The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
With the current taste for remakes of erotic-thriller movies of the 1980s and ’90s, these are certainly good times for TV intimacy co-ordinators. Just two weeks ago, we had Netflix’s Obsession. Now Paramount+ has come to the slightly weird party, turning the daddy of them all, Fatal Attraction, into an eight-part series. In the original
A user’s guide to how pop music works in the 21st century. Step one: you see a great new band. Step two: you tweet about them being very good. Step three: you get told by people that they are clearly nepo babies, denying crucial exposure to other bands. Step four: you discover that newspaper articles
David Starkey’s commentary on the Queen’s funeral on GB News was generally agreed to be the best of all the TV coverage, and now he is covering the coronation, and has made a three-part documentary about it for GB News called The Crown. Of course he knows the history, going back to King Edgar’s coronation
Grade: B– Chugga-chugga, grawch, chugga-chugga. Never mind 72 seasons, it’s actually been a little over 500 seasons since Metallica first started bestowing their peculiarly Los Angeles brand of heavy metal – shiny, taut and smooth – on a grateful audience of dispossessed lower-middle-class white incels. And nothing very much has changed. They have got better,
If being asked to write music for the coronation of a king is an honour, then doing it for an emperor is even more so, you might think. That was certainly the view of Jean-François Le Sueur (1760-1837), an opera composer who was made director of music at Notre-Dame by Napoleon. At the self-coronation of
Peter Pan & Wendy is Disney’s latest live-action remake (the animated version was in 1953) and it’s quite the sombre affair. It takes itself and its story so seriously that I kept waiting for it to be fun and it never was. There is an underlying sadness to J.M. Barrie’s original story, but it is
The Swan Theatre has reopened after an overhaul and praise god: they’ve replaced the seats. The Swan is a likeable theatre; the only space in the Royal Shakespeare Company’s portfolio that still conveys a real sense of history, though until 2020 that came at the price of acute posterior discomfort. No more: and we can
Deborah Bruce’s new play Dixon and Daughters is a family drama that opens on a note of sour mistrust. We’re in a working-class home in Yorkshire where a vituperative old crosspatch, Mary, has just returned from prison. Rather than accepting her daughters’ friendly welcome she treats them all with open hostility. Had Ibsen been in
In 1937, the Parisian communist newspaper Ce soir sent a 28-year-old would-be filmmaker on an unpromising first assignment. Henri Cartier-Bresson was to take photographs of the British coronation, an event of limited appeal either to Ce soir’s readers or to Cartier-Bresson himself. But on the streets of London, he discovered what would become his signature
I was making my way slowly through one of my dismally prosaic little to-do lists – ‘pay the water bill’ ‘wash hair’, etc. – when the voice of the journalist Helen Lewis came on Radio 4 talking about productivity. It’s the Holy Grail of modern life, apparently, and we are now constantly looking for ‘charismatic
Tetris is a righteously entertaining movie about the stampede to secure the rights from within the Soviet Union to what would become the world’s bestselling video game. The question you’re going to be asking yourself time and again – especially during the Lada-ZiL chase scene through the streets of Moscow in which our heroes try
Once upon a time, rock bands wished for nothing more than to look as though they posed a clear and present danger to your children. Though a few true believers still hold to this honourable creed, nowadays most groups are comprised of the kind of people one might expect to be grading your offspring’s dissertation
In July 1928, an unknown Swedish woman artist mounted a solo show of her revolutionary abstract paintings at the World Conference on Spiritual Science in London. It was a moment the 65-year-old Hilma af Klint had waited a long time for, but her confident prediction 20 years earlier that ‘the experiments I have undertaken will
Snowflakes, an excellent title, rehashes The Dumb Waiter by Harold Pinter. A guest in a hotel room is visited by two intruders posing as staff. The intruders are hired assassins who accuse the guest of committing a half-explained hate crime on social media. His punishment, execution, will be livestreamed as a warning to other hate
The big London companies gave two UK premières in the space of a week, both dealing with the subject of teenagers being shot dead. Kaija Saariaho and Sofi Oksanen’s new opera Innocence was premièred at the Aix-en-Provence Festival in 2021 and comes to the Royal Opera in exactly the same production by Simon Stone, the
Yes, yes, I know. You’ve had your fill of David Attenborough’s jeremiads, you’ve heard enough already about climate change catastrophe. You’ve got the message, ordered the electric car and solar panels: now can we talk for a moment about something less unthinkably apocalyptic? The point is as much to celebrate the grace and beauty of
The Unlikely Pilgrimage of Harold Fry is an excellent adaptation of Rachel Joyce’s bestselling novel (2012) about a retired old fella who traverses England on foot in the belief he can save a friend dying of cancer. It could have been twee or sentimental (that was the fear) but instead it is spare and restrained
In 1963 two Hamlets went into production: one directed by Laurence Olivier, the other by John Gielgud. The situation had been engineered by Richard Burton and Peter O’Toole. The story goes that while shooting the film Becket, Burton and O’Toole had decided they should each play the Prince under either Olivier or Gielgud and they
If you live in London, you may well have spotted Shen Yun’s enormous candy-coloured posters on the Underground, endorsed by puffs from authorities proclaiming the show to be ‘very, very on top’ and ‘an exemplary display of excellence’. This primitive advertising strategy seems to have worked: on the night I went, the Hammersmith Apollo (capacity
War has broken out in theatreland. Managements are increasingly at odds with the audiences who fund their livelihoods. A recent stand-off involved James Norton’s new show, A Little Life, which contains a couple of scenes in which the actor removes his clothes. A punter at a preview in Richmond secretly photographed the moments of nudity
It is, of course, traditional for film and TV reviewers to demonstrate their steely high-mindedness by claiming that anything describing itself as ‘erotic’ is in fact deeply boring. Unfortunately, faced with Netflix’s four-part Obsession, the b-word is hard to avoid – the twist in this case being that boring was as good as the series
‘A queer fellow’ is how John Everett Millais described Dante Gabriel Rossetti after his death, ‘so dogmatic and so irritable when opposed.’ What’s queer in England is quite normal in Italy, where heated arguments are described as ‘discussioni’, but history has tended to forget that Rossetti was Italian. His fellow Pre-Raphaelites, however, were very conscious
The Secret Life of Bees is a fairy-tale set in the Deep South in 1964. Lily, a bullied white girl, befriends a plucky black maid, Rosaleen, and they escape together from Lily’s tyrannical dad. After various adventures they take sanctuary at a honey farm run by a commune of astonishingly successful African-American businesswomen. This story
Haydn’s The Creation is Paradise Lost without the Lost. True, the words aren’t exactly up there: translated into German by Haydn’s pal Baron van Swieten and subsequently retro-translated into some of the clumsiest, most endearingly rococo English ever set to music. But you get the idea. Near the start some demons get consigned (very efficiently)
Elton John has now been retiring for nearly five years. The Farewell Yellow Brick Road tour began in Allentown, Pennsylvania, in September 2018. Why there? Because it’s a hop and a skip from the small town of Lititz in Amish country, where scores of the big arena shows are built – it’s the real rock’n’roll
Sick of Myself is a satire from Norway that skewers the ‘look at me, look at me’ generation addicted to social media and asks: how far will someone go? Too far, is the short answer. Much, much, much too far, is the longer one. Indeed, although this starts out as a dark comedy, it does
Criss-crosses, everywhere: 300 objects covered in them. The exhausting range and depth of the world’s most famous pattern is on full display at the V&A Dundee’s vast new exhibition. Tartan is a more genuine emblem of Scottish nationhood than the famous deep-fried Mars bar, which no one really eats. But it’s not uniquely Scottish. Plaid
War Sailor (Krigsseileren), a three-part drama on Netflix about the Norwegian merchant navy in the second world war, is one of the best things you’ll see on TV this year. But I doubt many other critics are going to rave about it or even notice it, for some of the very same reasons that I
It must be 20 years since I first saw Akram Khan dance, and I will never forget the impression he made in a brief impassioned solo; here was a master of the Indian kathak school who had seen how its traditional vocabulary could be related to the less constricted realms of modernism. Since then he