Television

Harry Potter is for infantilized millennials

Nostalgia is often seen as a positive emotion, but the word actually derives from the Greek nostos, meaning “homecoming,” and algos, meaning “pain.” Nostalgia is really a type of homesickness, an ache for something lost. As audiences watch the new trailer for the HBO Harry Potter television series, the algos may hit pretty hard: those tantalizing two minutes are the reminder we need that you can’t catch lightning in a bottle twice.  The first thing you notice is simply how bad everything looks. Shows seem to have an obsession nowadays with making everything as dark as possible, so that you are constantly trying to adjust the light settings of your screen to see what’s actually happening. Even the colors of the recent Wicked films – an emerald-saturated dreamland that changed the possibilities of

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Love Story’s counterfeit Kennedys

Last June, Jack Schlossberg, the Kennedy nepo baby currently running for the open seat in New York’s 12th Congressional District, called out the television mini-series, Love Story: John F. Kennedy Jr & Carolyn Bessette. Executive producer Ryan Murphy was, Schlossberg declared, exploiting this couple’s courtship, marriage and death, and “profiting off of it in a grotesque way.” On a key point, Jack can rest easy. Love Story, now airing on FX/Hulu, treats his uncle John F. Kennedy Jr. reverently. Elizabeth Beller, Bessette’s biographer, praises the show for “honoring the legacy of everyone involved.” If JFK Jr. had a single physical flaw – I am grasping at straws here – it was a head

Why has it all gone wrong for The Night Manager?

The Night Manager is finally back after ten years with three major drawbacks: no Elizabeth Debicki for the sex scenes; no Tom Hollander for the comedy scenes; and no Hugh Laurie for the evil-kingpin-in-his-toothsome-mountaintop-lair scenes, I nearly claimed. But only because at the very beginning of the new season the Laurie character’s grizzled body is identified by Olivia Colman (in her most irritating performance ever, as a dowdy but capable MI6 officer with a gratingly suburban accent). And I didn’t want to spoil the coming plot twist in case any of you were foolish enough to have fallen for this blatant case of Chekhov’s misidentified corpse. Jonathan Pine is pretty

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New York, I love you, but I need to get home

I reached New York for the premiere of the fourth series of Industry in a mild state of delirium. I was traveling from Lamu, and it had taken four flights and 20 hours in the air to reach the US. Lamu is so beautiful that it briefly makes you consider whether to bother with western civilization at all. On the rickety flight to the island from mainland Kenya, I had sat next to a German count I vaguely knew. ‘You looking to get a little fucked up?’ he asked. I mumbled something about ‘family time’. He nodded and wished me luck. On New Year’s Day I ran into him again,

George ‘R&R’ Martin takes it easy

Now that the Stranger Things disappointment has died down – slightly – George R.R. Martin and his merry band of Game of Thrones cohorts have recaptured attention in what we must call the Thrones universe. After the warily positive but underwhelming reception that the major spin-off House of the Dragon received, A Knight of the Seven Kingdoms’s six-episode offering is in a lower key than either of its forbears. No dragons, no enormous battles, no big stars, just a small-scale relationship drama focusing on the hapless “hedge knight” Ser Duncan the Tall, aka “Dunk” and his child squire, Egg, whose origins are rather less lowly. Still, small-scale doesn’t mean humorless

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Good riddance, Kathleen Kennedy

The news that the producer Kathleen Kennedy is stepping down with immediate effect as president of Lucasfilm, to be replaced by Dave Filoni and Lynwen Brennan, may not sound especially consequential; film executives come and go all the time, and their arrival and departure is normally only of interest to those in the movie business. Yet Kennedy, who has run Lucasfilm – home of Star Wars, Indiana Jones and a great deal more – since 2012, and been in sole charge after the departure of the company’s founder George Lucas the same year, is the most consequential Hollywood studio head of the past couple of decades. And, her millions of

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