelbaum is a history of musical theatre’s greatest flops: a comprehensive study of the thousand ways in which a collaborative artform can crash and burn. It’s unbelievable stuff. The Broadway cast of 1961’s Kwamina participated in a voodoo ritual
In the unlikely event that Bruce Hornsby and Morten Harket, A-ha’s singer, ended up featuring in the Daily Mail for, I don’t know, getting into a fight in a supermarket over the last luxury Scotch egg, they would be described as ‘“The Way It Is” hitmaker’ and ‘the “Take on Me” star’. In neither case,
What makes someone become a pop star? Sometimes, it’s true, pop stardom arrives by accident, and its recipient responds not with joy, but horror. More often, though, pop stardom is sought, sometimes to make up for things that are missing in life, and the newly minted star embraces all the benefits fame brings, until those
As you enter the forecourt of the Royal Academy, you see them. A row of artistic titans, carved in stone, peer down from their alcoves in the higher half of the gallery’s façade. Thanks to the name plaques, they’re easily identified. You can see Pheidias, the genius of the Parthenon; Leonardo and Raphael; Sir Christopher
I went to the Battle of Ideas at the Barbican last weekend, a free speech festival organised by the Brexit party MEP Claire Fox, and listened to an interesting discussion about Life of Brian. The Monty Python film is exactly 40 years old, having been released in the UK on 8 November 1979. The opinion
The hammering downpour before the last round in Batumi was, in retrospect, a precious omen. After all, England’s medal drought in international team competitions has lasted nearly 20 years. This year our rain dances finally took effect, as we brought home the bronze medals from the European Team Championship last week. It’s our second major
Grade: B- Horribly woke boilerplate slogans welded inexpertly to the usual incompetent Crazy Horse grunge. Young and his pick-up band of now 50-years standing usually work well together — as on Zuma, Everybody Knows This is Nowhere and even Ragged Glory. But that’s when there were a few decent songs in the mix, stuffed with
The Royal Court is the theatre’s answer to Islamic State, a conspiracy of nihilists fascinated with death, supported by groups of self-flagellating puritans, and committed to inflicting pain on all who stray into its orbit. The latest fatwa from Sloane Square concerns the imminent demise of the Welsh language — an emergency for which there
Squeeze and Hot Chip are both great British pop groups. But they never defined a scene. Their ambitions extended further than being hailed by a few hundred people in bleeding-edge clubs. Squeeze piggybacked on punk, but they were quite evidently never a punk group, even if they dressed up as one. They were of the
The Irishman is Martin Scorsese’s three-and-a-half-hour epic — a mobster-a-thon, you could say — starring Robert De Niro, Al Pacino, Joe Pesci and a light sprinkling of Harvey Keitel (he’s only in a couple of scenes). It’s based on the true, late-life confession of Mafia hitman Frank ‘The Irishman’ Sheeran and, while gangster flicks can
There’s nothing like a nice bit of death on a Sunday evening. Radio 4 originally transmit their obituary programme Last Word on Friday afternoons, but I love listening to the repeat. Sunday at 8.30 p.m. is the perfect time — the ending of people’s lives at the ending of the week. The stresses of Monday
‘Here’s your new Sunday night obsession…’ the BBC announcer purred, overintoned and mini-orgasmed, like she was doing an audition for a Cadbury’s Flake commercial, ‘… a dazzling drama with a stellar cast.’ My hackles rose. Did no one ever mention to her the rule about ‘show not tell’? And my hackles were right. His Dark
Charles-Valentin Alkan played the piano faster than Liszt and louder than Chopin. The dying Pole left instructions that only Alkan was to be trusted with completing his unfinished Études. Alkan cited Liszt and George Sand as his referees in a bid to be made head of piano at the Paris Conservatoire, but was rejected in
‘Everyone of us knows we deserve to be punished,’ says the frail old man before me in a hotel café. ‘You and I for instance. What have we done this morning that is good? What have we done to resist the ruination of our planet? Nothing. It is terrifying!’ Peter Brook fixes me with blue
While looking at the photographs of food in this humorous exhibition at the Photographers’ Gallery, I thought of how hopelessly outdated our own snaps will soon look. What seems fresh, clean and wonderfully modern to our eye — an Ottolenghi salad, say, dotted with pomegranate seeds and za’atar — will soon look almost tragic. How
There’s nothing like a good piano concerto and, sad to relate, Thomas Adès’s long-awaited first proper attempt at the genre is nothing like a good piano concerto. Not in the version we heard at its UK première in the Royal Festival Hall, anyway. What a disappointment! Perhaps Adès can rescue it, but he’d have to
Wheeeere’s Johnny? Nearly 40 years ago Jack Nicholson went berserk in a snowbound Rockies hotel, smashing an axe through a bathroom door behind which a pop-eyed Shelley Duvall cowered in terror. It is one of cinema’s truly iconic scenes, once voted the most petrifying in movie history. Now award yourself points if you remember that
Some listeners will have had quite a shock first thing on Monday. Turning on at six to Classic FM they would have heard a familiar voice but not quite the one they expected. In yet another surprising turn of events, John Humphrys, the fox terrier of news broadcasting, has just completed a stint on Classic
Grade: B– Kanye West has found Jesus Christ. Lucky old Christ. If I were Christ I’d have hidden out a while longer, frankly, but there we are. The most lauded (mysteriously) performer in the world right now wishes us to believe that he has been reborn, as a kind of cross between Billy Graham and
Older readers may remember a time when landmark BBC wildlife documentary series were joyous celebrations of the miraculous fecundity of the planet we’re lucky enough to find ourselves living on. Well, not any longer. In our more censorious age, they’ve become another chance to essentially tell us all off. So it was that Seven Worlds,
Were those gerberas in Francesca Hayward’s bouquet on opening night? Gentlemen admirers take note: no woman, ballerina or otherwise, has ever welcomed a bunch of gerberas. Hayward deserved better for her adorable Dorabella in Enigma Variations. In white flounces and gathered bloomers she lighted the stage with sprightly sweetness in Frederick Ashton’s one-act ballet set
No power on earth can stop Lungs from becoming an international hit. Duncan Macmillan’s slick two-handed comedy reunites Matt Smith and Claire Foy from The Crown. It’s short (90 mins), it has a minimalist set (‘arty’), and it makes no intellectual demands on the crowd (phew!). Best of all, it parrots all the ecological prejudices
What does it mean to be a successful comic? Richard Herring isn’t sure. He’s been a ‘professional funnyman’ for nearly 30 years, yet — as he’s the first to admit — he’s largely unknown beyond the circuit. Even then he has doubts. ‘I’m never in those top-100 stand-up lists,’ he says, when we meet in