Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

Katja Hoyer

Why did the Weimar Republic descend so rapidly into chaos?

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‘Thirteen wasted years’ bellowed Adolf Hitler at receptive audiences in the spring of 1932. He was talking about the first full German democracy, the Weimar Republic. Proclaimed in November 1918, it was born out of a desire to do things better after the horrors of the first world war and was an ambitious attempt to

Blighted island: Strangers at the Port, by Lauren Aimee Curtis, reviewed

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Lauren Aimee Curtis, born in Sydney and recently named one of Granta’s Best of Young British Novelists, sets her intriguing second book on the Aeolian island of Salina in the late 19th century, when the arrival of phylloxera destroyed the island’s vines and economy, prompting mass emigration. These facts are easy to deduce, especially with

Who would be a farmer’s wife?

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On the opening page of The Farmer’s Wife, Helen Rebanks quotes George Eliot’s famous passage from Middlemarch. Dorothea adds to ‘the growing good of the world’ through her ‘unhistoric acts’ and by having ‘lived faithfully a hidden life’. With this enchanting, funny, fearless book, Rebanks brings her own ‘unhistoric’ life unequivocally out of hiding. The

Why were 80,000 Asians suddenly expelled from Uganda in 1972?

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The mantelpieces of many an Asian family in Leicester and London, it is said, sport two framed photographs. One is of Idi Amin, the African dictator who expelled them from Uganda; the other is of Edward Heath, the prime minister who allowed them in. ‘This double gratitude,’ writes Lucy Fulford, ‘says thanks for throwing us

Uneasy listening: Kathryn Joseph, at Summerhall, reviewed

Pop

I have always been fascinated by artists who bounce between tonal extremes when performing, particularly the ones who serve their songs sad and their stagecraft salty. Adele, for example, fills the space between each plushily upholstered soul-baring ballad by transforming into a saucy end-of-pier variety act, coo-cooing at the crowd and cursing like a squaddie.

On the trail of Roman Turkey with Don McCullin

Arts feature

The genesis for our book Journeys across Roman Asia Minor was hatched in the autumn of 1973, when Sir Donald McCullin was a young man. He had been assigned by the Sunday Times to work with the writer Bruce Chatwin on a story that would take them from a murder in Marseille to the Aurès

Shades of Kafka: Open Up, by Thomas Morris, reviewed

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Thomas Morris has a knack of writing about ordinary things in an unsettling way and unsettling things in an ordinary way. He described his debut collection of ten stories set in Caerphilly, We Don’t Know What We’re Doing, as ‘realism with a kink’. Open Up, a slimmer second offering of five stories, amps up the

The man who loves volcanoes

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Being a volcanologist demands a quiverful of skills. You need to be in command of multiple branches of science, including geophysics, geochemistry and seismology. But you must also understand people for whom science matters less than sorcery: people living near volcanoes, for whom they are sacred places, homes to ancestors, sites of miracles, mountains where

Complicated and slightly creepy: the Bogart-Bacall romance

Lead book review

Whenever an actor and an actress begin an affair on the soundstage they like to believe they are the new Burton and Taylor. Actually they’ll be lucky to resemble Christopher Timothy and Carol Drinkwater, who had a fling on that vet programme – and now here are Humphrey Bogart and Lauren Bacall to live up

Modest fun: Red, White & Royal Blue reviewed

Film

Red, White & Royal Blue is a rom-com based on the LGBT bestselling novel by Casey McQuiston. Nope, me neither, but the New York Times reviewed it as ‘a brilliant, wonderful book’ and on Amazon UK it has garnered nearly 44,000 reviews, with an average of 4.5 stars, so let’s not be hasty. The romance

Lloyd Evans

A tragicomic lecture about Gold at Edinburgh Festival

Festivals

A chilly August in Edinburgh. Colder than it’s been for 20 years and the city looks scruffier than ever. Locked Portakabins squat in elegant stone courtyards. Unused site machinery lies abandoned outside neoclassical museums. Pavements and bridges are scarred by ugly steel roadblocks, and lurid street signs mar the visual harmony of virtually every thoroughfare.