Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

Trash, review: trash by name, trash by nature

Cinema

Trash is the sort of film one desperately wishes to be kind about — heart supremely, if not burstingly, in the right place and all that — but it doesn’t make life easy for itself. Directed by Stephen Daldry, with a script by Richard Curtis, and set amid the kids who work the rubbish dumps

Spotify: saint or sinner?

Music

We have all read about the current woeful state of the CD industry — how it is 28 per cent down on last year, which was 25 per cent down on the previous year, and so on — but do we know why? Is it the endless financial crisis? Or is it that CDs, as

Persuasions

More from Books

Persuasions of shattered glass, fifty rounds bringing carnage, injury, terror, bereavement. What can preserve the State? Citizen A calls an ambulance, rips his shirt up for bandages, risks his neck to protect others. Persuasions of word and image, graphics of ridicule, of subversion. Who should enforce their silence? Citizen B’s undeceived, seeing the hypocrite-bigot untrousered,

What happened to virtuosity in dance?

I was watching the Cirque du Soleil’s Kooza at the Royal Albert Hall last week, thinking how much base, uncomplicated enjoyment can be had away from dance. Such relief to watch contortionists, trapezists, high-wire cyclists and crazed men skipping on the Wheel of Death, such relief just to be amazed. If they didn’t make my

How will the British public take to Rubens’s fatties?

Arts feature

This week a monumental exhibition, Rubens and His Legacy, is opening at the Royal Academy. It makes the case — surely correct — that the Flemish master was among the most influential figures in European art. There are few painters of the 18th or 19th century — from Joshua Reynolds to Cézanne, Watteau to Constable

Mohammed — in pictures

Arts feature

Two months ago I was sitting beside the tomb of a descendant of the Prophet Mohammed, telling a story about the last week of the Prophet’s life. It was detailed enough to paint an imaginary portrait of him and included a mildly ribald joke from one of his wives, told to him on his deathbed

Kate Maltby

Wolf Hall, BBC Two, review: ‘actually rather good’

It starts in darkness. And no, it’s not a metaphor for the crooked timber of the human heart, it’s just bad lighting. Stanley Kubrick sourced his cameras from NASA in order to capture candlelight in his eighteenth-century epic Barry Lyndon; director Peter Kosminsky’s techniques in Tudor drama Wolf Hall seem decidedly sublunary by comparison. And it’s not just

The Deer

Poems

In the summer fields your life left you. She ran out from under the hood of your heart and tottered across tarmac on clippy-cloppy hoofs like a teenage girl in heels. No time to notice the strange evening light, the sun low down on the green high crops, only time to brake and watch her

James Delingpole

Broadchurch, review: ‘unwatchable’

Television

Probably the two greatest advances in western culture in my lifetime have been the Sopranos-style epic serial drama and the advent of TV on demand and/or the DVD box set. I don’t think I’m saying anything weird or contentious — or indeed original — here. For example, I’m writing these words at the end of

Radio 4’s War and Peace: almost as good as the book

Radio

To have listened to Radio 4’s marathon ten-hour adaptation of Tolstoy’s War and Peace as it was being broadcast on New Year’s Day must have been both wonderful and a bit weird. Like soaking in an ever-replenishing warm bath, indulgent, luxuriant, all-absorbing. Yet at the same time I imagine it was quite hard by the

The Spectator at war: War music

From ‘Music and the War’, The Spectator, 16 January 1915: The war, so far, has not thrown up any supreme musical product. It would be an affectation to pretend that the taste of the average British soldier is elevated. As in the Boer War, his repertory is confined to music-ball tunes and songs of an

Bike

Poems

I sold the sleek black bike you said I should buy. My special treat, in the shop, on my own, I couldn’t fulfil. It took your love, your woman’s will to tutor me in the art of self-giving and not to fear the gifts that feed. My self-denial father’s handed down creed. Cycling was the

Wild made me want to puke

Cinema

Wild is yet another film based on a true story, as currently seems to be in vogue for some reason. (See The Imitation Game, Foxcatcher, The Theory of Everything, Testament of Youth etc.) Maybe the film world has run out of made-up stories, which was bound to happen sooner or later, as you can’t just

Lloyd Evans

Old Vic’s Tree: Beckett plus Seinfeld – plus swearing

Theatre

‘Fucking hell. You twat. Fuck off. Fuck. Fuck.’ These dispiriting words are the opening line of Tree, a newish play by the lugubrious comic Daniel Kitson, whose stand-up show once transported me into the heavenly arms of Lethe. His script opens with a chance encounter between two oddball smart Alecs. The outdoor setting, borrowed from