Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

The musical benefits of not playing live

Music

Glenn Gould considered audiences ‘a force of evil’. ‘Not in their individual segments but en masse, I detest audiences.’ He retired from public performance on 10 April 1964, at the age of 31, having given fewer than 200 public recitals. The Canadian classical pianist had longstanding philosophical objections to the ritual of performing live. He

The bleak brilliance of Hud

Film

Hud is a film that has haunted me for decades. I was never sure why. It seemed to be something about the bleakness of the setting and the story but also the extravagance of the hero and his car. I recently watched it as research for a book, and then, immediately, I watched it again.

James Delingpole

The Amazon Prime doc that will convert anyone to cricket

Television

Imagine rooting for the Australian cricket team. If you’re Scottish, Welsh or Irish — or Australian obviously — it might not be such a stretch. But for an Englishman, I suspect, it’s nigh on impossible. It would be like supporting Germany in the (football) World Cup. Or yearning for the All Blacks to win the

The genius of Joe Rogan

More from Arts

Last month, just before coronavirus conquered the airwaves entirely, millions of Americans gave up two hours to hear a professor of epidemiology discuss the emerging pandemic. Despite its huge reach, not to mention its quality, the interview wasn’t broadcast on any of the news networks. Rather it was the work of a former martial-arts pundit

How to succeed in sculpture (without being a man)

More from Arts

Whee-ooh-whee ya-ya-yang skrittle-skrittle skreeeek… Is it a space pod bearing aliens from Mars? No, it’s a podcast featuring aliens from Venus: women sculptors. If the intro music to Sculpting Lives: Women & Sculpture sounds like Dr Who, its two jolly presenters — Jo Baring, director of the Ingram Collection of Modern British & Contemporary Art,

Lloyd Evans

Strangely absorbing: the first lockdown dramas reviewed

Theatre

High Tide got there first. The East Anglian theatre company has produced a series of lockdown mini-dramas, Love in the Time of Corona, made up of five filmed reflections on self-isolation. ‘Rainbows’ by Morgan Lloyd Malcolm is narrated by a woman on the edge teaching her kids to decorate the windows with coloured paints. ‘Child

Laura Freeman

The art of the hermit

Arts feature

Late in the afternoon on Valentine’s Day, I walked through an almost empty Uffizi. Coronavirus was then a Wuhan phenomenon. Our temperatures had been taken at the airport, but there were no restrictions on travel and those wearing masks looked eccentric. I congratulated myself on finding Florence so quiet. Off-season, I thought smugly. That’s the

James Delingpole

A Formula 1 doc for people who hate Formula 1

Television

Some years ago I was invited to the British Grand Prix at Silverstone courtesy of a watch manufacturer. As freebies go it was one of the best: endless champagne, overnight in a posh hotel near the track (wife invited too), then a trip by helicopter so as to avoid all the frightful traffic jams. All

Lloyd Evans

Ill-disciplined and self-indulgent: The Guilty Feminist podcast reviewed

Radio

With theatres shut, radio must lighten the darkness. The Guilty Feminist is a wildly popular podcast performed by Deborah Frances-White and guests. In the episode of 23 March, the presenter hoped the superbug would cure our mania for business trips to ‘Philadelphia for a meeting about key performance indicators… Don’t fly to see people you

The grisly art of Revolutionary France

Exhibitions

There was a basket of thick red wool and two pairs of large knitting needles at the start of University College London’s cleverly curated exhibition, Witnessing Terror: French Revolutionary Prints 1792–94. Visitors were invited to contribute their own lines of stitches before picking up a copy of A Tale of Two Cities, in which Dickens