The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
The tree-lined streets of Rotherhithe are an odd place to unveil a West End musical. But this is a suitably odd situation. Graham Linehan – lauded comedy writer turned culture warrior – is about to unveil what he calls ‘a musical that may never be seen’. For much of the past 30 years, the idea
Grade: A If you enjoy the sensation of having warm, jangly syrup poured directly into your ear, then this is probably the summer album for you. You might think that syrup cannot, by definition, be jangly. But imagine treacle with popping candy in it – poured into your ear in a kindly manner by a
Let’s say, for the purposes of this joke, that I was recently staying in a hotel and kept hearing through the wall a voice shouting, ‘Yes! Yes! Yes!’ At first I assumed it was someone having sex – but I later found out that the next-door room was occupied by Romesh Ranganathan’s agent. This year’s
Romeo & Juliet is Shakespeare with power cuts. The lighting in Jamie Lloyd’s cheerless production keeps shutting down, perhaps deliberately. The show stars Tom Holland (also known as Spider-Man) whose home in Verona resembles a sound studio that’s just been burgled. There’s nothing in it apart from a few microphones on metal stands. He and
Gabriel Fauré composed his song cycle La bonne chanson in 1894 for piano and voice. But he added string parts later and he premièred that version in April 1898 at the London home of his friend Frank Schuster: 22 Old Queen Street, the building currently occupied by this very magazine. I’m not sure how much
‘The tyrannical rule of nature morte is, at last, over,’ announced Paul Nash in the Listener in 1931. ‘Apples have had their day.’ Since Cézanne fulfilled his famous boast that he would astonish Paris with an apple, artists had been trying the same trick in London, with limited success. Astonishment, unfortunately, only works once. Nash
Samuel Beckett was notoriously reluctant to let people muck about with his work, so it’s somewhat surprising to learn that he licensed and approved Maguy Marin’s May B. This 90-minute ‘dance theatre’ fantasia may play on vaguely Beckettian themes but in no way is it faithful to his texts or instructions – in some respects
In May 2013, Rolling Stone polled its readers in an attempt to discover which band might be crowned the worst of the 1990s. The winners – or losers, depending on how you look at it – were Creed, trailed in second place by Nickelback. Eleven years on and Creed appear to have turned that status
This week, a horror film – and with it, a whole load of alien spider insanity. If you’ve been hankering after a whole load of alien spider insanity, then Sting will hit the spot. As a rule, I avoid this genre, as I still suffer from nightmares after bunking off school to see The Exorcist
How do you see Franz Kafka? That is, how do you picture him in your mind’s eye? If you are Nicolas Mahler, the writer and illustrator of a short but engaging graphic biography of the man, you’d see him as a sort of blob of hair and eyebrows on a stick. The illustrations of Completely
Why should we want to read yet another thumping great book about the collapse of the Soviet empire? Sergey Radchenko attempts an answer in his well-constructed new work. Based on recently opened Soviet archives and on extensive work in the Chinese archives, it places particular weight on China’s role in Soviet policy-making. The details are
Lai Wen’s captivating book about growing up in China and witnessing the horrific massacre in Tiananmen Square reads like a memoir. The protagonist’s name is Lai, and her description of her parents is utterly convincing – the pretty, bitter housewife mother, jealous of the opportunities her daughter has; the father permanently cowed after being briefly
Elizabeth I died at Richmond Palace on 24 March 1603 at the age of 69 after a reign of 45 years. Her health had been poor from the early 1590s onwards: arthritis, gastric disorders, chronic insomnia and migraines were just some of the ailments which plagued her. Yet, uniquely among English monarchs, she refused to
When the author and podcaster Viv Groskop first visited Ukraine, she travelled there from Moscow, on a long train that ran eventually beside a field of sunflowers. They were, she recalls in her lovely and modestly scaled memoir, like a ‘blast of sunshine screaming: “Welcome to Ukraine! You are no longer in Russia!”’ The year
They didn’t call Diogenes ‘the Cynic’ for nothing. He lived to shock the (ancient Greek) world. When I’m dead, he said, just toss my body over the city walls to feed the dogs. The bit of me that I call ‘I’ won’t be around to care. The revulsion we feel at this idea tells us
‘Inigo has never asked me not to write this book, but I had come to wonder whether I would have had the courage to write it were he not imprisoned,’ confesses Orlando Whitfield in his coruscating memoir of his friendship with Inigo Philbrick. He was the art dealer whose meteoric career exploded in spectacular style
She must have been a powerful swimmer. Her name was Hydna and she grew up in the port town of Scione on the northern coast of the Aegean. It was 480 BC, and the Graeco-Persian Wars were raging. The Persian fleet was anchored off Thessaly in eastern Greece, waiting for a great storm to blow
If you could resuscitate a hunk from history, who would you choose? The secretive Whitehall ministry in Kaliane Bradley’s striking debut is working on time travel, facilitating the removal of various Brits from their own era to (roughly) ours. The candidates were all due to die anyway, so the risk of altering history is minimal.
In 1967, the unexpected worldwide success of Bonnie and Clyde blindsided the Hollywood film industry, which then spent the next half decade attempting to adapt to the changing tastes of the new youth audience it had apparently captured. No matter that the picture took a pair of vicious, sociopathic thrill-killers who in real life were
When a major artist releases a new album, the first thing to follow is the onslaught of think pieces. And when Beyoncé released Cowboy Carter earlier this year, the tone of these think pieces – especially on this side of the Atlantic – was one of slightly baffled congratulation. Here, at last, was a pioneer
In a Victorian art dealer’s shop a woman waits with her young son while the supercilious owner examines her work; behind her two top-hatted gents interrupt their inspection of a drawing of a dancer in a tutu to give her the once-over. The woman’s shabby umbrella, propped against the counter, awaits reopening in the rain
It’s August 2023 when news breaks that artefacts have gone missing, presumed stolen, from the British Museum. I’m about an hour into investigating the story for a feature when a suspect is named in the press. I know him. He’s the curator I was seated next to at a British Museum dinner nine months earlier.
Action films are boring. This isn’t really an opinion, it’s just demonstrably true. Try it for yourself: put on any high-octane, orange-and-teal action movie from the last 15 years and see how long it takes before you start automatically fiddling around with your phone. I can usually make it about five minutes. This is weird.
Imagine a new series of Morse in which the real-ale-quaffing, jag-driving opera buff is turned into a speed-snorting mod on a pimped up Lambretta. Or – this one I’d actually like to see – jeune Poirot, featuring a clean-shaven habitué of fin-de-siècle Brussels absinthe dives. This may give you an inkling as to how upset
Bristol has a new concert hall, and it’s rather good. The transformation of the old Colston Hall into the Bristol Beacon has been reported as if it was simply a matter of upgrading and renaming. There were probably sound reasons for doing so, but in fact (and despite protests from the Twentieth Century Society) the
Many years ago, I wrote a book about Willie Nelson. At its conclusion, I reached for an elegiac, valedictory tone. In 2006, when The Outlaw was published, Nelson was already 73, and it seemed plausible to suggest that one of the great American lives might be winding down. I pictured Nelson rolling off the road
After nearly 40 years, Withnail has arrived on stage. Sean Foley directs Bruce Robinson’s adaptation, which starts with a live rock-band thumping out a few 1960s hits. The musicians take cameo roles as maids and coppers. The show needs a larger cast especially for the tea-room scene – ‘We want the finest wines available to
The problem is, we really need a Tory party. Whether we have one at the moment is another question. Political debate requires a significant and trustworthy proponent of personal freedom, of the limits of government, of personal responsibility, of strict limitations of government expenditure, of independent enterprise which may succeed through a lack of intrusive
Looking around London on the eve of the millennium, it would have been difficult to think that the UK government had an adviser on architectural design. The 1990s had been a dismal decade. Yet such a body existed in the quaintly named Royal Fine Art Commission, refounded in 1924. The original Commission had been created