Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

Lloyd Evans

Clever, funny and fearless: Good Girl at Soho Theatre online reviewed

Theatre

A new work by Alan Bennett features in Still Life, a medley of five ‘untold stories’ from Nottingham Playhouse. The dramas were filmed during lockdown. Before the Bennett première, there’s a monologue by a wittering granny complaining about the price of cereal in a deserted food bank. Then, a banality-crammed slice of jabber between two

The art of the asparagus

More from Arts

Manet’s ‘Botte d’asperges’ are probably the most famous asparagus in the world. The artist painted the delicious white- and lilac-tinged spears for the collector Charles Ephrussi in 1880 before invoicing him for 800 francs. Ephrussi was so delighted with them that he paid Manet 1,000 instead, to which Manet responded by sending a second picture.

‘I’m not interested in moral purity’: St Vincent interviewed

Arts feature

St Vincent — Annie Clark, a 38-year-old singer-guitarist of prodigious gifts — spends a lot of time confounding people. She confounds them with stage shows that are less gig than theatre, ostentatiously choreographed and fabulously provocative (though not in any crude sense). She confounds them with an image that morphs from album to album (for

Rod Liddle

Tom Jones is as nuanced a vocalist as Ian Paisley

The Listener

Grade: C Revisionism has been extraordinarily kind to Tom Jones, ever since he barked his way through Prince’s ‘Kiss’ with the kind of subtlety you might expect from someone who is about to nut you in the mouth. That enormous fruity bellow is one part threat, one part music hall. He was repackaged as someone

This film deserves all the awards and praise: Nomadland reviewed

Film

Nomadland won multiple Oscars including Best Picture, Best Director and Best Actress, and if there’d been an award for Best Film In Which The Woman In Her Sixties Isn’t The Least Developed Character In The Screenplay, Hallelujah, About Time, it would have scooped that too. Not much competition, regrettably, but you have to admire the

Lloyd Evans

Do theatres actually read scripts before agreeing to stage them?

Theatre

Money is a new internet play about financial corruption starring Mel Giedroyc. She appears on-screen for less time than it takes to eat a Malteser. Giedroyc plays the boss of a palm-oil firm that wipes out orangutan habitats in Asia and wants to launder its reputation by donating cash to a London charity. A million

Laura Freeman

The bizarre art of Scottie Wilson deserves to be better known

More from Arts

On eBay I have an alert set for ‘Scottie Wilson’. Nine times out of ten, it’s a diamanté Scottie dog from the jewellers Butler & Wilson. Once in a while, it’s a gem. Scottie Wilson didn’t think much of journalists. Art critics were ‘just jugglers — dodgers’. The sort of people who went to art

Kubrick’s Napoleon – the greatest movie never made

Arts feature

Two centuries ago — on 5 May 1821 — Napoleon Bonaparte died in a rat-infested house. The fallen Emperor had spent his final years exiled on the British outpost of St Helena. Yet Napoleon’s ignominious last act was only the beginning of his legend. A recent data-driven study, published by Cambridge University Press, crowned him

Lloyd Evans

Xenophobic twaddle: Bush Theatre’s 2036 reviewed

Theatre

The Bush Theatre’s new strand, 2036, opens with a monologue, Pawn, which takes its name from the most downtrodden piece on the chessboard. The speaker, Jordan, is an amiable dimwit of mixed Trinidadian and South African heritage whose mother explains his background to him like a condescending anthropologist: ‘Trinidad and South Africa are countries with

James Delingpole

This Is My House has rekindled my love for the BBC

Television

Here’s a thought that will make you feel old. Or worried. Or both. The poke-fun-at-celebrity-houses series Through the Keyhole — originally presented by Loyd Grossman — was first broadcast as a segment on TV-am in February 1983. That means that we are now as far away in time from Through the Keyhole’s first episode as

A redemption song, conventionally sung: Sky’s Tina reviewed

Pop

It has never been easy for women in the music industry. Once upon a time the evidence was largely anecdotal. Now it’s being recorded for posterity, frame by frame. Recent documentaries about Britney Spears and Demi Lovato exposed the trauma inflicted on post-millennial pop stars. Two new portraits of Anna Mae Bullock and Marianne Elliott-Said,

Are Mozart’s forgotten contemporaries worth reviving?

Classical

There are worse fates than posthumous obscurity. When Mozart visited Munich in October 1777, he was initially reluctant to visit his friend, the Bohemian composer Josef Myslivecek. Myslivecek was in hospital, undergoing treatment (as he told it) for a facial cancer brought on by a recent coach accident. But this being the 18th century, and

Moments of pure wonder: Folk Weekend Oxford reviewed

Pop

Has any musical moment extended its tendrils in so many unexpected directions as the English folk revival of the mid-1960s? In its beginnings, it was a source of pilgrimage for Bob Dylan and Paul Simon, who pinched his arrangement of ‘Scarborough Fair’ from Martin Carthy way back in the dim and distant past when the

Joanna Rossiter

The art of storing and unveiling

Arts feature

‘Put beauty first and what you get will be used forever,’ said Roger Scruton in his BBC documentary Why Beauty Matters. The philosopher’s neat elision of beauty and utility is perfectly embodied by Étienne Maurice Falconet’s nymph, who is to be the star of a forthcoming lecture by Waddesdon Manor curator Juliet Carey. This small

It will do your head in: Black Bear review

Film

Black Bear is one of those indie dramas that is meta on so many levels you can either sit with it afterwards or, if you’re weak like me, you’ll immediately turn to the internet for an explanation and may even find yourself buried deep in one of those Reddit threads that will make you wish

Lloyd Evans

Why do theatres think audiences want Covid-related drama?

Theatre

Hats off to the Orange Tree Theatre in Richmond. They’ve discovered a new form of racism. Some people say we have enough ethnic division already but in south-west London they’re gagging for more apparently. A new play, Prodigal, examines the prejudice endured by a Ugandan chap whose mother moved to London when he was a