Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

James Delingpole

Straight to hell

Television

No, The State (Channel 4) wasn’t a recruiting manual for the Islamic State, though I did feel uneasy about it throughout the four episodes. The fundamental problem is this: if you’re going to make a watchable drama about bad people doing terrible things, you inevitably have to humanise them. And from there it’s just a

Moral maze

Cinema

Una is a psychological drama about a woman who was abused by a man when she was 12, and who confronts him 15 years later, and it’s a hoot. I’m toying with you. Of course it isn’t. It’s disquieting. It’s disturbing. It’s difficult. It’s 90 minutes of uncomfortably shifting in your chair and wishing you

‘Smile, segue and shut up’

Radio

Three weeks before Classic FM launched, I was on the radio in Hong Kong, introducing hits by Rick Astley and Wet Wet Wet. I’d just turned 21, and was working as a presenter for British Forces Radio. A phone call came from London. ‘My name is Michael Bukht. I’m setting up a new radio station

What lies beneath | 24 August 2017

Arts feature

Last year, Gary Hume made a painting of himself paddling. At a casual glance, or even a longer look, it might not appear to be what it is. What you see is a wrinkled, pinkish surface with a sort of dome of curving green and blueish shapes at the bottom. This, to Hume, is a

Twin peaks | 24 August 2017

Music

Schoenberg began Gurrelieder in 1900, but he didn’t hear it until 1913. By then, he’d moved on, and he ostentatiously refused to acknowledge the applause for what (as it turned out) would be the greatest public triumph of his career. Radical artist snubs ignorant masses: it’s a gesture that could stand for much of classical

Losing the plot | 24 August 2017

Cinema

Steven Soderbergh’s Logan Lucky is a heist caper that, to be fair, does what it says on the can. There is a heist. It is a caper. It also features an all-star cast and is said to be ‘the perfect summer entertainment’, which may or may not wash, depending on whether you believe the enjoyment

Rod Liddle

Arcade Fire: Everything Now

More from Arts

Grade: D+ Well, this is truly awful. Perhaps the worst album by a major band since Mardi Gras by Creedence Clearwater Revival back in ’72. And that’s a lot better than this pompous, trite and at times desperate drivel. Their first album, Funeral, was quirkily anthemic and packed with memorable tunes. The second — Neon

Lloyd Evans

Hit and miss | 24 August 2017

More from Arts

Truman Capote should have been called Truman Persons. His father, Archulus, abbreviated his first name and introduced himself as Arch Persons. ‘And that,’ scoffed his son, ‘sounded like a flock of bishops.’ The young scribbler was thrilled when his divorced mother married a rich Cuban, Joseph Capote, whose zippy and eccentric name he gladly adopted.

Universal appeal | 24 August 2017

Radio

Yet another sign that we are living in very strange times: a pair of celebrities, their names made by TV, have switched over to radio for their next project. Not starring in their own series on BBC2 or Channel 4, but on a medium that could have become redundant yet is refusing to give way

For goodness’ sake

Television

Most new Netflix series are greeted not merely with acclaim, but with a level of gratitude that the returning Christ might find a little excessive two minutes before Armageddon. In this respect, then, Atypical is proving rather atypical. The reason for the mixed reception is that its 18-year-old protagonist, Sam, has autism — and, as

Nick Hilton

Action soars but acting plummets on Game of Thrones

The penultimate episode of a season of Game of Thrones is usually the point where something spectacularly game changing happens. In previous seasons, there’s been Ned Stark’s execution, the Battle of Blackwater Bay, the Red Wedding, the wildling attack on the Wall, the dragons in Meereen, and the Battle of the Bastards. It is sensible,

Whatever happened to Alice?

Arts feature

In 1987, the art of opera changed decisively. John Adams’s opera Nixon in China was so unlike the usual run of new operas in its concept that many people, on first hearing about it, assumed it had to be a joke of some sort. Turning the preposterous and reviled figures of Richard and Pat Nixon

Nothing is quite what it seems

Exhibitions

One day, somebody will stage an exhibition of artists taught at the Slade by the formidable Henry Tonks, who considered Cézanne a ‘curiously incapable’ menace, and a cracking show it will be. Until then, we must take what we can from exhibitions like True to Life: British Realist Painting in the 1920s & 1930s. Here,

India in a day

Radio

Bold programming by the powers-that-be at Radio 4 meant it was possible to listen to all seven episodes of Ayeesha Menon’s adaptation of Salman Rushdie’s Midnight’s Children in a single day on Tuesday, exactly 70 years since independent India was born, and Pakistan created. Four and three-quarter hours of meticulously crafted drama (directed by Tracey

Not vintage Mariinsky

More from Arts

Not really a vintage Mariinsky season — an odd choice of repertoire and some hit-and-miss male casting — but the Covent Garden run ended on a glorious high. Marius Petipa’s La Bayadère is a lightly curried love triangle about a handsome warrior torn between his betrothed (a Rajah’s daughter) and a beautiful temple dancer. Old-fashioned?

Wilson’s sparkle and snap

Music

Back in the period-instrument wars of the 1980s and ’90s, when the forces of historically informed performance smashed out of their baroque beachhead and started to annex romantic repertoire, the insurgents split into two factions. Roger Norrington and the London Classical Players were the shock troops: their Berlioz Symphonie Fantastique, with its filthy, rasping ophicleide,

Lloyd Evans

The many sides of satire

Theatre

Brexit the Musical is a peppy satire written by Chris Bryant (not the MP, he’s a lawyer). Musically the show is excellent and the impressions of Boris and Dave are amusing enough, but the storyline doesn’t work and the script moves in for the kill with blunted weapons. Everyone is forgiven as soon as they

Grimes triumphant

Opera

‘Peter Grimes!’ Ranked high above us in the Usher Hall — a mob smelling blood, hot for the kill — the chorus let forth those three primal cries, and we were all lost. The modesty-curtain of civilisation was torn away, and our basest human urges — hate, revenge, suspicion of difference, delight at weakness —

Acid reign | 10 August 2017

Arts feature

In 1988–9, British youth culture underwent the biggest revolution since the 1960s. The music was acid house, the drug: Ecstasy. Together they created the Second Summer of Love — a euphoric high that lasted a year and a half and engulfed Britain’s youth in a hedonistic haze of peace, love and unity. At the end

Julie Burchill

The joy of sex

Features

Your typical Trollope-loving, Brahms-bothering Spectator reader probably won’t be aware that the most recent winner of Big Brother was a girl called Isabelle Warburton, but her victory was a joy to behold — and a lesson to be learned. The unemployed 21-year-old had a tan so orange it made Oompa-Loompas look pale and interesting, and

Classy and classic

Opera

The Edinburgh International Festival began with a double helping of incest. Curiously, Greek — Mark-Anthony Turnage’s East End retelling of the Oedipus myth, which was greeted with universal acclaim at its premiere in 1988, and which has gone on to be one of British opera’s biggest export success stories — was tagged on the Festival

Big Auntie

Radio

It’s sneaky, the way in which the BBC, so much regarded as part of the family as to be nicknamed ‘Auntie’, has introduced the need to login (or register) whenever you want to listen to something on iPlayer. Maybe I’m doing something wrong because the alert message assures me I will be kept logged in,

Rod Liddle

England Lost/Gotta Get A Grip

More from Arts

Two songs in which Sir Michael informs us that he is distressed by both Brexit and Donald Trump. Released with, according to the 70-year-old singer, ‘urgency’: he can see that we are in trouble and was naturally anxious to help us out. The first, ‘England Lost’, is at least redeemed by a soupçon of wit.