Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

The brilliance of Cicely Mary Barker

Exhibitions

When Cicely Mary Barker’s Flower Fairies of the Spring was published in 1923, a post-first world war mass wishful belief in fairies was at its height in Britain. Just over two years previously, Sir Arthur Conan Doyle, writing in the 1920 Christmas issue of the Strand Magazine, had stated that the ‘Cottingley Fairies’ (tiny winged

James Delingpole

Irritating but watchable: American Primeval reviewed

Television

American Primeval should really be called Two Incredibly Annoying Women In The Wild West. Yes, the first title is more clickbaity, whetting the prurient viewer’s appetite for the savage, primitive violence that splatters over every other scene. But the second is more accurate. Not since Lily Dale in Trollope’s Chronicles of Barsetshire have I rooted

The architectural provocations of I.M. Pei

Arts feature

When first considering architects for the new Louvre in 1981, Emile Biasini, the project’s head, liked that I.M. Pei was both ‘Chinese as well as American: Chinese in his respect of the past, and American in the way of radical solutions’. His controversial glass pyramid ignited much debate about which side won out. These entanglements,

Jolie good: Maria reviewed

Cinema

Maria is a film by Pablo Larrain, who appears to have a soft spot for the psychodramas of legendary women (Spencer, Jackie) and has turned his attention to the prima donna Maria Callas. It stars Angelina Jolie, who trained as an opera singer for the role, God bless her, and while her voice is sometimes

Why I’m obsessed with Farming Today

Radio

Farming Today airs at an undignified hour each morning on Radio 4. On the few occasions I’ve caught it live I have felt, first of all, relief that I am not a farmer; second, inadequacy; and finally, a surge of evangelism for the farmer’s way of life. I am now reaching the conclusion that getting

What makes a good title?

More from Arts

Liszt’s compositions tend to have descriptive titles – ‘Wild Chase’; ‘Dreams of Love’ – whereas Chopin avoided titles. Thomas Wentworth Higginson wished titles on Emily Dickinson’s poems, opposed by his fellow editor Mabel Loomis Todd. They didn’t stick. Maybe this is why Dickinson is acclaimed but unread. ‘I heard a Fly buzz’ is easier to

Isabel Hardman

The Natural History Museum’s new Evolution Garden is inspired

More from Arts

The Natural History Museum is one of the most beautiful buildings in London, but its gardens have long been a bit boring – just a pavement on the way in to Alfred Waterhouse’s ornate ‘cathedral to nature’. Most people noticed them solely when the ice rink appeared at Christmas. There was a wildlife garden in

Rod Liddle

The real best album of last year

The Listener

Grade: A+ In a desperate wish to avoid the appellation of a derided genre, this young man from Asheville, North Carolina has been described by the press as Americana, slacker rock, indie and alt-country. But we at The Spectator will call it how it is: this is country rock, pure and simple. And if country

Lloyd Evans

Brutal and brilliant portrait of Bette Davis and Joan Crawford

Theatre

The Last Days of Liz Truss? is a one-woman show about the brief interregnum between Boris Johnson and Rishi Sunak. We first meet the future prime minister at a nursery school in Paisley where she orders the teachers to call her Elizabeth and not to use her first name, Mary. This establishes her combative, self-righteous

Fools will love it: We Live in Time reviewed

Cinema

We Live in Time is a rom-com (of sorts), starring Florence Pugh and Andrew Garfield. They have terrific chemistry and elevate the material by around 1,000 per cent (a conservative estimate), but it’s still deeply annoying. It’s a weepie – a cancer story as well as a love story; at some screenings tissues were handed

How French absolutism powered a techno-progressive revolution

Arts feature

The Enlightenment is back. Despite the best efforts of the past decade of handwringing about cultural imperialism and wailing over machismo, money and majesty, the future keeps crashing in. The Science Museum has now laid its cards on the table with Versailles: Science and Splendour. Think gilt, not guilt. Is there anything in our lives

Carols are much weirder than we think

Classical

Why, my sharp-minded colleague Tom Utley once asked after a Telegraph Christmas Carol service, should anyone think God would abhor the Virgin’s womb? He was talking about the line in ‘O come, all ye faithful’ that goes: ‘Lo, he abhors not the Virgin’s womb.’ Wasn’t it a bit weird? At last I found the answer

Superb: Ruination, at the Linbury Theatre, reviewed

Dance

Ruination begins with an ironic prologue in which a choric figure warns the audience that what follows makes unlikely matter for the festive season: look elsewhere if you’re after light entertainment, he says, because this is going to shake you up a bit. And it does. This is genre-defying physical theatre, ‘devised’ by Ben Duke,

Meet the king of comic opera 

Opera

John Savournin has been busy. That comes with the territory for a classical singer – things often get a little hectic as the music world barrels towards Christmas. But with Savournin, it’s sometimes hard to keep track of which theatre – which city – he’s in on any given night. ‘This week has been Pirates

Vivid, noble and bouyant: AAM’s Messiah reviewed

Classical

More than a thousand musicians took part when Handel’s Messiah was performed in Westminster Abbey in May 1791. It wasn’t the only item on the bill, either; it was part of a day-long blow-out that lasted from 11 a.m. to 5 p.m. and also included the whole of Handel’s Israel in Egypt. The crowd came

Tirzah Garwood just isn’t as good as her husband

Exhibitions

Tirzah Garwood, wife of the more famous Eric Ravilious, is having a well-deserved moment in the sun, benefiting from this era of equality in which artists’ and composers’ wives and sisters (such as Clara Schumann, Fanny Mendelssohn and Elizabeth Siddal) are having the spotlight shone on their under-appreciated works. It’s not profound art but it’s

Guadagnino is a true master of erotic desire

Cinema

Queer, which is based on the novella by William S. Burroughs, is the latest film directed by Luca Guadagnino (Call Me by Your Name, Challengers) and stars Daniel Craig as an American expat who is gay, horny, sweaty, drug-addled and becomes infatuated with a younger man. It’s not exactly Christmassy, but it is very Burroughsy,

Leavisites should stay away: Sky’s Bad Tidings reviewed

Television

Reviewing Sky’s The Heist before Christmas last year, I suggested that all feature-length festive television dramas begin with credits announcing a starry cast and end with a redeemed protagonist gazing up at some suddenly falling snow. Reviewing Sky’s Bad Tidings this year, I can rather smugly report that there’s no need to revise my theory.