The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
Lee Jackson is the creator of that cornucopia of Victorian delight, the Victorian London website (www.victorianlondon.org). From Mogg’s Strangers’ Guide to London, Exhibiting All The Various Alterations & Improvements Complete to the Present Time, produced in 1834, to mortality rates in various parishes in London in 1894 (26.8 per thousand in the overcrowded slums behind
Tariq Ali, the Johnny Depp of international comment, sails out in this little barque, gaily fitted out by the New Left Review, to assault the top-heavy galleon Washington Consensus, as she labours leaking through the South Seas and the Spanish Main … On the jacket, above three pirate ships anchored off Wall Street and bundles
‘I don’t want to act with you ever again,’ Katharine Hepburn told John Barrymore after appearing with him in A Bill of Divorcement. ‘I didn’t know you had,’ came the smart rejoinder. Hollywood stars divide into those who do and those who are. The divine Kate, with her sawn-off cheekbones, narrow eyes and weird Yankee
How serious a subject is sport? We know it is dramatic and revealing, but beneath the veneer of action and celebrity does sport justify a more considered analytical approach? There is a dual aspect here: does thinking have much to do with winning, and, if so, can the lessons of victory enhance our thinking about
187 Men to Avoid (1995) by Danielle Brown Danielle Brown … Danielle Brown … isn’t there something familiar about this name? Hold on. If you … remove the ‘ielle’ … it’s … No. Yes. 187 Men to Avoid was written by the author of the Da Vinci Code in 1995, before he was famous and
For a man who was told by Neville Cardus not to bother leaving Australia to find his true voice in Europe, Charles Mackerras has prospered to a degree that must have been unimaginable when he was growing up playing the oboe in Sydney. A knight of the realm, a Companion of Honour, and a recipient
The first thing to be said is how good this exhibition looks upstairs in the main body of the National Gallery, hung in large, well-proportioned rooms, in natural light, rather than in the dungeons of the Sainsbury wing, where most temporary shows have been consigned in recent years. At last common sense has prevailed at
Everyone knows about the magnetism of Paris and New York in the annals of modern art, but Belgian painters such as Van de Velde, Toorop, Van Rysselberghe, Evenepoel, Khnopff, Rops, Magritte, Delvaux and Permeke are remarkably significant. The galleries of satellite cities such as Brussels (now only two and a quarter hours away from London
We were on holiday last week for half- term and, as so often when I have time off, I started to fret. What on earth was I going to write about in ‘Olden but golden’? Mrs Spencer gets very cross about this sort of thing. ‘If that’s all you’ve got to worry about, you can
I was in Zagreb last weekend. The city closes early on Saturday, so I ended up watching television in my hotel. Once you’ve flicked past German stock-market reports and volleyball from Belgrade, there’s not a lot of choice, except one or two English-language cable programmes you would never dream of watching at home. Take CNN’s
Bob Woodward is famous for persuading people to be indiscreet. This book comprises the collected indiscretions of a large number of people who have been at the heart of American policy-making about Iraq over the past five years. We can guess who some of them are. But we do not know, because most of them
On 8 November 1917 Lieutenant Darcy Jones was trotting across the Negev desert with the Worcestershire and Warwickshire Yeomanry when the order came to charge some Turkish gun positions. Jones and his fellow Worcesters drew their sabres, split into twos and threes and rode at a full gallop under heavy fire towards the 2,000-strong enemy
One of the best lectures I ever heard was given by Hugh Trevor-Roper nearly 50 years ago, and its merit was not in its delivery. He stood at a lectern in a ragged gown reading from a script with small gestures which hardly emphasised points but seemed necessary to keep the words coming, although they
Opera has fallen out of fashion as a recreation of our humanist intellectuals. Even when I was an undergraduate in the mid- 1970s, the tide was beginning to turn in favour of the vacuous verbiage of Bob Dylan, whose soi-disant genius was being forcefully sponsored by Christopher Ricks. Nowadays, I imagine high-table chat is more
Had this excellent little book been available to American policy makers in 2002, say, it might have provided a usefully sobering corrective to the exuberance of the neocons. They wanted to rebuild the Middle East in their own image. Mark Allen would have judged that mission hubristic, inappropriate and, one suspects, doomed to failure. Ignorance
It is possible that my interest in this book was heightened by the fact that, in as much as I am anything, I am an aunt. I have 14 nephews and nieces, a step-nephew and -niece and 20 great-nephews and -nieces — as well as two stepchildren who I feel very aunt-like towards. A few
Girolamo Francesco Mazzola was born in Parma (hence the tag ‘Il Parmigianino’), and died in 1540 aged 37. At some point he dropped the ‘Girolamo’, maybe round about when he painted ‘Self-Portrait in a Convex Mirror’, a startling little picture in which the smoothy-chops young artist demonstrates a mastery of optical distortion, his face polished,
Hubris is followed by nemesis, and the idea that the English-speaking peoples (that is, those who speak English as their native language) exert an economic, political, moral and cultural hegemony in the world strikes me as distinctly hubristic. Whether it is true, or if true desirable, is another question. Andrew Roberts’ history is rather old-fashioned,
In more than half a century of television viewing nothing has haunted me so much as what was transmitted on the evening of 15 April 1984. ‘Thanks, love,’ said Tommy Cooper, in mid-turn, to the dancer who had fastened his cloak. Then he clutched his chest and, as if in slow motion, collapsed on to
In the Foreword she writes to her new book Alice Munro, Canada’s best known and most admired short story writer, states that some 10 or 12 years ago she began to study the history of her family and envisaged a memoir, unlike the fictions which have engaged her all her working life. She was thorough
With almost 30 novels to his name, Graham Greene was a prolific chronicler of human faith and wretchedness. A writer of his stature requires a very good biographer and, at first, it looked as though Greene had found him in Norman Sherry, a Joseph Conrad expert based in Texas. Sherry set to work in 1976,
Another biography of Thomas Hardy, and, it seems a good one, by Claire Tomalin. But what is it about Hardy that so attracts biographers? There have been a good few of them, even in the last quarter century. Indeed Hardy (‘little Tommy Hardy’, as Henry James unkindly and not very sensibly called him) has survived
‘It’s a potential social menace of the first magnitude,’ declared John Reith, founding father of the BBC, in an interview with Malcolm Muggeridge in 1967. He was horrified by the way that his single broadcasting station, set up in 1922 by a group of techie engineers who were looking for ways to market their newly
Right, here is a quiz for you. As I have said, again and again, I’m fed up with doing everything around here and, as no one at The Spectator has offered to help in any way at all, I think it’s only fair that you, the readers, do some of the work. Ready? Let’s go,
‘Late Art’ has nowadays become a weary cliché: the notion of a closing vision — summatory, transcendent, prophesying future or making retrospective farewell — is too truistic to go much beyond the obvious facts of any case. Let’s try ‘Early Art’. It implies a quality of freshness, juvenescence, stretching the muscles, rejoicing (often pugnacious) in
It is a tribute to various things, primarily to Janacek’s genius, that the new production of Jenufa by ENO is a triumph, an overwhelming experience, despite having some fundamental weaknesses. It is of the essence of the work that it takes place in a tightly knit, highly structured and small community, and that there is
The word ‘flâneur’ — from the French ‘flâner’, to stroll — is enjoying a comeback among a new generation of artists attracted to the idea that art is more about looking than doing. It was Baudelaire who first used it to describe the modern artist with his finger on the urban pulse — a ‘botanist
‘Hello, anybody here?’ The gate into Antony Gormley’s studio had slid mysteriously open as I approached, but there was no one behind it — just a courtyard, a row of trees and two metal figures. ‘Hello, hello?’ I walked across the yard up to a vast warehouse, and peered in through the double doors. Still
What do you find at the world’s great antiques fairs these days? The answer, increasingly, is modern and contemporary art. Few will lament the disappearance of doleful, second-rate period furniture in favour of Art Deco and post-war design, or the introduction of major international art galleries offering the work of 20th-century masters. But as growing