Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

A spectacular failure: Royal Ballet’s MaddAddam reviewed

Dance

Adapting ballets out of plot-heavy novels set in fantasy locations and populated with multiple characters is a rubbish idea. The profound truth of such a proposal is forcefully borne out by the wretched muddle of Wayne McGregor’s MaddAddam, an over-inflated farrago drawn from a triptych of visionary fictions by Margaret Atwood. McGregor – hugely talented

What a remarkably bad electric guitar player Bob Dylan is

Pop

Finally, a taste of the authentic Bob Dylan live experience. On the two previous occasions that I’ve seen Dylan, in the early 2000s and again two years ago, he was disappointingly well-behaved for a man with a reputation for operating a scorched-earth policy towards his catalogue. Once upon a time, seeing Dylan live was a

Damian Thompson

Dazzling: Marc-André Hamelin’s Hammerklavier

The Listener

Grade: A When Beethoven’s Hammerklavier Sonata was published in 1818, pianists were confronted with a mixture of ‘demonic energy and a torrent of dissonances’, as Charles Rosen put it. Only the most freakishly gifted virtuosos could tackle it. The first recording was by Artur Schnabel, whose heroic assault on the finale sent wrong notes scattering

Yes, Anora is as good as everyone says it is

Cinema

Sean Baker’s Anora won the Palme d’Or at Cannes and is hotly tipped to win big at the Oscars and I know you won’t believe it’s as good as everyone is saying it is until you hear it from me so here you are: yes, it’s as good as everyone is saying it is. All

Damian Thompson

Why is Fauré not more celebrated?

Arts feature

It is 100 years since the death of Gabriel Fauré, a composer whose spellbinding romantic tunes emerge from harmonies and rhythms that nudge us towards the future. No other composer deploys such subversive mastery of the conventions of French music: again and again, if we look underneath the arches of his melodies, we find ambiguous

We’ve got Francis Bacon all wrong

Exhibitions

You have to hand it to the curators of this excellent survey of Francis Bacon’s portraits. Not only have they alighted at an obvious but under-explored vantage point from which to reconsider this most mythologised of postwar painters, securing some serious loans to make their point, they have also dared to open their show with

Julie Burchill

I listened to a solid week of Woman’s Hour…

Radio

I was a weird kid, and though I harboured the usual innocent girlish ambitions of being a drug fiend and having sex with pop stars, I also nursed a desire to appear on Woman’s Hour. As a shy, provincial virgin, the programme opened up a world of women’s troubles from anorexia to zuigerphobia – and

Fails to ignite: Royal Opera’s Tales of Hoffmann reviewed

Opera

I couldn’t love anyone who didn’t love Offenbach’s The Tales of Hoffmann. Everything – everything – is stacked against this opera. Offenbach left the score unfinished when he died, tormented with gout and pilloried by bores, at the age of 61. Some of its best-loved numbers were upcycled from his earlier hits, and at least

Is it meant to be a comedy? Gladiator II reviewed

Cinema

It’s nearly 25 years since Ridley Scott’s Gladiator came out and you’ve probably been wondering what happened to the little boy in that film. I know I have. I can’t say it’s kept me up at night, but at the back of my mind it’s always been: where is Lucius, son of Maximus, nowus? Well,

Rod Liddle

Goodbye to MC5, the holiest of rock’s holy cows

The Listener

Grade: D+ Ah, the original Linkin Park, except even more spavined. MC5 came outta Detroit in the mid 1960s and their shrieking blues metal ur-punk was afforded unnecessary respect because of their agitprop politics. Sucking up to the Black Panthers and running a bit foul of the law can do wonders for a slightly below-average

William Morris’s debt to Islam

Arts feature

When William Morris was born in Walthamstow, in 1834, it was little more than a clump of marshland at the edge of the Epping Forest. This was the terrain of his free, frolicsome childhood, and it would forever form his image of humble, Edenic England, uncorrupted by the industrialist’s yoke. About the only thing that

Julie Burchill

An audacious and daredevil band: the Surfrajettes reviewed

For most people – once Brian Wilson had turned his back on the sea and started off down the lonely road to genius – surf music means either (or both) of two things: the Surfaris’ ‘Wipeout’ or Dick Dale’s ‘Misirlou’. Punchy, propulsive tunes, in other words, that make you feel like you’re on your way

James Delingpole

Spy-drama porn: Sky’s The Day of the Jackal reviewed

Television

All the previewers have been drooling lasciviously over The Day of the Jackal reboot and, having seen the first three episodes, I quite understand why. This is coffee-table spy-drama porn perfectly calculated to satisfy all manner of lurid and exotic tastes. There’s sniper-rifle-assembly porn; foreign-property porn (the Jackal’s gorgeous mountain retreat near Cadiz with a

One beauty – one turkey: Wexford Festival Opera reviewed

Opera

‘Theatre within Theatre’ was the theme of the 2024 Wexford Festival and with Sir Charles Villiers Stanford’s The Critic, that’s exactly what you get. Conor Hanratty’s production showed the interior of an 18th-century theatre, viewed from the stage. In the second act it flipped around to reveal the audience’s perspective. Were we now the audience?

The striking musical world of Welsh composer Grace Williams

The Listener

Grade: A- There are neglected composers, and then there are Welsh composers. It’s just a question of geography. When Grace Williams’s Fairest of Stars was played at the Proms a few years back, it was hailed as a major rediscovery. That raised a few eyebrows in the Principality, where her music has long been standard

Sam Leith

Much more than just a game: World of Warcraft at 20

Arts feature

On 23 November, the video game World of Warcraft celebrates its 20th anniversary. That’s no small thing. By most metrics, it is the most successful video game of its type in history. At its peak, it had more than 12 million active subscribers, and in its two-decade-and-counting lifetime it has made more than three times