The second world war

Who could forget the Polish squadrons in RAF Fighter Command when, in the 1969 film The Battle of Britain, a British squadron leader, frustrated by the excited radio chatter on being allowed into action at last, orders ‘Silence! In Polish!’ Or the Polish Parachute Brigade at Arnhem, whose commander, Stanislaw Sosabowski, played by Gene Hackman in A Bridge Too Far (1977), thinking the venture disastrous, growls ‘God Bless Field Marshal Montgomery’ as he jumps from his Dakota? Commander Eugeniusz Plawski, the captain of the Polish destroyer Piorun which first spotted the Bismarck and charged at her to draw fire, might be better known if he had featured in the 1960

The idea was revolutionary – yet there was something ancient at its heart. The scientist Nikolai Vavilov, arriving in Petrograd in 1921 to take the helm of the Bureau of Applied Botany and Plant Breeding, was on a sacred mission: to make, in his words, ‘a treasury of all known crops and plants’. The world’s first seed bank would shape the future of agriculture – possibly even eliminate failed harvests and hunger. This was gleaming scientific idealism, but there was also an element of the Old Testament Ark about it. Throughout the siege, the botanists had to find the superhuman strength not to eat the seeds themselves The vision would

As Hilary Mantel memorably noted, history represents what people try to hide, and researching it is a question of ferreting out what they want you not to discover. Claire Hubbard-Hall’s plan to unearth the identities and lives of the legions of women who have worked unheralded in the British secret services was bold: looking for secrets in a doubly secret world. Miss Pettigrew was a ‘formidable grey-haired lady with a square jaw of the battleship type’ The first bureau was founded in 1909. It is perhaps not altogether surprising to learn that neither MI5 nor MI6 were very good to the female employees on whom they came increasingly to depend.

Naples is ‘certainly the most disgusting place in Europe’, judged John Ruskin. The boisterous yelling in the corridor-like streets and beetling humanity filled the Victorian sage with loathing. (‘See Naples and die’ became for Ruskin ‘See Naples and run away’.) In the city’s obscure exuberance of life he could see only a great sleaze. Naples still has a bad name. Tourists tend to hurry on through to visit the dead cities of Pompeii and Herculaneum, or jet-set Capri, renowned for the debauched excesses of Tiberius. Naples may lack the monumental grandeur of Rome, but visiting it constituted the gracious end to the Grand Tour during the 17th and 18th centuries.

The French philosopher Simone Weil, who died of self-starvation and tuberculosis in a Kent sanitorium in 1943 at the age of 34, remains a conundrum. ‘Mais elle est folle!’ had been the spluttering response of Charles de Gaulle the previous year, during her short wartime period analysing reports for the Free French in London. Her simple brief was to précis the ideas coming in from the Resistance movement on how to reconstruct France after liberation. The result – which was posthumously published, as were most of her writings – turned out to be a major work of original philosophy, Enchainement (The Need for Roots), running to hundreds of pages, a

The tramp of lovers marching through our heroine’s bedroom in the first half of Sonia Purnell’s Kingmaker almost deafens the reader. But then not for nothing did Pamela Digby Churchill Hayward Harriman become known as the alpha courtesan of the 20th century. What is perhaps not so well covered is her decade-long influence on American politics before becoming the United States Ambassador to France under (no, not literally) Bill Clinton. The Hon Pamela Digby was born on 20 March 1920 and brought up quietly in Dorset, riding, hunting and meeting only those her parents (her father was the 11th Baron Digby) considered above the social plimsoll line. Early on she

Even before the 872-day long siege ended, both survivors and onlookers had already begun to refer to Leningrad – formerly and currently known as St Petersburg – as a city of heroes. Tales of bravery and self-sacrifice were enshrined in memorials, histories and memoirs, which between 1945 and 1991 were published in the Soviet Union at an average rate of one per day. But heroism is, of course, only a partial description of life within the starving city where theft, murder, betrayal and a million smaller acts of self-interest were just as prevalent as acts of valour. The idea that Leningrad was a city of heroes was in part a

Stories and films set in stately homes continue to fascinate us, and Lissa Evans’s latest novel is likely to increase our appetite. It is 1945, and Dimperley Manor, the large, dilapidated home of the Vere-Thissetts near Aylesbury, has been almost emptied of its wartime evacuees. Only the widowed Zena Baxter (who adores Dimperley) and her small daughter remain, and the place has become a millstone round the neck of the heir, Valentine. The new baronet is expected to marry a rich bride to save his ancestral home. The nation, battered and bloodied, has just voted overwhelmingly for Labour. Is it a new dawn or a disaster? All this might seem

Eight decades after the second world war ended, for how much longer will we produce massive books about Hitler and the Nazis? Richard J. Evans, the former regius professor of history at the University of Cambridge, is one of the senior gardeners in this noxious orchard, having devoted a lifetime’s study to the subject. As a minor under-gardener in the same field, I believe that we now know all we need to about the Führer and the crimes of his vile regime, and, barring the unlikely discovery of something new, it is time that historians moved on. The damning facts can be briefly stated, and are cogently summed up by

Synchronised swimming isn’t really a sport, is it? It’s ‘artistic swimming’ now, of course, though many athletes don’t like that term precisely because it makes the Olympic event sound less like a real sport. But by the end of Swimming Pretty, Vicki Valosik’s meticulous history of synchronised swimming, it’s difficult to think of it as anything other than one of the toughest sports we’ve been watching in Paris – and wonder why anyone would disagree. That question is one that Valosik addresses in her book, along with making the case for the sheer discipline and power of a synchronised swimmer. Her skill is in doing both without ever sounding plaintive

Any personal history is hard to fictionalise, not least because the story needs to be both universal and unique. Claire Messud manages to find the right balance in her latest novel, reconstructing her family’s past in vivid episodes that open a multitude of windows on to the world. Continents and decades chase one another as the narrative traces the movements of the Cassar family. Hailing from Algeria, for much of the book they are citizens of nowhere. Their tribulations begin in 1940, when Lucienne and her children, François and Denise, flee Greece (where their father, Gaston, has been posted as the French naval attaché) to wait out the war in

In recent years, far from diminishing, the number of books on the Nazis, Occupied Europe and the Holocaust – events that now lie three quarters of a century in the past – seem only to grow. New archives are opened and attics are raided for forgotten diaries and letters. One historian who has mined them with great skill is Clare Mulley, the author of books on spies and Hitler’s pilots. She has now unearthed a story about a bold and resolute Polish agent, Elzbieta Zawacka, who went by the name of Zo. Her adventures are extraordinary, and their background is no less fascinating. Agent Zo is as much a book

In December last year, the last surviving D-Day veteran of my old regiment, the 13th/18th Royal Hussars, died peacefully in his care home. On 6 June 1944, 20-year-old Trooper Lawrence Burn had been the gunner in a specially adapted Sherman tank which, along with others of the regiment, had driven down the ramps of their landing craft 5,000 yards off Sword Beach and swum for almost an hour through the high swell to land a few minutes ahead of the assaulting infantry in order to suppress the defenders’ fire. Years later, Burn was still in awe of the scale and execution of the Normandy landings: ‘I don’t know who planned

In everyday life – on a garden path, flowerpot or lettuce – I back rapidly away from slugs. I didn’t expect to confront them in literature, but in Michele Mari’s Verdigris they are present in abundance, from the first line: Bisected by a precise blow of the spade, the slug writhed a moment longer: then it moved no more… slimy shame transformed into splendid silvery iridescence.  So, not a novel for one who shrinks from gastropod molluscs, you would think. Yet I quickly found myself drawn into a remote corner of rural north Italy in 1969 where a lonely, bookish boy, Michelino, spends long summers with his emotionally unreachable grandparents.

Once a King is trumpeted as ‘game-changing’, a ‘trove of never-before-seen papers which shed fresh light on the maligned Duke of Windsor’ and will ‘turn on its head long-accepted stereotypes’ about him. These are bold claims, but do they stack up? ‘The lost memoir of Edward Vlll’ actually consists of an early draft of the Duke of Windsor’s self-serving memoir, A King’s Story (1951), which Jane Marguerite Tippett found in the papers of the former king’s ghostwriter Charles Murphy in the Boston University archives. Far from being lost, the papers have been known to historians for 20 years and largely ignored in favour of more important collections elsewhere, not least

Simon Heffer is the supreme Stakhanovite among British writers. Where the original Stakhanov moved 227 tonnes of coal in a single shift, within the past decade Heffer has produced four massive volumes of modern British history, each little less than 1,000 pages. Alongside them he has edited three equally voluminous diaries of the waspish socialite MP ‘Chips’ Channon, as well as writing regular reviews and columns. Hats off to the master! In this latest and final volume of his tetralogy chronicling the British century between Queen Victoria’s accession in 1837 and Neville Chamberlain’s reluctant declaration of war on Germany in 1939, Heffer once more treats us to his vast knowledge

Imagine your donkey and mine graze in the same field. One day I conceive a dislike for my donkey and shoot it: on examining the victim, though, I realise with horror I’ve shot your donkey. Or imagine a slightly different scenario. As before, I draw a bead, but just as I pull the trigger, my donkey – perhaps more invested in this vale of tears than yours – steps out of the firing line and I shoot your donkey. Now here’s the question. When, in either case, I turn up on your doorstep with the remains of your donkey, how should I frame my apology to you? In his 1956

On its posthumous publication in 1980, Vasily Grossman’s Life and Fate was widely compared with War and Peace. For all the novel’s many virtues, the comparison was hyperbolic. In one respect, how-ever, Grossman’s was the more remarkable achievement. Whereas Tolstoy wrote about historical events with the benefit of hindsight, Grossman wrote about ones that he had recently endured. Life and Fate was the third of Grossman’s novels set during the Nazi invasion of the former Soviet Union. The first was The People Immortal, which, like the second, Stalingrad, is now available in an unexpurgated edition, superbly translated by Robert and Elizabeth Chandler. It covers a few days in July 1941

In February 1941 four US officers were landed from a British warship at Sheerness, bundled into vehicles and driven to Bletchley Park, Buckinghamshire, a large redbrick house amid wartime huts. They were greeted at midnight by the head of Bletchley with sherry, whisky being in short supply. They carried with them a secret device called the Purple Machine, which deciphered previously impregnable Japanese communications. In return, they were given full details of Bletchley’s breaking of the German Enigma cipher. Yet it would be another ten months before the US entered the war. This exchange between two governments of their greatest secrets, with no formal agreement beyond an understanding that they