The supernatural

The catalogue of 20th-century writers who committed suicide is long and sad: Sylvia Plath and Virginia Woolf, Ernest Hemingway and Sarah Kane, Stefan Zweig and Marina Tsvetaeva, to name only a few. Yet even amid this litany of literary misery, one name stands out for being perhaps more famous for their death than their work: Yukio Mishima (1925-70), who attempted a military coup before performing ritual suicide – hara-kiri – in the immediate aftermath of its failure. His long-planned, stage-managed, ostentatious and disturbing demise is not unconnected to his work, but it has dominated discussion of the writer ever since, significantly overshadowing his achievements – which were considerable, and led

‘Witch-hunt’ has become a handy metaphor for online persecutions, especially of women, though these days it is reputations that go up in flames rather than bodies. The mob mentality behind the phenomenon may not have changed as much as the medium or the mindset. In retelling a celebrated case from Elizabethan England, Jill Dawson enters thoroughly into her characters’ religious world view, while giving a meaningful glance at the issues of today. The fate of the Warboys witches – three members of one family – was recounted in prurient pamphlets of the time, but Dawson colours in the crude woodcut of history with passionate emotions and plausible motivations. As she

Strange, really, that the scheduled output of traditional broadcasters became known as ‘terrestrial’ television, given that TV is an etheric medium and nowadays exclusively a digital one. Or perhaps it’s not so strange at all. Television is ‘bonded to the earth’, writes Rob Young, whose roving survey of small and silver screen creativity between the 1950s and 1980s seeks to connect those airborne signals to the soil beneath our shoes. Young’s first book, the excellent Electric Eden, rummaged around the untrimmed hedgerows of the British psyche via the medium of folk-related music. The Magic Box has a similar aim. The intention is to ‘gorge on a huge cross-genre feast of