The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
A conservator at Kansas City’s Nelson-Atkins Museum was recently astonished to find a tiny grasshopper stuck in the paint of Van Gogh’s ‘Olive Trees’ (1889). The discovery would not have surprised Van Gogh, who complained to his brother Theo in 1885: ‘I must have picked up a good hundred flies or more off the four
How to Talk to Girls at Parties is set in the 1970s and has punk as the backdrop and an excellent cast (Nicole Kidman, Ruth Wilson, Elle Fanning). It also features what could be a decent premise (boy who treats girls as if from another planet meets actual girl from another planet). But everything it
Apparently it’s called ‘expectation management’. Pollux, Esa-Pekka Salonen’s new work for the Los Angeles Philharmonic Orchestra, takes its name from Greek myth. But as Salonen explains in his programme note, there’s more: lots more. It’s intended to form a diptych with a second piece called (naturally enough) Castor. It’s also part-inspired by Rilke’s Sonnets to
Nine Night refers to a Jamaican custom that obliges bereaved families to party non-stop for more than a week following the death of a parent. When Gloria expires her relatives arrive from all parts of London and the Caribbean to indulge in a boozy blow-out. Gloria’s daughter Lorraine tussles with her businessman brother, Robert, who
Twenty years after it first appeared, Who Wants To Be A Millionaire? is back for a brief, week-long anniversary run on ITV —with only a few small amendments to the near-perfect original formula. Along with 50/50, Ask the Audience and Phone a Friend, you also get the option to Ask the Host. Given that the
Now here’s a series that would make a brilliant podcast but is also classic Radio 4 — they don’t have to be mutually exclusive. In fact, why can’t podcasts be more like Radio 4? Programmes where the presenter’s role is to draw out the knowledge of experts, and the pace is measured, allowing the fascination
Grade: B+ One of my favourite songs from the 1990s was about a Chinese adulteress forced to walk around town with a decomposing dead dog on her back. ‘Slow Dog’, from Belly’s debut album Star, was mental and frenetic and possessed the kind of berserk and glorious chorus most bands would kill for. The rest
In the early days of the atomic age, Soviet students debated whether it was nobler to become a physicist or a poet. Some of them seem to have been genuinely torn, and one of those may well have been Anatolii Diatlov, who was the deputy chief engineer at Chernobyl during the late-night turbine test that
When a man is tired of Samuel Johnson, he’s tired of life. James Boswell intended his biography of Dr Johnson, published in 1791, to be no mere chronology, but a life packed with the minutiae of ‘volatile details’. Thus he presented a deluge of correspondence, liberal literary extracts and copious Latin quotations; extensive conversations with
Jacob Rees-Mogg and Rab C. Nesbitt excepted, it has become quite difficult to infer much from people’s appearance. In these democratically dressed and coiffed times, we usually have to wait until people start to speak before we get a bead on them. Voice has become the best, and often only, signifier we can rely on.
On 9 May 1502, a young Spaniard joined the fleet setting sail for the newly discovered Americas. The boy, Hernando, was 13 and his father was Christopher Columbus, ‘Admiral of the Ocean Sea’. Although Columbus père had already crossed the Atlantic three times, this would nevertheless be a journey of almost unimaginable privation. Hernando would
In this week’s Spectator Books, I’m joined by the historian Richard Overy to talk about his new book The Birth of the RAF, 1918. 100 years ago this spring, the Royal Air Force took to the skies for the first time. Now, it’s one of the most important planks of our military power in the
Is there anything more depressing than the prospect of reading a writer’s collected essays, journalism and occasional pieces? Most of it is sheer dross, the work of the left hand, written under the cosh in double-quick time and for easy money. There are of course exceptions: Orwell, though even then you have to wade through
The age of dinosaurs is a perennial favourite on any time traveller’s wishlist. Even though we’re technically still in it — birds carry on the legacy of Velociraptor and company — there’s an irresistible urge to visit the time when towering, scaly, feathery, toothy saurians stomped around the planet. Since backwards time travel is impossible
One would have thought this particular can of worms might, after nearly 80 years, be well past its sell-by date. But books about Mrs Simpson and her infatuated king appear with thudding frequency, each with some ever more far-fetched theory about this curious union. Now comes the leaden hand and leaden prose of Andrew Morton,
In his robust new biography of Alcibiades, David Stuttard describes how the mercurial Greek general shocked his contemporaries by adopting Persian customs: Certainly, he embraced their lifestyle, tying his hair up in a bun, curling his well-oiled beard (a symbol of machismo in the Persian court), dousing himself in the perfumes for which Sardis was
In 1975, the 24-year-old Ian Buruma (now an award-winning essayist and historian, and the editor of the New York Review of Books) left his native Holland to study film at the Nihon University College of Art in Tokyo. It was a bold move. The 1970s was a wild, tumultuous decade in Japan, often known as
This is a wonderful and moving book of correspondence and biographical documents promising one Tchaikovsky in its subtitle and introduction, but actually delivering another — and thank the musical gods for that. Nothing here is horrid or even secret; the Russian edition was published in 2009 and has been used by English-speaking authorities since. And
Lionheart! Saladin! Massacre! There is no shortage of larger-than-life characters and drama in the epic, two-year siege of Acre, the great set-piece of the Third Crusade. But, as John Hosler relates in this accomplished study, there was so much more besides. Acre proved the strategic point for armies from across Europe, Syria, Egypt, Mesopotamia and
When Peregrine Worsthorne was on Desert Island Discs in 1992, he chose as his luxury item a lifetime supply of LSD. He may, according to the American journalist Michael Pollan’s fiercely interesting new book, have been on to something. Acid has a bad name these days: either a threat to the sanity of your children,
On Tuesday next week, The Spectator is laying on what is perhaps our biggest-ever event: Rod Liddle in the London Palladium. We booked a 2,300-capacity venue and have been holding 60 tickets back for the last few days. They’re on sale now, and they’re the last ones left. This will be one of these events
It will come as no surprise that something in the news has Piers Morgan deeply troubled. For the past two days, Morgan has been incandescent over the Met Gala and its dress code. In a column for MailOnline he claims that, as a Catholic, he has become a victim of cultural appropriation due to fancy
Which was your favourite outfit then, for the Met Gala on the theme of Heavenly Bodies – Catholicism and Fashion – the images of which are everywhere right now? Madonna was true to form with a heavy black mantilla, channelling a Sicilian widow, and Anna Wintour’s dress was, apparently, Cardinal Chanel – though if I
As the curtain opens on the second act of Don Pasquale, I hear a rustle of discomfort. Donizetti’s opera has not been seen at La Scala since 1994. Its restoration, on the orders of a new music director, sets off a critical flutter and Davide Livermore’s new production, set in the Cinecittà film studio during
A lady licking an envelope. An intimate thing. It might be only the bill from the coal-man she’s paying, but it has the feel of something else: an assignation, a confession, an apology, a breaking-off. Would this woman in her deep-blue day dress and jacket be so unguarded if the artist had been a man?
Ella Hickson’s last play at the Almeida was a sketch show about oil. Her new effort uses the same episodic format ornamented with ‘meta-textual experimentation’ (i.e. plotless confusion). The central character is a brilliant young female writer who finds that all male theatre directors are boorish cynical greedy philistine racist sex pests. In Sketch One
Andrew Haigh makes inaction films. Weekend (2011) tells of two young homosexuals getting to know each other in Nottingham. In the wintry marital drama 45 Years (2015) two old heterosexuals get to unknow each other in Norfolk. The canvases are miniature, the resonances crevasse-deep. His third film, Lean on Pete, brings a change of scene
It’s not every day that a television screenwriter is threatened with a trial for sedition, but G.F. Newman was after his series Law & Order aired on BBC2 in 1978. ‘The political fallout was enormous and there was a move to try and get me prosecuted by Sir Eldon Griffiths and a gang of MPs,