Winston churchill

‘We live as free men, speak as free men, walk as free men because a man called Winston Churchill lived’

This is the Spectator’s leader from 22 January 1965. Two days later, on 24 January, Winston Churchill died: Since the first news was given of his grave illness, the attention of the world has been concentrated on a quiet house in Hyde Park Gate. Old men and children, friends and strangers, came to pay homage and to be near him as he fought his last battle. The Archbishop of Canterbury on Tuesday prayed for him ‘as he approached death’ and the world waited and joined in prayer. There is more pride than tears in our grief. We are a free people because a man called Winston Churchill lived. By some

What unites Churchill, Dali and T.S. Eliot? They all worshipped the Marx Brothers

‘I had no idea you were so handsome,’ Groucho Marx wrote to T.S. Eliot in 1961 on receiving from him a signed studio portrait. The Missouri-born Eliot was the Marx Brothers’ devoted fan; three years later, in June 1964, Groucho called on the 75-year-old poet at his home in London. Eliot was interested in the Marx Brothers’ first undisputed film masterpiece, Animal Crackers (1930), while Groucho wanted only to quote from ‘The Waste Land’; however, the men agreed that they shared a love of cats and fine cigars. Winston Churchill was another who admired the Marxes and their deliciously mad repartee. During an air attack on London in May 1941

Westminster Abbey was a fitting setting in which to celebrate the life of Winston Churchill’s last child

The Times has given way to the Daily Telegraph as the bastion of the established order, for— with the one exception of the Prince of Wales and his wife — it listed the thousand or so people who attended last week’s memorial service for Lady Soames in Westminster Abbey in alphabetical order. This meant, for example, that my name, since it begins with C, came hundreds of places ahead of all the members of the Soames family, and even further ahead of the eighth Duke of Wellington, who is to be 100 years old next July. On the other hand, the Daily Telegraph observed the traditional order of social precedence,

The Spectator at war: Quiet seas

From The Spectator, 14 November 1914: We have mentioned elsewhere Mr. Winston Churchill’s speech on the Navy at the Guildhall, in which he pointed out that in effect patience and vigilance must be the watch-words of our sailors now as heretofore. There seemed at one time a certain restlessness in the public mind in regard to the Navy, which if it had been reflected in our Fleets might have been of the utmost danger. Happily, however, public opinion seems now to have steadied, and there is no fear of any attempt on the part of the man in the street to try to force our Navy into premature action. Nothing

The only way is Essex University

We are told this is now a ‘knowledge economy’. Strange, then, that there are so few recent educational buildings of note. An expansion of universities has not led to much enlightened architectural patronage. Rather the opposite, in fact. The university visual trope remains those dogged dreaming spires. And London’s skyline is punctuated not by grand monuments to learning but by the swaggering, leering one-liners of the global plutocracy. These are thoughts that come to mind on the occasion of Essex University’s 50th birthday, a much more interesting anniversary than it first (rather bleakly) sounds. It is the subject of an engaged and engaging booklet, Something Fierce, and an on-campus exhibition

Why prefabs really were fab

Sir Winston Churchill did not invent the prefab, but on 26 March 1944 he made an important broadcast promising to manufacture half a million of them to ease the new housing emergency caused by enemy bombs and the continued growth of inner-city slums. He went on to claim that these easy-to-assemble, factory-made bungalows would be ‘far superior to the ordinary cottage’. Readers of this richly illustrated, hard-hitting little book will find that Churchill was right. The new prefab — an early prototype immediately went on show at the Tate Gallery, of all places — did not meet the approval of George Bernard Shaw, who called it ‘Heartbreak House’ and that

Good riddance to rhetoric

Autumn is here, and so the political classes celebrate the return of Any Questions and Question Time. (The Dimbleby is the only species that hibernates during the summer.) This year, though, listen out for the one thing missing from both programmes: rhetoric. Over recent series politicians and pundits have shrugged off the oratory. Instead they talk normally, like normal people in a normal setting. And thank God for that. In the bad old days, discussion programmes were full of panellists giving it the full Winston. Contributions started ‘I’m very glad to have the opportunity of addressing this vital, and, if I might say so, crucial issue,’ then meander, via countless

The rhetorical power of ‘never’, from Ian Paisley to King Lear

He won’t be remembered as Lord Bannside, but Ian Paisley will be remembered for shouting: ‘Never, never, never, never.’ The fourth never was hardly a shout, by his standards, but merged into the roar of the crowd. Never is a useful word for rhetoric. In our mind’s ear we remember how Churchill stressed the word and paused as he said: ‘Never in the field of human conflict.’ That auditory memory is something of an illusion, for Churchill made his great speech about the ‘Few’ in the Commons, in 1940, and proceedings were not recorded in sound. What we have heard is the version he delivered again for a recording in 1951.

The lost Victorian who sculpted Churchill

Ivor Roberts-Jones was in many ways the right artist at the wrong time. Had the sculptor been born a few decades earlier and worked in the Victorian age, when statues of the builders and defenders of empire were erected proudly and prolifically across the land, he’d surely have received no end of garlands. As it is, Roberts-Jones (1913–96) found himself constantly battling against artistic fashions and today is barely even talked about. Born in the Welsh border town of Oswestry, he moved to London to study at the Royal Academy Schools and Goldsmiths College (the latter’s fame as a breeding ground for conceptual excess still a long way into the

‘Papa told us everything’: Winston Churchill and the remarkable Mary Soames

By any standards Mary Soames was one of the most remarkable women of her era: close confidante (possibly the closest) to Winston Churchill throughout the second world war, dedicated political wife, one of the most outstanding British ambassadresses sent to Paris, successful (against all reckoning) chairman of the National Theatre, and — later in life — a prize-winning author. She was also one of only three non-royal Ladies of the Garter in recent British history, and a Spectator contributor to boot. All this went hand in hand with a reluctance to talk about herself, and — except on rare occasions — about the war, and the father whom she adored

Why –y? The evolution of a suffix

Hitler was ‘dark, shouty, moustachioed’ in Churchill’s eyes, or rather, that was Jonathan Rose’s view of how Churchill saw Hitler, according to Sam Leith, writing in the books pages on 19 April. Shouty is not a word Churchill would have used in exactly this sense, for which no example is recorded by the Oxford English Dictionary before 2001. It falls in the category of –y suffixes that connote condemnation, ridicule, or contempt, like catty, churchy or beery. There are plenty of entries for a rather different sense, ‘like a shout’, as Henry Coward noted in his Choral Technique and Interpretation (1914) of untrained voices that may be ‘shouty, throaty, cavernous,

The poet who welcomed war

Today, 23 April, the world celebrates the 450th anniversary of William Shakespeare’s presumed birth (and marks with less joy the date of the Bard’s death in 1616). That double date obscures another: the 99th anniversary of the death of a less celebrated Warwickshire-born literary lad, the poet Rupert Brooke. Brooke, like many of his friends and contemporaries, died in the First World War. But unlike most of them, he perished not in action, but as a result of septicaemia from an infected insect bite to his upper lip. En route to the bloody beaches of Gallipoli, he fell ill in Egypt, died on a French hospital ship moored off the

Churchill was as mad as a badger. We should all be thankful

Land sakes! Another book about Winston Churchill? Really? Give us a break, the average reader may think. Actually though, as title and subtitle suggest, this isn’t just another biographical study. It’s at once odder and more conventional than that. More conventional because, in some ways, it is just another biographical study. Odder because — instead of being a straightforward discussion of Churchill’s literary work — it sees literature as the key to his biography. More than that, its author seems to think he has hit on a ‘new methodology’ in which ‘we can write political history as literary history’. Well, perhaps. At one end of that notion is the banality

Lessons from Tina Brown on the art of failing upwards

Shortly after I started working at Vanity Fair in the mid-1990s, I suggested to my boss Graydon Carter that I write an article about the number of New York society types who were bankrupt. Not morally bankrupt, but up to their eyeballs in debt. ‘Let’s get a team of researchers to go through the financials of everyone on the guest list of the annual costume ball at the Met,’ I suggested. ‘We could publish a list, like the Forbes 400, but the exact opposite: America’s most indebted billionaires.’ Graydon didn’t go for it, and not just because he was worried about its impact on his social life. ‘Like who?’ he

A spectacular faller in the Benghazi stakes

What an unedifying affair the war in the North African desert was, at least until November 1942 and the victory at El Alamein. As the author of this brisk study of one of its more admired practitioners writes: In no particular order, the following were casualties [i.e. sacked]: Wavell, Cunningham, Auchinleck, Norrie, Ritchie, Lumsden, Gatehouse, Rees, Godwin-Austen, Beresford-Pierse, Dorman-Smith, Corbett, Hobart, O’Creagh, Ramsden and Messervy. There might well have been a separate desk in the military secretary’s department in London dealing with officers who had taken a fall in what was laconically referred to as the Benghazi Stakes. And it had all begun so well. In December 1940, 36,000 men

The enlightened king of Iraq

‘King of Iraq’ has an odd ring even to those who know that Iraq was called Mesopotamia and was part of the Ottoman empire before falling into and out of the clutches of the British. Many people, including Iraqis, seem unaware that it was a monarchy until 1958. Some 45 years after its overthrow, members of Iraqi families that flourished in those royal days launched ambitious plans to restore the monarchy after Saddam Hussein’s demise. One of them was Ali A. Allawi, the author of this first major biography of Iraq’s founding father, King Faisal (r. 1921–1933). Formerly a merchant banker in London,  Allawi moved to Baghdad in 2003 where

The Spectator’s Notes: Quangos – a world of perfect hypocrisy

The accusation that the Tories have been installing their people in public appointments should evoke only a hollow laugh. They have been comatose on the subject. One of the greatest skills of New Labour was putting its allies in positions of control across the public sector. A great many are still there, and yet the Tories wonder why their efforts at reform are frustrated. Maggie Atkinson, for example, was imposed by Ed Balls, when in office, as Children’s Commissioner, against the recommendation of the relevant selection committee. She lingers on in her useless post. Lord Smith, the former Labour cabinet minister who has been flooding the Somerset levels, is still

James Delingpole: Is the fight against environmentalism the new Cold War?

Gosh it isn’t half irksome when someone who went to the same school as you but is considerably younger than you ends up doing dramatically better than you. But hats off to Dominic Sandbrook: his new series Cold War Britain (BBC2, Tuesday) is an absolute delight. Sandbrook has that rare gift of making things you thought you knew pretty well already seem startling and fresh. Take Churchill’s Fulton, Missouri speech. ‘Ah,’ I said expertly to the Fawn, a good five minutes before the programme reproduced the famous recording, ‘From Stettin in the Baltic…’ But what Sandbrook does is both put it in context and give it a human dimension that

What caused the first world war?

The centenary of August 1914 is still almost a year away, but the tsunami of first-world-war books has already begun. The government tells us that 1914 must be commemorated, not celebrated, and ministers worry about British triumphalism upsetting the Germans. But the debate about Germany’s responsibility for the outbreak of war in 1914 won’t go away. Historians are divided into those who blame Germany — John Rohl, Max Hastings — and those who point the finger at someone else, such as Serbia (Christopher Clarke) or Russia (Sean McMeekin) or even Britain (Niall Ferguson). The blame game is of course conceptually flawed. The international system in 1914 was seriously dysfunctional. The

Hitler’s missed opportunity: failing to smash the rock of Gibraltar

It may be that only geological erosion, expected to occur sometime over the next ten million years, will finally remove Gibraltar as a source of friction between Britain and Spain. In the meantime, with a poll showing that nearly two thirds of Spaniards support their government’s current tough line on the territory, David Cameron has again reassured the Rock’s chief minister Fabian Picardo that Britain will always stand up for Gibraltar and safeguard the interests of its people. But while the tension is real and enduring, there is no suggestion on either side that the situation might be resolved by force. Seventy-three years ago, in the autumn of 1940, the