The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
If you live in London, you may well have spotted Shen Yun’s enormous candy-coloured posters on the Underground, endorsed by puffs from authorities proclaiming the show to be ‘very, very on top’ and ‘an exemplary display of excellence’. This primitive advertising strategy seems to have worked: on the night I went, the Hammersmith Apollo (capacity
War has broken out in theatreland. Managements are increasingly at odds with the audiences who fund their livelihoods. A recent stand-off involved James Norton’s new show, A Little Life, which contains a couple of scenes in which the actor removes his clothes. A punter at a preview in Richmond secretly photographed the moments of nudity
It is, of course, traditional for film and TV reviewers to demonstrate their steely high-mindedness by claiming that anything describing itself as ‘erotic’ is in fact deeply boring. Unfortunately, faced with Netflix’s four-part Obsession, the b-word is hard to avoid – the twist in this case being that boring was as good as the series
‘A queer fellow’ is how John Everett Millais described Dante Gabriel Rossetti after his death, ‘so dogmatic and so irritable when opposed.’ What’s queer in England is quite normal in Italy, where heated arguments are described as ‘discussioni’, but history has tended to forget that Rossetti was Italian. His fellow Pre-Raphaelites, however, were very conscious
The Secret Life of Bees is a fairy-tale set in the Deep South in 1964. Lily, a bullied white girl, befriends a plucky black maid, Rosaleen, and they escape together from Lily’s tyrannical dad. After various adventures they take sanctuary at a honey farm run by a commune of astonishingly successful African-American businesswomen. This story
Haydn’s The Creation is Paradise Lost without the Lost. True, the words aren’t exactly up there: translated into German by Haydn’s pal Baron van Swieten and subsequently retro-translated into some of the clumsiest, most endearingly rococo English ever set to music. But you get the idea. Near the start some demons get consigned (very efficiently)
Elton John has now been retiring for nearly five years. The Farewell Yellow Brick Road tour began in Allentown, Pennsylvania, in September 2018. Why there? Because it’s a hop and a skip from the small town of Lititz in Amish country, where scores of the big arena shows are built – it’s the real rock’n’roll
Sick of Myself is a satire from Norway that skewers the ‘look at me, look at me’ generation addicted to social media and asks: how far will someone go? Too far, is the short answer. Much, much, much too far, is the longer one. Indeed, although this starts out as a dark comedy, it does
Criss-crosses, everywhere: 300 objects covered in them. The exhausting range and depth of the world’s most famous pattern is on full display at the V&A Dundee’s vast new exhibition. Tartan is a more genuine emblem of Scottish nationhood than the famous deep-fried Mars bar, which no one really eats. But it’s not uniquely Scottish. Plaid
War Sailor (Krigsseileren), a three-part drama on Netflix about the Norwegian merchant navy in the second world war, is one of the best things you’ll see on TV this year. But I doubt many other critics are going to rave about it or even notice it, for some of the very same reasons that I
It must be 20 years since I first saw Akram Khan dance, and I will never forget the impression he made in a brief impassioned solo; here was a master of the Indian kathak school who had seen how its traditional vocabulary could be related to the less constricted realms of modernism. Since then he
I first discovered writer Patricia Highsmith (Strangers on a Train, Carol, the five Ripley novels) as a young teenager working my way through Golders Green Library. I guess she came shortly after Georgette Heyer, and I was hooked. I only later became aware of her virulent anti-Semitism, and on this count she was not half-hearted
Ask a member of Generation Z where in the world they would most like to live, and chances are they will say South Korea. K-pop and kimchi have made it indisputably fashionable, and if the Instagram account of one of my Korean friends is anything to go by, life there is really quite idyllic, provided
I was tired when I went to see Milk at the Wellcome Collection, having been up for much of the night feeding my baby. In European and Christian imagery, one sign said, ‘a lactating woman often represents fertility, charity and abundance’, but I was not feeling full of the milk of human kindness. Nor was
I’m not a natural lender. I’m a reasonably soft touch when it comes to money, but regarding the important things in life – books, music, pens – I loan with a gently thrumming underscore of anxiety. While I’ve weaned myself off my mother’s habit of writing her name in every book she buys, I still
A Little Life, based on Hanya Yanagihara’s novel, is set in a New York apartment shared by four mega-successful yuppies: an architect, a fine artist, a film star and a Wall Street attorney, Jude, played by James Norton. A friendly doctor tags along occasionally and an older lawyer, in his sixties, joins the gang after
Since its première in 1984, Andrei Serban’s production of Puccini’s Turandot has been revived 15 times at Covent Garden, not counting excursions to Wembley Arena. The current revival has been running (by all accounts, to capacity houses) since 10 March. The compelling reason for reviewing such a well-worn revival mid-run is that this performance featured
When Sir Christopher Wren’s servant went to rouse his master from an afternoon nap on 25 February 1723, and found that the old man would never wake again, the reputation of the nation’s greatest architect was already on the wane. He had walked away from St Paul’s in a fit of pique, with the cathedral
By now a genuinely radical way to turn a Victorian novel into a TV drama would be to take that novel and turn it into a TV drama. But while we wait for someone to do it, Great Expectations stays true to the current ideals of junking large parts of the source material and infecting
Grade: A– No, Lana, I didn’t, thank you – all cleared up. The most extravagantly talented of that lachrymose, self-harming genre, miserycore, returns with an album described by critics as ‘heavy’, as if we might have expected Mungo Jerry or the Venga Boys. The difference between Del Rey and the rest of those dispossessed chicks
Berlusconi: A New Musical, an excellent title, has opened at a new venue in south London, Southwark Playhouse Elephant. The show begins with the former Italian prime minister preening triumphantly on a white marble set that resembles the Capitol in Rome where Caesar was murdered by rivals who’d grown sick of his power lust. Berlusconi
Godland is a film to see on the big screen: not just for its awesome, immersive cinematography, but because it is so remorselessly bleak that if you’re watching it at home you are likely to give up. To get the most out of it you need to be trapped. Lucas (Elliott Crosset Hove), an upright,
Despite its widespread rating as one of his masterpieces, Frederick Ashton’s Cinderella is chock full of knots, gaps and stumbling blocks – all of which the Royal Ballet’s new production throws into relief. Ashton isn’t altogether to blame: Prokofiev’s graphic score dictates an excessive amount of time given over to knockabout for the Ugly Sisters
Walking on Hampstead Heath the December before Covid, I got caught up in a festive party of bichon frises dressed, like their owners, in Christmas jumpers. It seemed bizarre at the time but wouldn’t surprise me now. During lockdown the local dog population exploded and the smaller breeds now wear jumpers all winter. There are
The centrepiece of the exhibition at Britain’s only contemporary art gallery in a prison is an installation, consisting of two broken, stained armchairs. They’ve been placed face-to-face, as if for a therapy session. Elsewhere there are silkscreen prints and paintings. This outbuilding-cum-art studio and gallery is where prisoners are also taught dry-point etching – surprising
I have a theory that many great artists’ strength is a product of their weakness. The flaw of the relentlessly frivolous creator of Succession Jesse Armstrong, for example, is that he is very easily bored by grown-up subjects such as big business, finance, corporate structure, legal affairs or anything involving depth and seriousness. Which ought,
Recently in these pages, ruminating on the ghastly Rock and Roll Hall of Fame, I wrote that music does not conform to any equation. I should have added: except, of course, for the occasions when it does. One tried-and-true formulation is that ‘super-groups’, those bespoke vehicles bringing together artists best known either for working alone
Most of us are familiar with the notion of writer’s block, that paralysis of invention induced by the appalling sight of a blank page. Composer’s block is less widely discussed, although musicians seem equally afflicted by creative drought. Perhaps the best known case is that of the Russian composer Sergei Rachmaninov, the subject of Radio
There are some films that you know will be quality simply by the actors who have agreed to be in them. They’re like a kitemark. Emily Watson is such an actor, as is Paul Mescal, who hasn’t put a foot wrong since Normal People and must have an excellent agent or just a feel for
