Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

Lloyd Evans

Amphibious assault

Theatre

David Spicer’s farce Raising Martha opens with a skeleton being disinterred on a frog farm by animal-rights activists. They hope to force the frog farmer, an ageing dope fiend, to set his amphibious livestock free. Got all that? It’s complicated. And there’s more. The skeleton turns out to be the long-dead mother of the farmer,

Accentuate the positive | 26 January 2017

Radio

How does a town like Hungerford, tucked into the Berkshire hills, with its sleepy canal running through it and high street of tea shops and antique arcades, recover from that day in August 1987 when Michael Ryan ran amok with a semi-automatic gun, killing 16 and injuring many others? The memorial to those who died,

Snow blindness

Opera

Rimsky-Korsakov’s The Snow Maiden has not received a professional staging in the UK for 60 years. Think about that for a moment, and what it says about British operatic priorities. Sixty years of Massenet and early Verdi, of Manon Lescaut and Donizetti ‘rediscoveries’. Not that those aren’t worth having, as part of a healthy and

Bruckner by numbers

Music

It used to be said that Bruckner composed the same symphony nine times, whereas, thanks to the comparative frequency of performances now, we know that his nine numbered symphonies are as different from one another as Beethoven’s nine. Nothing could make that clearer than the performances of the Fifth and the Ninth given by the

Wall eyed

More from Arts

Any impressively long wall is bound to cause us to recall the midfield dynamo and philosopher John Trewick. In 1978 Big Ron Atkinson took his bubble-permed West Bromwich Albion team to China on some sort of goodwill tour. The lads’ diplomacy evidently rested in their feet, for when Trewick was asked by the BBC crew

Ideal homes

Arts feature

Artists, poets and philosophers have not paid much attention to Milton Keynes …although comedians have. This urban experiment has been mocked by lazy satirists who find ambition derisory and concrete cows hilarious. Milton Keynes is 50 this year and it has an honourable place in the history of that ancient chimera, the Ideal City. It

Great leaps forward

Exhibitions

In the 1940s Lucian Freud took another young painter, Sandra Blow, up to the top of a bombed church in Soho. There were just two prongs of masonry left and Lucian promptly launched himself through space from one to the other. ‘You can’t possibly expect me to do that,’ she exclaimed. ‘Just think of it

Rod Liddle

The xx: I See You

Music

The xx is a trio of Londoners whose eponymous first album, released in 2009, has defined the way pop music sounds today. I remember knowing, when it came out, that I was listening to something both distinctive and familiar, which is usually an indicator of success. The schtick was to plunder various music canons which

Spot the ball

Radio

The purest form of radio is probably sports commentating, creating pictures in the mind purely through language so that by some magic the listener believes that they were there, too, when Geoff Hurst scored that final goal, Shergar ran out the field at Epsom, Mo Farah sped ahead on Super Saturday. As Mike Costello said

Damian Thompson

Safe and sound

Music

This week the Southbank Centre began its ‘Belief and Beyond Belief’ festival — a series of concerts and talks claiming to explore the influence of religious inspiration on music. Last summer, after reading its miserably right-on publicity material, I wrote in this column that ‘Beyond Parody’ might be a better title. Jude Kelly, the Southbank’s

James Delingpole

Dual control | 19 January 2017

Television

Revolting (Tuesdays) is the BBC2 comedy series that spawned the now-infamous sketch ‘Real Housewives of Isis’. It has been watched on the BBC’s Facebook page nearly 30 million times and rightly so because it is fearless, funny and near the knuckle. A pastiche of reality TV shows set in places like Beverly Hills, the sketch

Lloyd Evans

Remembrance of things past

Theatre

The Kite Runner, a novel by Khaled Hosseini, has sold more than 30 million copies worldwide. Now it arrives on the West End stage, a doggedly efficient piece that somehow lacks true dazzle. The narrative style involves thick wodges of plot being delivered at the audience like news bulletins on the half-hour. The emotional range

Death rattle

Opera

The Barbican website warns us that Ligeti’s opera Le grand macabre ‘contains very strong language and adult themes’. The strong language consists of the four-letter words that are known to everyone and used by most people, and the adult themes are sex/love and death, which this opera has in common with almost any non-comic opera

What ‘The Crown’ didn’t get right

Watching the enjoyable Brontë drama To Walk Invisible the other day on television, I was brought up short when Charlotte told Emily that their books would be ‘rubbished’ by male critics in London. Such anachronisms crop up in all period dramas, but would be easy to fix if someone with an ear for language was

Haus of ill repute

Arts feature

Here in Munich, in the gallery that Hitler built, this year’s big hit show is a spectacular display of modern art. Postwar: Art Between the Pacific and the Atlantic, 1945–1965 is a massive survey of international modernism, curated with typical Germanic can-do. Talk about ruthless efficiency — even the catalogue weighs several kilograms. All the

Shape shifter | 12 January 2017

Exhibitions

Victor Pasmore once told me how he greeted Pablo Picasso at Victoria station. The great man had come to Britain in 1950 to attend a communist-sponsored peace congress in Sheffield. In person Pasmore found him surprisingly different from the solemn art-historical giant suggested by books. ‘He did nothing but joke all the time, non-stop, and

The Bourne identity

More from Arts

From a film about ballet to a ballet about film. In reworking the 1948 Powell and Pressburger classic The Red Shoes for his latest show, Matthew Bourne pays homage to far more than the unforgettable story of a budding ballerina and the bloody toll of her choice between love and career. With the glee of

Word perfect | 12 January 2017

Radio

All that’s needed for Radio 4’s One to One series (Tuesdays) to succeed is a sharp-eyed interviewer, ready with the right question at the right time, and an articulate guest, not afraid to speak freely and openly, but with integrity, all too rare these days. In the opening programme, Julia Bradbury talked to Dr Martin

Shall we dance?

Television

‘Blimey! How on earth did they think of that?’ is unlikely to be anyone’s response to Our Dancing Town (BBC2, Tuesday). A few years ago, The Great British Bake Off was adapted into The Great British Sewing Bee by the simple process of fitting another domestic activity to the same formula. Now — after what

Lloyd Evans

Drama queen

Theatre

God, what a dusty old chatterbox Schiller is. Like Bernard Shaw, he can’t put a character on stage without churning out endless screeds of cerebral rhetoric. But unlike Shaw, he has no sense of humour, nor any instinct for the quirks and grace notes that create a personality. Mary Stuart is a psychological drama with