Tom cruise

Wednesday

Bryan Appleyard

A stunning work of art: Mission: Impossible – Dead Reckoning Part One reviewed

Blockbuster action movies are designed to stun the audience into submissive acceptance. Complexity, humanity, emotion and beauty are reduced to a few flickering lights in the swirling darkness of death and destruction. This is not a criticism. Great art has sometimes been like that and Mission: Impossible – Dead Reckoning Part One is certainly art, though perhaps not great. Anyway, I, for one, was stunned. The film is certainly art, though perhaps not great, and I, for one, was stunned For context, this is the seventh Mission: Impossible movie. The first was in 1996 so the hero Tom Cruise, aka Ethan Hunt, is now in his sixties. The fact that

Alexander Larman

Mission: Impossible – Dead Reckoning Part One is the action film of the year

It is an unusual compliment to say of what will undoubtedly be the year’s best action film that the experience of watching it is rather like being punched in the face for the better part of three hours. But Mission: Impossible – Dead Reckoning Part One, which arrived in UK cinemas on Monday, is a bruising, visceral and wholly exciting ride that’s about as close as you can imagine to being put in a boxing ring with its star Tom Cruise. If the viewer is pummelled and bludgeoned into an ecstatic state of submission, then that’s the price you pay for this exceptional slice of filmmaking: a thriller that doesn’t just

Wednesday

Deborah Ross

You certainly don’t watch Top Gun for the script

Top Gun is back, nearly 40 years after the original, with reprised roles for Tom Cruise (59) and Val Kilmer (62) but nothing for Meg Ryan (60) or Kelly McGillis (64) although I can’t work out why. The first film is iconic and will likely remain that way unless you are stupid enough to rewatch it (I was stupid enough, and it hasn’t dated well; bland and corny). The sequel also hits its marks as if following a guide entitled How To Write a Blockbuster in Not That Many Steps With a Ton of Colossal Planes, but it is better done. Just. Maybe. The deal is: here’s a bad thing.

Friday

Stephen Arnell

Ten films to rival Top Gun Maverick

After over a year of delays, Tom Cruise’s keenly anticipated sequel to the iconic Top Gun (1986) is released on 25 May. TG: Maverick’s seat-of-your-pants aviation sequences have whetted the appetite of both fans and non-fans for the picture, which has picked up almost universally positive reviews. Not unexpectedly for Cruise, he handled some of the flying himself in the picture, returning as Pete ‘Maverick’ Mitchell, a US air force test pilot and flight instructor, purposely stuck at the rank of captain to indulge his addictive ‘need for speed.’Cruise dials down the cockiness of the first picture to deliver a more mature, nuanced take on Maverick – although he retains his

Thursday

Ian Thomson

Should we all be prepping for the end of days?

In the Covid-19 crisis the calamity-howlers have found a vindication: go back to survival mode and bunker down because nobody believed Noah until it was way too late. Bunker: Building for the End Times, a hybrid of reportage and philosophical musing, considers contemporary survivalist culture in all its manifest craziness, from the doomsday realtors who sell bomb-proof, virus-free bunker space to the Bible-belt survivalists who pack their INCH bags (I’m Never Coming Home) and bug out to bunker encampments in Wyoming in anticipation of the Final Judgment. In the modern concrete bunker Bradley Garrett sees an extreme expression of our fear of nuclear, chemical, biological and climatic calamity. Never before