Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

Haus of ill repute

Arts feature

Here in Munich, in the gallery that Hitler built, this year’s big hit show is a spectacular display of modern art. Postwar: Art Between the Pacific and the Atlantic, 1945–1965 is a massive survey of international modernism, curated with typical Germanic can-do. Talk about ruthless efficiency — even the catalogue weighs several kilograms. All the

Shape shifter | 12 January 2017

Exhibitions

Victor Pasmore once told me how he greeted Pablo Picasso at Victoria station. The great man had come to Britain in 1950 to attend a communist-sponsored peace congress in Sheffield. In person Pasmore found him surprisingly different from the solemn art-historical giant suggested by books. ‘He did nothing but joke all the time, non-stop, and

The Bourne identity

More from Arts

From a film about ballet to a ballet about film. In reworking the 1948 Powell and Pressburger classic The Red Shoes for his latest show, Matthew Bourne pays homage to far more than the unforgettable story of a budding ballerina and the bloody toll of her choice between love and career. With the glee of

Word perfect | 12 January 2017

Radio

All that’s needed for Radio 4’s One to One series (Tuesdays) to succeed is a sharp-eyed interviewer, ready with the right question at the right time, and an articulate guest, not afraid to speak freely and openly, but with integrity, all too rare these days. In the opening programme, Julia Bradbury talked to Dr Martin

Shall we dance?

Television

‘Blimey! How on earth did they think of that?’ is unlikely to be anyone’s response to Our Dancing Town (BBC2, Tuesday). A few years ago, The Great British Bake Off was adapted into The Great British Sewing Bee by the simple process of fitting another domestic activity to the same formula. Now — after what

Lloyd Evans

Drama queen

Theatre

God, what a dusty old chatterbox Schiller is. Like Bernard Shaw, he can’t put a character on stage without churning out endless screeds of cerebral rhetoric. But unlike Shaw, he has no sense of humour, nor any instinct for the quirks and grace notes that create a personality. Mary Stuart is a psychological drama with

Laura Freeman

Munchkins and mischiefs

Arts feature

Arthur Rackham shouldn’t have lived in anything as conventional as a house. It should have been a gingerbread cottage, like the one he drew for Grimms’ Fairy Tales, with cakes for a roof and boiled sugar for windows. Or a Rapunzel turret, for letting down ropes of long, blonde hair, except he was so very

Lloyd Evans

Hedda Garbler

Theatre

Hedda Gabler is one of the most influential plays ever written. It not merely illuminated an injustice, the enslavement of women within marriage, it fomented the revolutionary achievements of feminism. It deserves to be done as Ibsen intended. This updated version from Ivo van Hove locates Hedda in one of those posh urban dream homes

Joining the dots

Radio

A new website, radio.garden, lets us browse radio stations across the globe. Nothing new about that. That’s been a key feature of wireless since the days of valves and crystals. Turning a knob and stopping off at Hilversum, Motala, Ankara or Reykjavik, if and when short-wave reception was possible, is part of radio’s magic, listening

James Delingpole

Holmes spun

Television

One of the few intelligent responses from the liberal-left to our radically altered political landscape was an essay published last year in the impeccably right-on Vox. It began: ‘There is a smug style in American liberalism …It is a way of conducting politics, predicated on the belief that American life is not divided by moral

Giving it both barrels

Opera

In Joseph Roth’s The Radetzky March, the ageing Emperor Franz Joseph regrets the drab field-grey that has replaced his army’s once-colourful uniforms, seeing in it a premonition of an empire — a world — soon to be defeated and broken up. Franz Joseph is present in Act One of Robert Carsen’s new production of Der

Nick Cohen

Sherlock Holmes and the Mystery of the Murdered Script

In the first days of January ‘17, the Arctic air frosted over London forcing even the most careless citizen of that metropolis to accept the mastery of those great elemental forces which shriek at mankind through the bars of his civilisation. Holmes would not move from his fire, and was as moody as only he

Sam Leith

Why do people hate poetry?

Why do so many people think poetry is important, and so few of them read it? And why does what might pass unnoticed as a minority activity, like — say — tiddliwinks or sniffing bicycle seats, arouse such strong views in the public at large? The award-winning American writer Ben Lerner has a theory. In

Hugo Rifkind

In defence of 2016

This is going to be a positive, optimistic column. I promise. Because, look, let’s be honest, I’ve been a bit moany this year, haven’t I? Which may, I suspect, have been a bit misleading. Read me here, or indeed anywhere, and I suspect you could come away thinking I’ve spent the last 12 months, or

Back in the USSR

Arts feature

For much of 1517 Michelangelo Buonarroti was busy quarrying marble in the mountains near Carrara. From time to time, however, he received letters relating how his affairs were going in Rome. These contained updates on — among other matters — how his friend and collaborator Sebastiano del Piombo was getting on with a big altarpiece

Lloyd Evans

Deplorable entertainment

Theatre

Buried Child is a typical Sam Shepard play. The main character, Dodge, is a brain-damaged alcoholic cripple stuck in a Midwest shack with a half-witted xenophobic wife shrieking at him from the coal cellar. The wife makes an early speech about her son who ‘married a Catholic whore’ and got stabbed to death by her

Apocalypse now | 29 December 2016

Music

Gerald Barry loved playing organ for Protestants as they allowed him a lie in. Then they found out he wasn’t Protestant and sacked him. When he moved to a Catholic church, he was forced up at the crack of dawn, so he punished the congregation by not giving them the chance to breathe between verses.

Weird and wonderful | 29 December 2016

Television

As you’ve probably noticed, TV critics spend a lot of their time trying to identify which other programmes the one they’re reviewing most resembles. Sadly, in the case of BBC2’s The Entire Universe, this noble quest proved futile. Written and emceed by Eric Idle, the show did contain plenty of familiar television elements: songs, dance

Chance would be a fine thing | 29 December 2016

Radio

It’s been a turbulent year, and not just in the outside world. Inside radio, digital is changing not just when and how we listen but content, too. Classic FM overturned its daily schedule in the run-up to Christmas to stage an all-Mozart day with nothing but the virtuoso’s works for 24 hours. It was a

All bark and no bite

Cinema

A Monster Calls is a fantasy drama about a young boy whose life is crap, basically. His mother is sick. His father has scarpered. He is being bullied at school. He may also have an itch he can’t get at, for all we know. (Always hateful, that.) But he finds an ally when the ancient

The Netflix revolution: Why British TV struggles to keep up

There have been two revolutions in television during my lifetime. The first happened in 1975 when Sony launched its Betamax video system — which allowed viewers to record shows and see them when they wanted. Of course, Betamax was found to be clunky and unreliable and it was soon replaced by VHS but, without realising