The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
There is a (possibly apocryphal) story about William Morris, where he spends most of his time in Paris inside the Eiffel Tower’s restaurant because ‘that is the only place where you can’t see the damned thing’. Aviva Studios risks a similar fate. Designed by architects OMA as the permanent performance venue for the Manchester International
Grade: A The last song the Beatles ever recorded was called, appropriately enough, ‘The End’, on the Abbey Road album. As a consequence of digital sorcery, however, ‘Now and Then’ is the last song we will ever hear from them – a demo passed from John to Paul, dubbed over in the early 1990s by
Everybody who knows nothing else about the French writer Renaud Camus knows that – as Wikipedia immediately asserts and as therefore is repeated every time he is mentioned in the press – he is ‘the inventor of the Great Replacement, a far-right conspiracy theory’. Until now, actually reading Camus has not been possible in English,
Ben Duke belongs to a class of younger choreographers who have decided to flout the convention that dancers should remain silent on stage. Liberating their voices is by no means a new phenomenon (in 1961 Frederick Ashton had Svetlana Beriosova speak verse by Gide in his sadly forgotten Persephone), but it’s one that particularly suits
Branagh vs Lear. The big fixture in theatreland ends in a win for Shakespeare’s knotty and intractable script which usually defeats any attempt to make it coherent or dramatically pleasing. This truncated version is a two-hour slug-fest set in the stone age – and it sort of works. The warriors fight with sharpened walking sticks
In 1633, British merchants travelling east were issued with a royal command from Charles I: ‘As the king has considered that there is a great deal of learning fit to be known written in Arabic, and great scarcity of Arabic and Persian books in this country… every ship… at every voyage shall bring home an
If Marcia Williams is thought of at all today, it is in terms of hysterical outbursts, a mysterious hold over the Labour prime minister Harold Wilson and, above all, the ‘Lavender List’ – Wilson’s 1976 Resignation Honours List in which Marcia is believed to have played a significant part. Linda McDougall, the widow of the
Bodies is another of those ‘ingenious’ time-travel apocalypse mash-ups so tricksy and convoluted that by the time the ending comes you’re praying fervently that the nuclear bomb will go off and everyone will die as punishment for the hours of life you’ve wasted on this angsty, politically correct, humourless tosh. The premise is initially intriguing:
Dream Scenario is a high-concept dark comedy about celebrity and cancel culture. It stars our old pal Nicolas Cage who, blame it on what you will – tax bills, divorce bills, the price of butter – has appeared in some abominable dreck down the years but has never turned in a boring performance. Mad, yes.
Ruth Scurr In Ways of Life (Jonathan Cape, £30), Laura Freeman channels the spirit of the art critic and collector Jim Ede. She traces the origins of Kettle’s Yard in Cambridge – not a museum, nor art gallery, more a cabinet of curiosities – through Ede’s own life, his work for the Tate, the other
A violinist friend in the City of Birmingham Symphony Orchestra used to talk about an orchestra’s ‘muscle memory’; a collective instinct that transmits itself, unspoken and unconscious, among the members of the ensemble. The occasion was a return visit from Sir Simon Rattle, a good decade and a half after he’d left Birmingham. At that
In May 1966, Bob Dylan toured the UK with The Band, minus drummer Levon Helm, and abrasively pulled the plug on any lingering notions of his being a mere folk singer. Playing two sets every night – the first acoustic, the second electric – even the solo numbers were wild, lysergic, unravelled. The electric ones
There’s always been something at once girlish and steely about Joni Mitchell, the stellar Canadian whom Rolling Stone called ‘one of the greatest songwriters ever’. As Radio 4’s Verbatim programme in honour of her 80th birthday reminds us, a stubborn hopefulness has carried her through turbulent times. Perhaps growing up in Saskatchewan, where winter temperatures
Author Matthew Vaughan spent much of his life in the church – and even preached the gospel in Pakistan – but never considered himself a fan of Christian media. ‘To be honest, most of the films I saw were pretty corny,’ he tells me over the phone from his home in Birmingham. For Vaughan, that
While I was reading Most Delicious Poison, I visited a herbal garden in Spain which features the plants grown by the Nasrid rulers of Granada hundreds of years ago. They cultivated myrtle for its medicinal uses and jasmine for its fragrance. How did they know of myrtle’s properties? Some ancient ancestor must have figured it
What makes a garden is an increasingly pressing question, in the light of what Jinny Blom, in her witty and wise What Makes a Garden: A Considered Approach to Garden Design (Frances Lincoln, £35), calls ‘hairshirt hubris’. By that she means the refusal of some gardeners to call any native plant a weed or any
In 1299, Amatino Manucci, a Florentine helping to run a merchant’s business in Provence, kept at least seven ledgers and notebooks, each serving a specific purpose. One covered the firm’s trade in wool and cloth, another in wheat, barley and other victuals, and so on. It wasn’t just figures Manucci worked with. It was also
When Joseph Conrad sent his narrator into the heart of darkness, Africa was unknown territory. Revisiting the scene now, Greg Jackson dispatches his explorer to an even stranger destination: an algorithmic universe. Jackson, a Granta Best of Young American Novelists in 2017, won prizes with his story collection Prodigals. His debut novel, The Dimensions of
When it comes to Bob Dylan, Clinton Heylin is The Man Who Knows Too Much. Since publishing his first biography, 1991’s Behind the Shades, he has become the world’s most committed Dylanologist, doggedly untwining the facts from the artist’s self-serving fictions. When he describes Dylan’s wildly unreliable 2004 memoir Chronicles: Volume One as ‘all a
In 2012 the esoteric world of wine connoisseurship made the news when the FBI raided the Californian home of an Indonesian national called Rudy Kurniawan. They found a factory for creating fake wines with bottles, corks, labels and even recipes. According to Rebecca Gibb in Vintage Crime, Kurniawan’s counterfeit Mouton Rothschild from the legendary 1945
On the night of 9 November 1938, across Germany and Austria, Jews were attacked and their synagogues and businesses set on fire. In the days that followed Kristallnacht, a scheme was put in place to save children from Nazi persecution. Known as the Kindertransport, it would, over the following ten months, bring 10,000 children to
The Nobel Prize for Literature this year was awarded to the Norwegian novelist and playwright Jon Fosse (pictured). He has long been admired by anyone in the literary world keen to advertise their seriousness. The Canadian critic Randy Boyagoda, writing of Fosse’s Septology in the New York Times, said that he’d ‘come into awe and
‘Only with women’ is a phrase used by more cynical TV types for a show that takes something that’s been done before with men, but by changing the gender of the characters can pose as ground-breaking. It sprang to mind this week when both of BBC1’s big new dramas unblushingly took the only-with-women approach; the
‘You cannot begin by calling me France’s most famous living artist!’ Thus Sophie Calle objected to the first line of the obituary I wrote for her, commissioned for the enormous exhibition, À toi de faire, ma mignonne (‘Over to you, sweetie’), that currently occupies the whole Musée National Picasso-Paris. But modesty aside, it is a
You won’t see two more contrasting shows this year than Corinne Bailey Rae performing her album Black Rainbows and Brian Eno presenting work with a symphony orchestra. One had music that did everything; one had music that did very little. But both were overwhelming and filled with joy of rather different kinds. When Bailey Rae
The name of Ditchling used to be synonymous with Eric Gill, but since he was outed as an abuser of his own daughters the association has become an embarrassment. Obliged to quietly drop its most famous name, Ditchling Museum of Art + Craft has been exploring less controversial connections. Its latest show, about Bourne and
The documentary Beyond Utopia follows various families as they attempt to flee North Korea. It is eye-opening and outstanding. In essence, it is a life-or-death thriller told in real time where the stakes could not be higher. I watched at home, via a screening link, with a twenty-something who did not look at her phone
There’s something mesmerising about watching a good mimic. And Aimée Kelly, who plays fetish photographer Irina Sturges in Soho Theatre’s Boy Parts, is a very good mimic. Across the 80 minutes of this one-woman performance, she inhabits the bodies of dozens of characters, each a carbon copy of the worst kind of person: oleaginous city
Lyonesse by Penelope Skinner takes a while to get going. The central character, Elaine, is a washed-up British actress (Kristin Scott Thomas) who lives in a crumbling mansion in Cornwall where she dreams of making a comeback as a movie star. She contacts a clueless researcher, Kate, and asks her to drive down from London