Sumerians

Among the most striking and memorable exhibits in the British Museum are the Assyrian reliefs depicting the royal hunt. These huge panels show the king, Ashurbanipal, shooting, spearing and stabbing a succession of lions, albeit ones that had been trapped beforehand and released from cages for the occasion. It is a magnificent work of art, carved in the city of Nineveh – on the outskirts of modern-day Mosul in northern Iraq – around the middle of the 7th century BC. My favourite section shows the king on horseback, riding full pelt, with no reins in his hands but only his bow and arrow. Our eyes are drawn to the detail

To quote Private Frazer in Dad’s Army, ‘We’re doomed, doomed!’ That seems to be the message of Paul Cooper’s eminently readable series of essays about how and why 14 civilisations rose to greatness and then collapsed. He begins with the Sumerians in the fourth millennium BC, at the northern tip of the Persian Gulf, and he finishes with Easter Island in the 18th century. He then concludes with dark prophecies about how a few centuries from now an overheated planet will look in a simpler post-industrial age. The style is informal, based on a series of popular podcasts, and one can almost hear the spoken word as one reads. Yet